Tag Archives: rape

The Parallels between The Handmaid’s Tale and the United States Today

By: Rachel Harmon

*Spoilers below*

While I may be late in the game to finally watch The Handmaid’s Tale, I am certainly glad I did. The Handmaid’s Tale is a Hulu original series based on Margaret Atwood’s 1985 novel by the same name. This dystopian, fictional story centers around Offred, a handmaid, who is forced to bear children, as she is one of the very few women who is still fertile in her society. Offred defies her commander and stands up for herself to escape the horrible life in which she lives. The series presents many ideas that are strikingly similar to current issues surrounding women’s reproductive rights, such as: women fulfilling their “biological purpose” as bearers of children, and women degrading themselves to avoid the tortuous consequences of rebelling against patriarchy. These ideas are not farfetched, for there many governments around the world that subjugate women’s bodies and reproductive rights.

Handmaids-Tale-2017-billboard-1548

It does not shock me anymore in our current social climate that some people would fall into the notion of following strict Conservative Christian values. The women in The Handmaid’s Tale were reduced to serving men and the home by being servants, gaining permission from their husbands to do anything, and being stripped of their jobs. This was only achieved by a huge following (mostly men) that would enforce this because the women had passions and jobs that were outside of strict Conservative Christian values. Thus, it was degrading and disgusting the way the men of the society treated the women since they were forced to completely change their way of life.

In addition to changing their way of life, the women were treated in the most horrifying ways I have ever seen on television. This treatment seemed counterintuitive, because the men were treating the handmaids as the lowest of all women, despite their being the only fertile women of their society, and in my opinion, the most valuable. You would think they would receive the best treatment, considering the circumstances, but no. The handmaids were raped, beaten, cattle pronged, isolated, and tortured. You would think the most valuable people in that society would be treated like royalty, but they were hardly treated like human beings. In Atwood’s society, the commanders trade the handmaids as commodities with other countries that do not have fertile women. The handmaids were only seen as concubines; once they give birth, they were sent to another family to start the process all over again.

The Handmaid’s Tale made me think about how women are treated today. We are still demeaned in our workspaces, cat-called in the street, and seen as sexual objects. It is ridiculous that we have to try more to be seen more, believed more, and heard more. Even though we are human beings, it is still like we are fighting to prove this to everyone.

In an article about the similarities between the TV show and today’s political climate, Jennifer Armstrong corroborates the notion that Margaret Atwood’s novel cannot be categorized as science fiction because it “mirror[s] the United States’ embrace of conservatism…as well as the increasing power of the Christian right and its powerful lobbying organizations” (Armstrong, 2018). Atwood’s novel confronts the United States’ concerns of “the rising political power of Christian fundamentalists, environmental concerns, and attacks on women’s reproductive rights” (Armstrong, 2018). These are no different than the concerns in 2019.

While The Handmaid’s Tale presents a scary alternate reality that seems removed from our current American society, it is not as strange as we might believe.

This is what truly scares me. Women have come so far in terms of living outside of the home and being their own individual person that it would be heartbreaking to see this progress all be for nothing. We cannot dismiss Atwood’s story as pure fiction because women are being oppressed by society now. We cannot be naïve as we watch this show, and more importantly, we cannot believe that this could never happen to the United States. It could, and we should be active in supporting organizations that will uphold abortion rights, access to equitable pay, contraceptives, and education. We cannot become complacent in believing that we are done fighting for our rights and we must continue to fight every day.

 

Sources:

Armstrong, Jennifer Keishin. “Culture – Why The Handmaid’s Tale Is so Relevant Today.” BBC News, BBC, 25 Apr. 2018, www.bbc.com/culture/story/20180425-why-the-handmaids-tale-is-so-relevant-today.

“Watch The Handmaid’s Tale: Season 1 | Prime Video.” Amazon, Amazon, www.amazon.com/dp/B073X7TYY2?tag=moviefone-20.

 

Surviving R Kelly: Black Girls’ Lives Matter

By: Moriah Mikhail

The Play-book of a master manipulator:

Lure, charm, ensnare, lie, coerce, abuse, lie some more, compliment, abuse again, threaten, control, cover up, and then lie again. repeat.

