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	<title>The Core Blog &#187; publications</title>
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		<title>From a CC101 debate on democracy</title>
		<link>http://blogs.bu.edu/core/2010/12/07/from-a-cc101-debate-on-democracy/</link>
		<comments>http://blogs.bu.edu/core/2010/12/07/from-a-cc101-debate-on-democracy/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 16:27:25 +0000</pubDate>
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		<category><![CDATA[Socrates]]></category>
		<category><![CDATA[Sophocles]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=480</guid>
		<description><![CDATA[The problem with storytelling is that it appeals to the desirous part of the soul and not the rational &#8212; that&#8217;s why Socrates has such a problem with it. So, my question is: Would it be just to ban Sophocles and his plays in the city of Athens, when they clearly show a deep understanding [...]]]></description>
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		<title>Professor Abigail Gillman publishes &#8220;Viennese Jewish Modernism&#8221;</title>
		<link>http://blogs.bu.edu/core/2010/12/06/professor-abigail-gillman-publishes-viennese-jewish-modernism/</link>
		<comments>http://blogs.bu.edu/core/2010/12/06/professor-abigail-gillman-publishes-viennese-jewish-modernism/#comments</comments>
		<pubDate>Mon, 06 Dec 2010 16:58:18 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=465</guid>
		<description><![CDATA[In her recently published new book, Viennese Jewish Modernism, Professor Abigail Gillman &#8212; associate professor of Hebrew and German, and instructor in the Core Humanities &#8212; takes a novel approach to exploring Jewish Modernism that goes beyond identity as Jewish or non-Jewish. Instead, Prof. Gillman focuses on the works of Sigmund Freud, Hugo Von Hofmannsthal, [...]]]></description>
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		<title>A new paper from Prof. Kyna Hamill</title>
		<link>http://blogs.bu.edu/core/2010/11/17/a-new-paper-from-prof-kyna-hamill/</link>
		<comments>http://blogs.bu.edu/core/2010/11/17/a-new-paper-from-prof-kyna-hamill/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 16:06:39 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=365</guid>
		<description><![CDATA[Prof. Kyna Hamill, whose area of scholarly focus is the early Italian commedia dell&#8217;arte, has published a paper in a special issue of Theatre Symposium focusing on stage props. In her paper, titled &#8220;A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell&#8217;arte,&#8221; Prof. Hamill explores the dramatic and symbolic role of weapons [...]]]></description>
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		<title>A new book by Prof. Wates</title>
		<link>http://blogs.bu.edu/core/2010/11/16/344/</link>
		<comments>http://blogs.bu.edu/core/2010/11/16/344/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 19:39:21 +0000</pubDate>
		<dc:creator>CAS Core Curriculum</dc:creator>
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		<category><![CDATA[Mozart]]></category>
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		<guid isPermaLink="false">http://blogs.bu.edu/core/?p=344</guid>
		<description><![CDATA[Professor Roye Wates is a long-time guest lecturer in the Core Humanities, where she speaks to sophomores about the method and meaning of Mozart’s operas. Core students are not the only beneficiaries of her knowledge—she is frequently called upon to give pre-concert talks in the Boston area, and has lectured on various aspects of Mozart’s [...]]]></description>
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