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	<title>The Core Blog &#187; Mozart</title>
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	<description>news, events, and commentary from the Arts &#38; Sciences Core Curriculum</description>
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		<title>Mozart Portrait Research &amp; Controversy</title>
		<link>http://blogs.bu.edu/core/2013/02/06/mozart-portrait-research-controversy/</link>
		<comments>http://blogs.bu.edu/core/2013/02/06/mozart-portrait-research-controversy/#comments</comments>
		<pubDate>Wed, 06 Feb 2013 18:49:11 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Community]]></category>
		<category><![CDATA[Great Personalities]]></category>
		<category><![CDATA[controversy]]></category>
		<category><![CDATA[face]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[famous]]></category>
		<category><![CDATA[look]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[question]]></category>
		<category><![CDATA[real]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2079</guid>
		<description><![CDATA[The Core presents an article by Daniel J. Wakin on the debated topic of Mozart portrait authenticity. The International Mozarteum Foundation in Salzburg, Mozart’s birthplace, have announced their intriguing findings. A sample of the article: “It’s an emotional question,” Ms. Ramsauer said. “Mozart is such a universal genius. Everybody knows him. Everybody takes part of his life.”&#8230; One [...]]]></description>
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		<title>&#8216;The Strangest Art&#8217; by Wendy Lesser</title>
		<link>http://blogs.bu.edu/core/2012/12/14/the-strangest-art-by-wendy-lesser/</link>
		<comments>http://blogs.bu.edu/core/2012/12/14/the-strangest-art-by-wendy-lesser/#comments</comments>
		<pubDate>Fri, 14 Dec 2012 15:34:30 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
				<category><![CDATA[Curriculum]]></category>
		<category><![CDATA[Great Questions]]></category>
		<category><![CDATA[CC202]]></category>
		<category><![CDATA[classic]]></category>
		<category><![CDATA[influence]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[revival]]></category>
		<category><![CDATA[theater]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=1942</guid>
		<description><![CDATA[Relating to the work of CC202, which inspects Mozart, is an essay arguing that revivals of classic works do not hold back the opera genre from blossoming. Here is an excerpt: Nothing, perhaps, will ever be as good as Shakespeare, but that doesn’t prevent Tony Kushner or David Mamet from writing marvellous plays now. Shostakovich [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Separating Mozart from &#8220;Amadeus&#8221;</title>
		<link>http://blogs.bu.edu/core/2011/04/26/separating-mozart-from-amadeus/</link>
		<comments>http://blogs.bu.edu/core/2011/04/26/separating-mozart-from-amadeus/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 13:59:05 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
				<category><![CDATA[Core Lecturers]]></category>
		<category><![CDATA[Faculty Publications]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Wates]]></category>
		<category><![CDATA[Wicked Local]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=1104</guid>
		<description><![CDATA[Professor of music and lecturer for the core Roye E. Wates recently published a book covering the reality and fiction surrounding Mozart, titled Mozart: An Introduction to the Music, the Man and the Myths.  Wicked Local interviewed Professor Wates on the book, and it sheds some insight into how Amadeus may be more hurtful than [...]]]></description>
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		<title>Analects of the Core #101</title>
		<link>http://blogs.bu.edu/core/2011/03/22/analects-of-the-core-101/</link>
		<comments>http://blogs.bu.edu/core/2011/03/22/analects-of-the-core-101/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 20:05:06 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
				<category><![CDATA[Analects]]></category>
		<category><![CDATA[Mozart]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=917</guid>
		<description><![CDATA[When I am traveling in a carriage, or walking after a good meal, or during the night when I cannot sleep; it is on such occasions that ideas flow best and most abundantly. - Attributed to Wolfgang Amadeus Mozart, origin unknown.]]></description>
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		</item>
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		<title>CC202 video homework</title>
		<link>http://blogs.bu.edu/core/2011/02/03/cc202-video-homework/</link>
		<comments>http://blogs.bu.edu/core/2011/02/03/cc202-video-homework/#comments</comments>
		<pubDate>Thu, 03 Feb 2011 17:15:24 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[CC202]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=569</guid>
		<description><![CDATA[Anne Whiting (Core &#8217;11, CAS 13) observes that the homework in CC202 involves, sometimes, trawling videos on YouTube. Behold: The Three Boys &#8211; The Magic Flute (Die Zauberflote) by Mozart A clip from Ingmar Bergman&#8217;s 1976 film version of Mozart&#8217;s opera. NB: This version will be screened next week, on Monday and Tuesday February 7th [...]]]></description>
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		<title>A new book by Prof. Wates</title>
		<link>http://blogs.bu.edu/core/2010/11/16/344/</link>
		<comments>http://blogs.bu.edu/core/2010/11/16/344/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 19:39:21 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
				<category><![CDATA[Core Authors]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[new book]]></category>
		<category><![CDATA[publications]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=344</guid>
		<description><![CDATA[Professor Roye Wates is a long-time guest lecturer in the Core Humanities, where she speaks to sophomores about the method and meaning of Mozart’s operas. Core students are not the only beneficiaries of her knowledge—she is frequently called upon to give pre-concert talks in the Boston area, and has lectured on various aspects of Mozart’s [...]]]></description>
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