After watching the Surviving R Kelly Lifetime documentary, it seems Kelly has not only mastered this play-book but may have written it himself. The disturbing reports of pedophilia, sexual and physical abuse, as well as manipulation the girls recounted from their experience with the R&B pied piper were enough to make any viewer physically ill. And yet the most disturbing component of Kelly’s systematic manipulation is how he specifically chooses the girls he preys on. This once idolized Black artist utilizes the oppression experienced by Black women and girls to his advantage, successfully (until now), silencing his victims. One Survivor featured in the Lifetime series, Asante McGee, alleges that the singer preys on super fans specifically, employing his power as an R&B superstar to sexually manipulate vulnerable fans. McGee became involved with R Kelly at the age of 32, but she describes that regardless of age; “if you are vulnerable and he knows he can control you, that’s who he’s gonna go for.” The significance of that tendency is this—the R&B molester’s main goal with these girls is to seek control and exploit them with little threat of repercussions. He preys on the very community that has helped him achieve stardom, and worse, many young girls from that community. Because of this, survivors have been hushed by their own community and their reports against him have evoked little outrage. As Chance The Rapper described, and an opinion many unfortunately hold: “I didn’t value the accusers’ stories because they were black women.”Kelly is utilizing a racist societal ill to his advantage, and it cannot be stressed enough how problematic that is, especially for a black artist idolized by the black community.

For those that have not been able to tune into the series, I will summarize a few critical points. Disclaimer: some of the stories mentioned below may be triggering for certain viewers that have experienced sexual or domestic abuse; please use discretion as you read and prioritize your mental health.

1994 marks the start of R Kelly’s apparent trail of pedophilia with his illegal marriage to the then 15 year old, Aaliyah, considered the princess of R&B. As described in the docuseries, those in his inner circle considered his relationship with Aaliyah to be an anomaly in Kelly’s sexual history. They believed he loved her and that he thought she was “different,” “mature,” and “beyond her years.” I use quotes not to say she could not have exhibited those characteristics but that coming from Rob it sounds more like a cover-up to convince his peers that their relationship was an exception and not an obvious red flag that he was (and still is) a pedophile. Recently, Kelly’s lawyers have come to his defense claiming Aaliyah lied about her age saying she was 18 but recently a video clip resurfaced, proving R Kelly was in fact aware she was 15 at the time of their marriage. He was 27.

Sparkle (Stephanie Edwards)describes a different side of a familiar scandal in Surviving R Kelly. The trending upcoming singer introduced her niece to R Kelly when the young girl was just 12 years old. Her hopes were that Rob could do for her niece what he did for her—help her achieve stardom, as the girl (whose identity has been kept confidential), was an aspiring young female rapper. This same girl that Sparkle clearly holds a sister-like protective love for is more widely known as “the girl R Kelly peed on.” Yes, a girl introduced to Rob at the mere and vulnerable age of 12 is the same girl from the “sex tape” (filmed rape) that Kelly faced child pornagraphy charges for in 2002. When the tape was taken Sparkle confirmed her niece had to be 14 years old because she recalls her hairstyle in the tape was the same she wore when she was around that age. Kelly was 35. The girl and her family, paid off and embarrassed, did not testify against the girl’s rapist. Sparkle, even after overwhelming discouragement from people in the music industry, spoke out against R Kelly and all that came from the trial was the ruin of Sparkle’s music career and charting songs for R Kelly. The Jury found him not guilty.

During the course of the 2002 trial, R Kelly’s superfans display their support from outside the courtroom. One young female supporter catches his eye—an underage Jerhonda Pace. He exchanges numbers with her outside the very courtroom he is entering to face child pornography charges. The two begin communicating via text and phone call immediately. The young girl is swept into Kelly’s house where he harbors his cult of underage sex slaves. We watch the once star-struck superfan walk off the set, crying, as she recalls the abuse she experienced from him. Lisette Martinez meets Kelly in the mall at the age of 17 and is pulled into his cycle of manipulation and abuse. Dominique Gardner connects with R Kelly through her fellow superfan friend, Jheronda, and remains a prisoner to the house for 9 years after. Countless women describe eerily similar experiences of being star struck, flattered, charmed, built up, tore down, coerced, threatened, controlled, abused, and emotionally drained in their abuser’s sick cycle of manipulation. The survivors that ended up in “the house” describe his harsh control of degrading rules where the women would have to knock or stomp to ask permission to enter parts of the house, perform sex acts he requested for himself or on others, call him ‘Daddy’ and relieve themselves in buckets in their rooms. Some names mentioned like Jocelyn Savage and Azriel Clary are still prisoners under his control, along with countless other women and girls.

