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	<title>The Core Blog &#187; production</title>
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		<title>Trojan Women Performances!</title>
		<link>http://blogs.bu.edu/core/2013/04/18/trojan-women-performances/</link>
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		<pubDate>Thu, 18 Apr 2013 15:11:43 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2427</guid>
		<description><![CDATA[Among the greatest of all antiwar dramas, Trojan Women meditates on the moments of individual choice that separate death and life, despair and hope, future and past. In a contemporary adaptation by Jocelyn Clarke, characters such as Odysseus who were formerly seen but not heard appear, and live original music underscores the timeless tale. Acclaimed [...]]]></description>
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		<title>BU Today: The Penelopiad</title>
		<link>http://blogs.bu.edu/core/2013/02/22/bu-today-the-penelopiad/</link>
		<comments>http://blogs.bu.edu/core/2013/02/22/bu-today-the-penelopiad/#comments</comments>
		<pubDate>Fri, 22 Feb 2013 14:26:17 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=2189</guid>
		<description><![CDATA[This article by Susan Seligson of BU Today provides the first reactions to CFA&#8217;s rendi tion of Margaret Atwood&#8217;s Penelopiad. Here is a sample of description: In this contemporary reimagining of The Odyssey, which the author adapted from her 2005 novella, the dead Penelope narrates her tale from a 21st-century Hades, in a state she describes as [...]]]></description>
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		<title>Charles McNulty on Depictions of Violence in Theater</title>
		<link>http://blogs.bu.edu/core/2013/02/19/charles-mcnulty-on-depictions-of-violence-in-theater/</link>
		<comments>http://blogs.bu.edu/core/2013/02/19/charles-mcnulty-on-depictions-of-violence-in-theater/#comments</comments>
		<pubDate>Tue, 19 Feb 2013 16:49:54 +0000</pubDate>
		<dc:creator>mdimov</dc:creator>
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		<description><![CDATA[In this compelling article, Los Angeles Times Theater Critic McNulty discusses the controversial topic of violence in theater. Here is a sample: What is the line between acceptable and unacceptable violence in art? If gruesomeness is the criterion, much of Jacobean drama would have to be banned, including Shakespeare&#8217;s &#8220;King Lear,&#8221; with its graphic scene [...]]]></description>
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