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	<title>The Core Blog &#187; opera</title>
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		<title>Lowell House Opera’s A Midsummer Night’s Dream</title>
		<link>http://blogs.bu.edu/core/2013/04/01/lowell-house-opera%e2%80%99s-a-midsummer-night%e2%80%99s-dream/</link>
		<comments>http://blogs.bu.edu/core/2013/04/01/lowell-house-opera%e2%80%99s-a-midsummer-night%e2%80%99s-dream/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 13:33:53 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<category><![CDATA[A Midsummer Night's Dream]]></category>
		<category><![CDATA[Benjamin Britten]]></category>
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		<category><![CDATA[Lowell House Opera]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[orchestra]]></category>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2310</guid>
		<description><![CDATA[The official event description, for April 3rd, 5th, and 6th: With this year’s production, Lowell House Opera joins the worldwide festivities celebrating the centennial year of Benjamin Britten, one of the most influential composers of the 20th century and greatest composers in British music history. A master of modern opera, Britten skillfully captures the magical [...]]]></description>
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		<title>&#8216;The Strangest Art&#8217; by Wendy Lesser</title>
		<link>http://blogs.bu.edu/core/2012/12/14/the-strangest-art-by-wendy-lesser/</link>
		<comments>http://blogs.bu.edu/core/2012/12/14/the-strangest-art-by-wendy-lesser/#comments</comments>
		<pubDate>Fri, 14 Dec 2012 15:34:30 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
				<category><![CDATA[Curriculum]]></category>
		<category><![CDATA[Great Questions]]></category>
		<category><![CDATA[CC202]]></category>
		<category><![CDATA[classic]]></category>
		<category><![CDATA[influence]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[revival]]></category>
		<category><![CDATA[theater]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=1942</guid>
		<description><![CDATA[Relating to the work of CC202, which inspects Mozart, is an essay arguing that revivals of classic works do not hold back the opera genre from blossoming. Here is an excerpt: Nothing, perhaps, will ever be as good as Shakespeare, but that doesn’t prevent Tony Kushner or David Mamet from writing marvellous plays now. Shostakovich [...]]]></description>
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		<title>How should Aeneas have dumped Dido?</title>
		<link>http://blogs.bu.edu/core/2012/03/21/aeneid-exit-strategy-challenge/</link>
		<comments>http://blogs.bu.edu/core/2012/03/21/aeneid-exit-strategy-challenge/#comments</comments>
		<pubDate>Wed, 21 Mar 2012 15:14:18 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
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		<category><![CDATA[Aeneid]]></category>
		<category><![CDATA[CC102]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Virgil]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=1642</guid>
		<description><![CDATA[According to Prof. Pat Johnson (in yesterday&#8217;s CC102 lecture), &#8220;any BU undergraduate could have found a better way to dump Dido than Aeneas did in Book IV of the Aeneid&#8220;: She was the first to speak and charge Aeneas: &#8220;You even hope to keep me in the dark as to this outrage, did you, two-faced [...]]]></description>
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