Surprisingly, there is even more disturbing accounts that the documentary covers but in summary Kelly displays a 20 year long track record of pedophilia, abuse and manipulation. Not to mention he hints at admitting to these accusations in his songs and even released a 19 minute song titled “I admit” where he mentions his cult, sex slaves, and having sex with “the younger ladies.”

The #MuteRKelly movement is stronger than ever with the emergence of this unveiling docuseries, and I stand behind this movement 100%. We cannot conveniently “separate the art from the artist” as the money this man makes from music royalties on the radio and streaming platforms, and ticket sales from concerts go directly towards his cause of covering up his trail of pedophilia, molestation, and abuse. Predator Kelly is not an “artist;” he is a professional serial rapist and abuser, R&B is simply his means to support his true demented career. When you Mute R Kelly, you contribute to the cause of supporting these survivors, freeing his current victims, and achieving some sort of justice for every life broken by this man. Stop playing his music at your BBQ’s for the ‘nostalgia’ and wake up—stand for these survivors that have been neglected for too long by their own community.

“The Hunting Ground”: A Horror Pseudo-Documentary on a Serious Issue

By Sabrina Schnurr

Summary

CNN’s The Hunting Ground focuses on the prevalence of sexual assault on college campuses in America and the way colleges neglect to address it. The documentary seeks to highlight the roles that money and reputation play in college administrations’ choices while chronicling the journey of Annie Clark and Andrea Pino, two former students at University of North Carolina at Chapel Hill who filed a Title IX complaint and sparked a movement against sexual assault on college campuses. The film criticizes schools’ actions while also examining the culture of fraternities and college athletes. The Hunting Ground includes testimony from many student victims of sexual assault, as well as interviews with psychologists, authors, professors, administrators, police officers, and parents. Lady Gaga recorded a Grammy-nominated original song, “Till It Happens to You,” for the film.

•••

The film opens like a blockbuster thriller: a montage of high schoolers and their families happily opening college acceptances immediately sets the scene for the emotional rollercoaster to come. Even the title itself establishes fears in viewers. Dramatic images of a doorknob and bathroom tile resemble that of a crime scene remake on a television drama, and voice-overs telling terrifying stories contrast with their corresponding montages of beautiful campus scenery. All in all, the film is hard to watch. Images of fraternity signs reading “sexual assault expected” and “thank you for your daughters” land a giant knot in viewers’ stomachs, and specifically, one father’s account of his daughter’s suicide is heart-wrenching and almost impossible to listen to. In this regard, the film does what it was made to do: draw an emotional reaction from audiences.

However, this emotional reaction is then irresponsibly paired with a quick hero-ending and a weak focus on the facts. Almost instantaneously, two students at UNC transition from broken victims to national heroes taking on Title IX to solve college rape; the ending segment presents a suddenly uplifting montage of women standing up. A quick cut between the national map of reported campus sexual assaults and the nearly identical homemade map hanging in the students’ apartment serves as comforting, but irresponsible closure. While these young women may have started a movement, this ending segment credits them — and solely them — with “solving” college sexual assault.

After this quick transition, women are suddenly shown strongly standing up and taking action, and administrators (formerly pessimistic about the future of the issue) suddenly see an optimistic solution. Footage of President Obama giving an address on the issue and a montage of new federal investigations into colleges make it seem as though these national achievements were a direct result of only these two students’ mission. Visually, this creates a false cause-and-effect relationship, in which the middle step is never shown. Where is the mention of Emma Sulkowicz, the student who started a movement in 2014 after carrying her mattress around campus after being assaulted? What about all the administrators, politicians, families, reporters, and students that played a role in this movement (a movement which started long before these young women even started college)?

