Tag Archives: programs

Choosing classes at BU!

 

Is it here yet?

So you’re newly accepted and anxiously waiting for September to start your adventure as a BU COM grad right? I thought so. You just want to skip right over summer and be here already. We know the feeling.

You may be wondering what classes you need to take and how to go about figuring that out. Well, step one -go to our website and click on your program. Then click under degree requirements. This is usually a great place to start. It tells you all your required classes and then some. I recommend getting all of your required classes out of the way first, especially if you’re like me and planning on going to London for your third semester!

Step two – speak to your department head. He/she will be very helpful in telling you exactly what classes you need. For example, for PR, CM 700 is only offered in the Fall. I emailed the head of the department, Professor Wright, and he essentially told me exactly which classes to take my first two semesters in order to ensure I’ll be on track for London. Because I’m in Public Relations, let me give you a preview of what your first and second semesters will look like to get the requirements out of the way.

Fall

  • CM700 – Financial and Strategic Management
  • CM 701 – Contemporary Public Relations
  • CM 722 – Communication Research
  • CM 707 (or) 705 – Writing for Media Professionals/International Students

Spring

  • CM 710 – Communication Theory
  • CM 742 – Media Relations
  • CM 709 or 715 – Corporate or Nonprofit
  • Elective

But that’s just an example for those in Public Relations. And if that’s your track, don’t take my word for it (I’m probably/and usually right), but I would definitely double check.

Step three: You’ll have an adviser assigned to you – usually a professor. He or she could be a big help also! And finally, step four: comgrad@bu.edu is always a huge help. After all, that’s what we’re here for.

Hooray, It’s LA!

Hollywood Bound

Here in the MFA section of Film and Television at Boston University, we get really hyped up about something most people our age find absolutely detestable as a conversational centerpiece–the future.  A case could be made that we’re all just too engrossed in our own work, but the solution may be more ridiculous: it’s our school. The Film and Television department offers a pretty sweet opportunity at the end of our program, one in which we can defer our graduation after taking an additional semester of focused classes and internships in Los Angeles.

This is a pretty big deal, as jobs in Hollywood are notoriously difficult to find.  When people say you need a friend in the industry, they’re not joking.  This program, though, helps us get a foot in the door.

Here’s how it works.  During your final semester, you send off an essay that details exactly what you want out of your future career and a portfolio of what you’ve done so far.  If you’re accepted, a representative from the BU in LA program, or in my case, the Writer in LA program, will come and interview you and help you find an internship or three.

It seems to me that the question isn’t so much why you’d want to do this, but instead–why wouldn’t you?

I’m a career-minded person.  I have a lot of trouble staying in the present with both of my personal and professional lives, and I’m always thinking more about the sale and production of my scripts than the actual writing of them.  As soon as I’m finished getting down the premise, I’m already thinking about shots, actors, and audience reception.  Now, this isn’t exactly a terrible thing, but it’s also not what I’m here to talk about.

This problem leads me to a few solutions.  I’m really interested in developing stories and structures for television.  I like thinking about how characters develop and change over time–after all, change is the essence of storytelling–so I’d love to get into a show-runner position.

Back up–how does this affect what I’m doing now?  My goals, for now, is to get an internship working in a writer’s room.  My philosophy is that the best work starts from the bottom, and being able to work my way up to the top, learning all the way, will make me more well-rounded in the end.   Being in graduate school has taught me a few things, and if you’ve ever spoken to me or read my other posts on this blog, you’ve certainly been beaten over the head by this before.

First, graduate school isn’t the end of your education, but the beginning of your career.  Second, it’s dangerous to have the attitude that the learning stops once you leave the school.  But that’s the really brilliant thing about this program.  Being able to get your start in a place like Boston is really essential, as you don’t have to fight ten thousand other filmmakers scraping for jobs, locations, and actors.  The opportunity to transition over to the land of the big dogs once you’ve had a chance to learn and expand in a free-form environment sets you a cut above everyone else that’s tried (and often, failed) to run out to LA with a suitcase and a dream.

The Writer in LA program, for me, just makes sense.   Hollywood is where the action happens–from writing to production.  It’s the place to be if you’re serious about filmmaking, and the opportunity to have someone hold your hand while you try to figure it all out is too good to pass up.

See you in Los Angeles.

The Reason I Chose BU

My path to BU was a little different then my fellow bloggers. Firstly, BU was not my first choice. I had eyes for only one school – NYU. It was what drove me to apply to graduate school in the first place – I wanted to be a New York City gal.

However, a friend cautioned me not to put all my eggs in one basket and suggested two other top Communication schools I should try for. So I applied to NYU Steinhardt, Georgetown University, and Boston University and, low and behold, I got into all three. When decision time came around I hesitated. Shouldn’t I just check out these other schools before dismissing them off the bat? I mean I did take the time to apply and pay for the pleasure of it. So, when I got back from Spain I set off on a graduate pilgrimage.

