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	<title>Comments on: Opera Institute Graduate Morris Robinson in Showboat at Chicago&#8217;s Lyric Stage</title>
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	<link>http://blogs.bu.edu/bjuarez/2012/02/16/opera-institute-graduate-morris-robinson-in-showboat/</link>
	<description>Dean Benjamín E. Juárez&#039;s Arts, Culture and Leadership Blog. Mark T. Krone, Editor</description>
	<lastBuildDate>Sat, 17 Nov 2012 22:55:11 -0500</lastBuildDate>
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		<title>By: karl</title>
		<link>http://blogs.bu.edu/bjuarez/2012/02/16/opera-institute-graduate-morris-robinson-in-showboat/comment-page-1/#comment-21478</link>
		<dc:creator>karl</dc:creator>
		<pubDate>Sat, 23 Jun 2012 17:56:23 +0000</pubDate>
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		<description>Morris, I&#039;m taking time out from applauding the &quot;Showboat&quot; broadcast to applaud your &quot;Ole Man River&quot;.  I first saw &quot;Showboat&quot; when I was a child in segregated NC.  I had never seen a film that mentioned racial issues.  When they took Julie/Ava Gardner off the showboat--just because.  To this day  it still ties me in knots.  Well, Showboat research and reading the book and different versions has become part of life--as well as Kern&#039;s other work.  i found out prior to &quot;Showboat&quot; all shows were girls and hoofers and vaudville.  After the premiere Ziegfeld thought it was a failure.  The audience filed out quietly.  The next day there were lines around the block.  Anyway, I love the score.  The only person in the production I&#039;m familiar with is Nathan Gunn.  I enjoy him frequently at the Met. I hope to see you on stage there very soon.  Your voice can take you there--I believe it will.</description>
		<content:encoded><![CDATA[<p>Morris, I&#8217;m taking time out from applauding the &#8220;Showboat&#8221; broadcast to applaud your &#8220;Ole Man River&#8221;.  I first saw &#8220;Showboat&#8221; when I was a child in segregated NC.  I had never seen a film that mentioned racial issues.  When they took Julie/Ava Gardner off the showboat&#8211;just because.  To this day  it still ties me in knots.  Well, Showboat research and reading the book and different versions has become part of life&#8211;as well as Kern&#8217;s other work.  i found out prior to &#8220;Showboat&#8221; all shows were girls and hoofers and vaudville.  After the premiere Ziegfeld thought it was a failure.  The audience filed out quietly.  The next day there were lines around the block.  Anyway, I love the score.  The only person in the production I&#8217;m familiar with is Nathan Gunn.  I enjoy him frequently at the Met. I hope to see you on stage there very soon.  Your voice can take you there&#8211;I believe it will.</p>
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