The journey of the two students at UNC did not happen in a vacuum, but they are portrayed as if they did. Gillian Greensite, director of rape prevention education at UC Santa Cruz, notes that the first peak of activism in the rape-crisis movement occurred after the Civil War. Considering how these incidents are analyzed in isolation, the film lacks a rational evaluation of the then-current state of discussion about sexual assault and consequently, does these victims a giant disservice. Its happy ending also does not leave room for future discussion of this issue. Sexual assault is a dynamic problem in the United States; recently Secretary of Education Betsy DeVos announced that the administration was formally withdrawing Obama-era campus sexual assault direction.

In addition, it has been argued that many of the statistics used in the film are outdated or merely inaccurate. Slate’s Emily Yoffe, who also writes for the Atlantic, spoke to Alyssa Keehan, director of research at United Educators — a higher education insurance group that recently released a study of 305 sexual assault claims they received from 104 schools over three years. Keehan noted that the “most common narrative you hear” — institutions not caring about sexual assault — might not be true. Their data found that when a formal complaint is brought against a student, he is found guilty 45 percent of the time, and when that happens, the attacker is given the “most severe penalty available” (expulsion or suspension) over 80 percent of the time. Nonetheless, while the choice of statistics used in the film can be arguably biased or inaccurate, it can hardly be debated that some are outdated. Specifically, in a portion of the film discussing student athletes as the prime attackers who get away with assault, two statistics are held onscreen; these statistics date back to 1993, over twenty years before the film was released. In using this data, the filmmakers ignore how college culture has changed tremendously in the past twenty years and continue to deny the viewer of a fully-informed, unbiased discussion on college sexual assault.

Any documentary has a responsibility to be fact-based, and in conveniently excluding major pieces of the investigations noted, the film loses its legitimacy and sabotages its powerful message. For example, a large piece of the film focuses on the rape allegation against Jameis Winston, a former Florida State University quarterback who was found not responsible after a criminal investigation. His accuser, Erica Kinsman, went public saying that after drinking a shot at an off-campus bar she started feeling strange and was “fairly certain there was something in that drink.” However, the filmmakers fail to note that two toxicology reports found that she had no drugs in her system nor do they reveal that at the December hearing, Kinsman did not insist that she was drugged or unconscious. Granted, these young women are beyond brave for speaking out about their experiences; sexual assault on college campuses is a real problem that needs to be addressed. Yet while testimony from real victims has raw, emotional power, it isn’t enough. If the students are looking to inform the public about this very serious issue, an ethical stance of fairness does not leave room for picking and choosing what critical pieces get included.

Ultimately, The Hunting Ground does its viewers a disservice by focusing on passion over information. In a world where the media rules our daily lives, documentary-makers have an ethical responsibility to provide fact-based films. However, some could argue that the pushback from schools on the accuracy of things mentioned in the film perhaps proves the film’s point: colleges do not want to put their reputations on the line by addressing this very real issue. Yet, in terms of the film itself, it poses serious questions about bias and our consumption of media. Can a documentary still be a good documentary if it only presents one side of the story? Additionally, Emily Yoffe brought up an interesting point in an NPR interview: what does this mean for CNN? This news network is attempting to present the film as a “fair exploration of an important subject,” but it very easily might not be “fair” at all.

 

Featured image by Christopher Serra, courtesy of the LA Times.

A Story Like Mine

We highly recommended watching Halsey’s incredible performance. If you are unable to listen, you can read the transcript full transcript below via Billboard.

It’s 2009 and I’m 14 and I’m crying
Not really sure where I am but I’m holding the hand of my best friend Sam
In the waiting room of a Planned Parenthood
The air is sterile and clean, and the walls are that not grey, but green
And the lights are so bright they could burn a whole through the seam of my jeans
My phone is buzzing in the pocket
My mom is asking me if I remembered my keys ’cause she’s closing the door and she needs to lock it
But I can’t tell my mom where I’ve gone
I can’t tell anyone at all
You see, my best friend Sam was raped by a man that we knew ’cause he worked in the after-school program
And he held her down with her textbook beside her
And he covered her mouth and he came inside her
So now I’m with Sam, at the place with a plan, waiting for the results of a medical exam
And she’s praying she doesn’t need an abortion, she couldn’t afford it
And her parents would, like, totally kill her