My life changing decision

Overall, I loved them all, which made my decision even harder. I saw a metaphorical, yet all too real, crossroad ahead of me. Whatever school I choose would lead me down a specific path that would be hard to deviate from. Georgetown had a beautiful campus (think Harry Potter – I’m still waiting for my letter). The classes sounded extremely interesting and the professors were all big players in their respective fields. However, they were too politically oriented for my test as well as mainly theoretical.

NYU, my love, was, unfortunately, mainly theoretical as well. It was ridiculously (yes ridiculously) interesting and married closely to my undergraduate degree in anthropology (which is not the study of ants, people). However, it was just too academically focused. I knew if I went there I would be following a path that would inevitably lead to a faculty position at a university – which was the main reason I had decided not to continue my studies in anthropology. Also, though the people at the actual college were nice and helpful during open house, the admission people were a little off putting and I got the feeling that they didn’t really care if I attended or not.

BU, quite frankly, surprised me. One of the main reasons I never really considered BU was because of its close proximity to my hometown. I wanted to get out of Massachusetts, badly. I had been extremely pleased with BU’s admission process – I actually felt like they cared that I was interested in their school. However, I wasn’t really expecting their open house to affect my decision. I had, at that moment, decided to send in my deposit to NYU and was just going at the behest of my family. BU, however, seemed to know exactly what I needed.

Several keywords were emphasized throughout the event – practical experience, alumni network, support, bacon wrapped bread (truth). The professors were affable and the admission staff downright charming. During the breakout sessions the professors in my program, Communication Studies, were honest and encouraging. They made sure I knew what type of program I would be getting into – a practically oriented one. This was also the only open house that took 30 minutes to discuss, without prompt, how I could possibly afford the program.

After another week of hemming and hawing I sent in my deposit, to BU. For me, someone looking for a program that would help jump-start my career in Communication, this was the best and obvious choice. I have not regretted it since.

 

The Name of the Game

Suddenly, it’s two years ago.  I’m looking at graduate school, and I’m asking myself the big questions.

I won’t lie to you–when it came to my decision to apply to Boston University–I only had one thing in mind.  Success.  I searched for the top ten graduate schools for screenwriting and ran down the list.  I didn’t want to be in Los Angeles or New York City.  I didn’t want to be at a school that wasn’t going to set me apart.  I wanted to go somewhere I could write, get better at what I already did well, and push myself to be better than everyone else.

When I was thinking about graduate school, I wasn’t thinking about an extension of my undergraduate life.  The first day of graduate school was the first day of my new career.  The time for changing majors, taking throwaway classes, and sleeping late to avoid that eight-in-the-morning monster of a class had passed.  I knew that with every paper I wrote (and I wrote a lot of them), I’d be showing my expertise, knowhow, and intellect to people who would be paying attention and making a list.  I wanted to be on that list, because I knew who that person was–that person was capable of getting me where I wanted to be.

I knew what I wanted, and got the chance to take it–so I did.  I knew that in my field, a degree in screenwriting from Boston University was a big thing.  I mean, look at what our alumni have done.  Scott Rosenberg wrote High Fidelity and Things to Do in Denver When You’re Dead. Bruce Feirstein wrote the three greater Brosnan-era Bond films and oversaw the production of L.A. Confidential. Richard Gladstein produced Reservoir Dogs, Pulp Fiction, and The Bourne Identity.

I came to Boston University because I wanted to be the best.  I’m not there yet, but I’m getting there.  I’m making big connections, developing my craft in a way I didn’t think possible, and am well on my way to getting exactly what I want: success.

Boston University took me a long way in getting there.

 

Why I Choose BU

So squeezable

BU separated themselves by being personable from the very beginning.

When I was searching for journalism graduate programs, I sent out a handful of emails requesting information about the schools, the application process, and any other details that I may need to know. For the most part the schools I contacted replied back, but only BU answered each of my questions individually. It was a pretty small gesture, but for a nervous 27 year old who wasn’t even sure applying to grad school was the right move in the first place, it was much appreciated.

This level of one-on-one communication continued throughout the entire application process. From the consistent email updates, to the stress ball BU sent me as the application deadline approached, to the thank you letter they sent me once my application was completed, I felt like BU made a real attempt to connect with me. This connection continued once I was accepted. The accepted students dinner in San Francisco really meant a lot to me, as I was able to meet with a handful of current students as well as the Assistant Dean. I didn’t know what to expect sitting down for dinner with a group of folks from a graduate school, but very consistent with the entire process with BU, they were all incredibly nice. We chatted for a few hours, and when I walked out of the restaurant I was going to BU.

I’ve been here for 6 months now, and I am proud to say that BU is my home.