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	<title>The Core Blog &#187; interpretation</title>
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		<title>A Review of Christian Wiman&#8217;s Spiritual Autobiography</title>
		<link>http://blogs.bu.edu/core/2013/04/30/a-review-of-christian-wimans-spiritual-autobiography/</link>
		<comments>http://blogs.bu.edu/core/2013/04/30/a-review-of-christian-wimans-spiritual-autobiography/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 16:59:47 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<category><![CDATA[Christian Wiman]]></category>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2505</guid>
		<description><![CDATA[In his review of Christian Wiman&#8217;s spiritual autobiography, My Bright Abyss: Meditation of a Modern Believer, Jay Parini discusses Wiman&#8217;s emphasis on the importance of faith to a critic. Here is an extract: It strikes me that criticism—systemic reflection on texts, even on life itself—has lost its urgency during the past 30 years or more, [...]]]></description>
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		<title>David Gilmour: Shakespeare’s Sonnet 18</title>
		<link>http://blogs.bu.edu/core/2013/04/05/david-gilmour-shakespeare%e2%80%99s-sonnet-18/</link>
		<comments>http://blogs.bu.edu/core/2013/04/05/david-gilmour-shakespeare%e2%80%99s-sonnet-18/#comments</comments>
		<pubDate>Fri, 05 Apr 2013 15:52:30 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<category><![CDATA[shakespeare]]></category>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2332</guid>
		<description><![CDATA[Core classes often explore Shakespeare&#8217;s work, and the video above illustrates the inspiration musicians can draw from it. For an article discussing Gilmour&#8217;s interpretation, visit bit.ly/XhVBrD]]></description>
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		<title>BU Today: The Penelopiad</title>
		<link>http://blogs.bu.edu/core/2013/02/22/bu-today-the-penelopiad/</link>
		<comments>http://blogs.bu.edu/core/2013/02/22/bu-today-the-penelopiad/#comments</comments>
		<pubDate>Fri, 22 Feb 2013 14:26:17 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2189</guid>
		<description><![CDATA[This article by Susan Seligson of BU Today provides the first reactions to CFA&#8217;s rendi tion of Margaret Atwood&#8217;s Penelopiad. Here is a sample of description: In this contemporary reimagining of The Odyssey, which the author adapted from her 2005 novella, the dead Penelope narrates her tale from a 21st-century Hades, in a state she describes as [...]]]></description>
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		<title>Margaret Atwood&#8217;s &#8220;The Penelopiad&#8221; at BU</title>
		<link>http://blogs.bu.edu/core/2013/02/12/margaret-atwoods-the-penelopiad-at-bu/</link>
		<comments>http://blogs.bu.edu/core/2013/02/12/margaret-atwoods-the-penelopiad-at-bu/#comments</comments>
		<pubDate>Tue, 12 Feb 2013 21:32:35 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2111</guid>
		<description><![CDATA[The Core would like to bring to students&#8217; attention an excellent performance which they can attend- on Sunday February 24, the CFA Department of Theatre will present Margaret Atwood&#8217;s &#8220;The Penelopiad,&#8221; a play about the women in Homer’s Odyssey. The performance will take place at 2 PM, at the Boston Center for the Arts. It [...]]]></description>
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