It’s 2002 and my family just moved and the only people I know are my mom’s friends, too, and her son
He’s got a case of Matchbox cars and he says that he’ll teach me to play the guitar if I just keep quiet
And the stairwell beside apartment 1245 will haunt me in my sleep for as long as I am alive
And I’m too young to know why it aches in my thighs, but I must lie, I must lie

It’s 2012 and I’m dating a guy and I sleep in his bed and I just learned how to drive
And he’s older than me and he drinks whiskey neat and he’s paying for everything
This adult thing is not cheap
We’ve been fighting a lot, almost 10 times a week
And he wants to have sex, and I just want to sleep
He says I can’t say no to him
This much I owe to him
He buys my dinner, so I have to blow him
He’s taken to forcing me down on my knees
And I’m confused ’cause he’s hurting me while he says please
And he’s only a man, and these things he just needs
He’s my boyfriend, so why am I filled with unease?

It’s 2017 and I live like a queen
And I’ve followed damn near every one of my dreams
I’m invincible and I’m so fucking naive
I believe I’m protected ’cause I live on a screen
Nobody would dare act that way around me
I’ve earned my protection, eternally clean
Until a man that I trust gets his hands in my pants
But I don’t want none of that, I just wanted to dance
And I wake up the next morning like I’m in a trance and there’s blood
Is that my blood?
Hold on a minute

You see I’ve worked every day since I was 18
I’ve toured everywhere from Japan to Mar-a-Lago
I even went on stage that night in Chicago when I was having a miscarriage
I mean, I pied the piper, I put on a diaper
And sang out my spleen to a room full of teens
What do you mean this happened to me?
You can’t put your hands on me
You don’t know what my body has been through
I’m supposed to be safe now
I earned it

It’s 2018 and I’ve realized nobody is safe long as she is alive
And every friend that I know has a story like mine
And the world tells me we should take it as a compliment
But then heroes like Ashley and Simone and Gabby, McKayla and Gaga, Rosario, Aly
Remind me this is the beginning, it is not the finale
And that’s why we’re here
And that’s why we rally
It’s Olympians and a medical resident and not one fucking word from the man who is President
It’s about closed doors and secrets and legs and stilletos from the Hollywood hills to the projects in ghettos
When babies are ripped from the arms of teen mothers and child brides cry globally under the covers
Who don’t have a voice on the magazine covers
They tell us take cover

But we are not free until all of us are free
So love your neighbor, please treat her kindly
Ask her story and then shut up and listen
Black, Asian, poor, wealthy, trans, cis, Muslim, Christian 
Listen, listen and then yell at the top of your lungs
Be a voice for all those who have prisoner tongues
For the people who had to grow up way too young
There is work to be done
There are songs to be sung
Lord knows there’s a war to be won

Sexual Assault: A Global Issue Part 2

By Kelsie Merrick

In this election, sexual assault has grown to become a controversial topic with allegations coming from all sides. Whether it’s women saying Donald Trump has sexually assaulted them or Hillary Clinton has covered up rape cases. We’ve heard them all, and people and parties from both sides agree with these women or disagree with these women. However, it does not matter if you agree or disagree with any of these allegations because what we should all agree on is that this is an issue that needs to be fixed, not just in the United States but worldwide. The United Nations has been an avid supporter of reducing the violence against women for years. In 1993, the UN General Assembly created the “Declaration for the Elimination of Violence against Women” to provide a framework on how to act against this crisis. However, it’s been over 20 years since that declaration and “1 in 3 women still experience physical or sexual violence.” If that statistic doesn’t sicken you, just know “around 120 million girls worldwide, that’s 1 in 10, have experienced forced intercourse or other forced sexual acts” during their lives. The most common perpetrators of these sexual assaults are former husbands, partners or boyfriends.

We can talk about sexual assault all we want, but that won’t change anything. We need action.

 

What Can We Do To End This Violence?

Stand together in protest against our government until they implement better laws like in Argentina. Ni Una Menos (Not One Less) is a movement of women’s rights advocates that began in June of last year. They are fighting against femicide, a crime involving the violent and deliberate killing of a woman, because, in Argentina, a woman is killed every 30 hours. On Wednesday, October 19th there was a mass demonstration held for every woman that has been killed in the past five years, but mainly for a 16-year-old girl by the name of Lucia Perez who was abducted then drugged, raped repeatedly, and sodomized with an ‘unspecified object’ so violently that she eventually bled out from her internal injuries. The United States needs to join the Ni Una Menos movement, and hopefully, together change will occur. In the US, every 109 seconds an American becomes a victim of sexual assault. Every 8 minutes, a child becomes a victim of sexual assault. Think about those numbers for a second. Think about your mother, sister, brother, father, niece, or nephew. In 109 seconds, they could be a victim. Sexual assault happens too frequently for us to not do anything about it.

We need to encourage victims to speak out against the violence done to them and with this, we need to encourage society to not shame them. According to a study by RAINN, the nation’s largest anti-sexual violence organization, 20% of victims do not report sexual assault out of fear of retaliation and 13% don’t report because they believe the police wouldn’t do anything to help. Often when a victim speaks out about assault we hear the excuses of “you were drinking too much” or “you shouldn’t have worn such revealing clothing.” What we should be hearing is “we are here to help you” or “they will not get away with this.”

On top of that, we need to start holding offenders accountable. Out of every 1,000 rapists, only 344 are reported to police. However, from that 344 only six rapists will be incarcerated. Six. Imagine being a victim and knowing these statistics. It’s understandable for them to think nothing will happen. Combine the lack of punishment and victims not reporting, 994 perpetrators walk free. 944 people have gotten away with a disgusting crime. 994 people are able to assault another innocent person.

I was raised learning that we should respect each other and to live by the “golden rule” that you should do unto others as you would have them do unto you. Especially being taught from an older generation that believed men were supposed to treat women respectfully and protect them. Many women from the Feminist Movement will take offense to that statement now because we as women can take care of ourselves and protect ourselves, but honestly, only to a certain extent. When you’re a young girl or are intoxicated, willingly or unwillingly, you are not able to protect yourself against a man that is two or three times your size. Together, every country, every nation, every man and women and innocent child needs to come together so that people don’t get away with these vile and torturous crimes and that they serve the correct sentences.

Sexual Assault Around the World

By Kelsie Merrick

On New Year’s Eve in Cologne, Germany, hundreds of women reported being sexually assaulted. I, along with many other people, heard about this and was quite disgusted. It was uncertain as to what would happen to these women and if, when the perpetrators were identified, what would the punishment be. Unfortunately, for them, no one will be held accountable for these actions. When I found this out, I was completely shocked because I know in the United States, for the most part, people are reprimanded for their sexual assault actions. I chose to look more into this topic and here is what I found.

Chantal Louis, an editor at Emma, one of Germany’s oldest feminist magazines, says, “the German law accepts that a man generally has the right to touch a woman, to have sexual intercourse with a woman. It’s his right unless the woman shows her resistance very, very strongly.” In the logic of German law, if touching of a woman’s breasts or vagina happens quickly, the law will not punish the perpetrator because the victim did not have enough time to resist the action. As far as the law is concerned, the issue is not verbal consent. The law requires that there be a “threat of imminent danger to life and limb.” That is, if a woman, or any person for that matter, cannot prove with their body (with bruises or other injuries) that they fought back, then the assault is not a crime. In Die Zeit, a German newspaper, a male German defense lawyer reported, “a woman must carry her ‘no’ through. We [men] can hardly know with a simple ‘no,’ whether she really means it.” According to national statistics, “between 7,000 and 8,000 rapes are reported every year.” BFF, a national association of women’s help groups based in Berlin, believes these numbers only represent 5% of the real number of cases. BFF also states, “only 13% of rape cases result in convictions.” One possible explanation for this is the law’s limitations.

Interestingly enough, in German workplace it is clear that “it’s not OK for someone to touch you, to try to kiss you, to lay a hand on your back.” This is called “sexual harassment at the workplace” and every women and man knows it is unacceptable. Heike Lütgart, a criminologist and career police officer with decades of experience investigating gender-based violence, says that not having a law outside of the workforce is a tremendous problem for women because they do not realize that they do not have this protection.

After reading about the laws in Germany surrounding sexual assault, I became curious about how the three most populated countries handled sexual assault. In China, they recently overturned a law that “mandated a more lenient punishment for men who had sex with girls under the age of 14 if they could ‘prove’ that they paid the girl for sex.” There is now a heavy mandatory penalty for this crime with the highest punishment being the death penalty. India passed a new Anti-Rape bill in April of 2013. This bill includes crimes such as acid violence, stalking, and voyeurism. Attackers can be charged anywhere between 14 years in prison to the death sentence for extreme cases. The bill states that even if the victim does not physically struggle, that does not constitute as consent. Unfortunately, marital rape is still legal, but the age of consent was raised from 16 to 18.

I then looked at the United States. According to the Centers for Disease Control and Prevention, nearly 30 percent of U.S. women experience some kind of unwanted sexual contact in their lifetime. The Model Penal code, the go-to documents for lawmakers rewriting their criminal laws, still allows for men to rape their wives, but this “marital exemption” has been outlawed in all 50 states since the 1990s. It was not until about the middle of the 20th century that victims needed to prove their chastity for their cases to be taken seriously. In the United States, forty-three states and the District of Columbia specify that unwanted sexual contact is prohibited. Five states have laws prohibiting battery, public indecency or “lewd and lascivious” behavior. Mississippi and Idaho, on the other hand, do not have “criminal laws that clearly forbid unwanted sexual touching such as groping and fondling.” In 2013, Mississippi’s Democratic state Republic Kimberly Campbell proposed a bill to create a misdemeanor crime called “indecent assault.” This bill would handle adult fondling cases, which could prevent future crimes by stopping the act early. The bill died due to the fact the bill was too vague with the explanation of intent and opponents feared that the bill could “criminalize accidental touching or bumping.” On the other hand, there has been an indecent assault law in Pennsylvania since the 1970s. Deputy District Attorney Janet Necessary says that she takes several dozen of these cases a year. Her office has used this law to prosecute cases involving supervisors who have sexually harassed their workers in a physical way.

We, the citizens of the United States, need to work together to first, create a universal law across all 50 states to protect unwanted sexual touching/assaults against women and men. Second, eventually, spread this idea to other countries so that no human being has to live through such an uncomfortable situation.

On Minimization as a Patriarchal Reflex

By Matthew Remski

On Facebook, I posted a brief note about starting to learn what is painfully obvious to women: patriarchy inflicts the stress of constant bodily vigilance at best and acute terror at worse.

The post took off and the comments were stunning. So many stood out, like those that reported on strategies for increasing safety in taxis. One commenter wrote that she always video-chats with a friend while she’s alone in an Uber, dropping details that signal to the driver that someone knows where they are. If men don’t know about this kind of defensive labour, they’ve got to learn.

I don’t have to assault women to participate in the normalization of assault. My learned, default responses are participation enough. Without that participation, could assault really be so prevalent?

I have to climb a mountain, forty years high, to look a little boy in the eye and tell him it’s okay to feel his pain and sorrow. To tell him it’s a good thing, actually. That it will help him learn to listen, and listening will help him let other people have their feelings as well.

 

Read the entire post here

Hanging Fire

By Annie Jonas

I am eighteen
and I am scared
Why did Security pack its bags
with the swirl and sizzle
of blown out birthday candles
Goodbye god
i used to say
as the slithering grey serpent
pungent and choking
filled my nostrils with a suffocating stench
Goodbye god
Signed, sealed, delivered
The song is being sung
and i know i’m supposed
to like it
but it feels like some kind of mockery
like a death knoll
My last rites are too
beautiful
to be granted
They lay sleeping in the
blue and red bulbous wax
of still warm birthday candles
drip-drip-dripping
Cold now
How do you feel, (your name here)?
I feel good

I am eighteen
and i am scared
Car keys jagged
gripped between my cold fingers
are a lie
Maybe i’m in denial
They become reminders
digging into my flesh that
the boogie man doesn’t just
prey
on little girls anymore
That red lipstick is a song
and songs lure
and i’m not trying to sing
but i’m doing it anyway
And he took my smile as a gift
Take me now
My lipstick was the offering
I was the sacrifice
He was God
Pray
Pray for me when you get the chance
How do you feel, (your name here)?
I feel good

I am eighteen
and I am scared
that the kiss of cake
upon my tongue
will last longer than
myself
I am scared of becoming
the next taken girl
Of becoming the pronoun in the eulogy with
sadhappy adjectives
A pity
Of becoming Breaking News
blaring red
How do you feel, (your name here)?
I feel good

Hanging fire
Inhale
The moment between
Security and Reality
Melting candles before the cold
Red lipstick before the snatch
Cake before the bite
Make a wish, sweetheart
Exhale

 

Our campuses, our selves?

From the essay “Sexual Paranoia Strikes Academe” by Laura Kipnis, writing for The Chronicle Review:

I don’t quite know how to characterize the willingness of my supposed feminist colleagues to hand over the rights of faculty—women as well as men—to administrators and attorneys in the name of protection from unwanted sexual advances,” he said. “I suppose the word would be ‘zeal.’” His own view was that the existing sexual-harassment policy already protected students from coercion and a hostile environment; the new rules infantilized students and presumed the guilt of professors.

Quote from a member of the Faculty Senate, answering the question as to whether there’d been any pushback in response to a new “consensual-relations” policy. What’s noteworthy about this faculty member’s reply is that it asks persons concerned with the prevalence of sexual assault, harassment, and prejudice on campus to consider the potential problems with empowering university administrators to investigate and adjudicate sex crimes. This blogger takes the view that for all the talk of college being a “learning community”, the reality is that these institutions resemble corporations far more than communities. Institutional priorities are evaluated in terms of liability control (rather than the protection of community members) and a favorable public image (rather than an actualizing and authentic community culture). Where this is true, we might hesitate to task unelected, unaccountable administrators with the work that, in our actual civic community, we assign to employees of the public service: professionals who are committed — by regulation and public expectation, if not explicit pledge — to uphold the common good for all members of the community.

The unnamed faculty member raises a prudent question: Are we foolish to so zealously entrust the college bureaucracy with ersatz police and judicial powers? Are such institutions capable of accepting and reciprocating our trust in such matters?

The government, we’re told is of, by, for the people; in that regard (and this is admittedly an idealizing view) we are protecting ourselves when laws are passed to protect against sexual abuse and exploitation, when police investigate such abuses, and when cases are brought to trial. Who are we asking to safeguard our campus learning community, when we ask a college to shoulder this responsibility? Is this not something we can do ourselves, through the institutional powers we already have a stake in, each of us, as residents in the civic community? What do we stand to lose, what do they stand to gain?

Patriarchal culture, being a  saprophytic parasite of a social complex, already saps so much of the strength of the people living under its influence. How then can we not be skeptical of the suggestion that the best way to build a safer campus culture is to trade in a system we collectively own, for a system wholly conducted by provosts, vice-presidents, trustees, and other officers of the alma mater?

Cui bono? Let us know what you think, below.

Look How You Look When You’re Looking at Me

New ad focuses on women empowerment in response to men’s unwanted gaze. The lyrics in the background translate from Hindi  to “look how you look when you’re looking at me.”

WOMEN EMPOWERMENT” is the need of the hour. On 16th December 2012, the horrific incident of Nirbhaya’s Rape Case not only shattered Nirbhaya’s family but every single Indian. This incident did trigger a sense of solidarity to stand up, fight against and do our best to eradicate such atrocities & gender inequality.
At Cinema100, 2013, a WWI Initiative to commemorate the completion of 100 years of Indian Cinema, we commissioned our Alumni Ketan Rana to make an ad on Woman Empowerment.
Watch the video & Spread the awareness to Think, Reflect & Act! X

When the Nirbhaya Rape Case took place last year , Indian government statistics showed that a woman is raped every 22 minutes on average [X]. Since the attack women have become more vocal on speaking out against their attackers. However, society still needs to focus on the wrong way women are frequently treated in society as this Ad addresses.

via Buzzfeed