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	<title>Light &#38; Shadow &#187; adamburn</title>
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	<link>http://blogs.bu.edu/lightandshadow</link>
	<description>BU&#039;s Graduate Film and Culture review blog</description>
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		<title>Your Highness</title>
		<link>http://blogs.bu.edu/lightandshadow/2011/04/10/your-highness/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2011/04/10/your-highness/#comments</comments>
		<pubDate>Sun, 10 Apr 2011 18:32:27 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Burnstine]]></category>
		<category><![CDATA[Danny McBride]]></category>
		<category><![CDATA[David Gordon Green]]></category>
		<category><![CDATA[James Franco]]></category>
		<category><![CDATA[Natalie Portman]]></category>
		<category><![CDATA[Your Highness]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=468</guid>
		<description><![CDATA[Once upon a time, about eight years ago, David Gordon Green was America’s most promising young filmmaker. In certain circles, people were calling him the next Malick, and while comparing a twenty-seven year-old with two feature films under his belt to the greatest American filmmaker since Orson Welles may have been a bit excessive, it [...]]]></description>
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		<title>Certified Copy</title>
		<link>http://blogs.bu.edu/lightandshadow/2011/04/01/certified-copy/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2011/04/01/certified-copy/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 20:52:22 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Burnstine]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Certified Copy]]></category>
		<category><![CDATA[Iranian film]]></category>
		<category><![CDATA[Juliet Binoche]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=464</guid>
		<description><![CDATA[Looking over my now three-month-old list of the best films of 2010 (which I now realize I should have posted here) I’m noticing how much some of the positioning would change with the benefit of time. The key word there is “some.” There is still no doubt in my mind about the top two films [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Paul</title>
		<link>http://blogs.bu.edu/lightandshadow/2011/03/17/paul/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2011/03/17/paul/#comments</comments>
		<pubDate>Fri, 18 Mar 2011 02:33:29 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Burnstine]]></category>
		<category><![CDATA[Greg Mottola]]></category>
		<category><![CDATA[Nick Frost]]></category>
		<category><![CDATA[Paul]]></category>
		<category><![CDATA[Seth Rogen]]></category>
		<category><![CDATA[Simon Pegg]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=455</guid>
		<description><![CDATA[Over the last decade, Simon Pegg and Nick Frost have discovered one of the best formulas in comedy. If you put them, and their quintessential Brittishness, into a scenario from any number of overly serious popular American films, hilarity will probably ensue. Of course, this formula worked best in 2004’s cult classic Shaun Of The [...]]]></description>
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		<title>The Adjustment Bureau</title>
		<link>http://blogs.bu.edu/lightandshadow/2011/03/03/the-adjustment-bureau/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2011/03/03/the-adjustment-bureau/#comments</comments>
		<pubDate>Fri, 04 Mar 2011 02:34:19 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adjustment Bureau]]></category>
		<category><![CDATA[Emily Blunt]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Philip K. Dick]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=450</guid>
		<description><![CDATA[To date, there have been nine Hollywood adaptations of Philip K. Dick’s novels and short stories. The latest, The Adjustment Bureau (adapted from a short story called “The Adjustment Team”), has the distinction of being in the exact middle of the pack. George Nolfi’s film doesn’t even come close to Blade Runner, Minority Report, A [...]]]></description>
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		<title>Little Fockers</title>
		<link>http://blogs.bu.edu/lightandshadow/2010/12/17/little-fockers/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2010/12/17/little-fockers/#comments</comments>
		<pubDate>Sat, 18 Dec 2010 01:07:28 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adam Burnstine]]></category>
		<category><![CDATA[Ben Stiller]]></category>
		<category><![CDATA[Little Fockers]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Robert De Niro]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=442</guid>
		<description><![CDATA[Little Fockers, the third, and hopefully final, film in the trilogy that also includes Meet The Parents and Meet The Fockers, ends with a scene that serves as a surprisingly apt metaphor for the series as a whole. Early in the film, Greg Focker (Ben Stiller) gives a speech in which he recounts some of [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Blue Valentine</title>
		<link>http://blogs.bu.edu/lightandshadow/2010/12/09/blue-valentine/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2010/12/09/blue-valentine/#comments</comments>
		<pubDate>Fri, 10 Dec 2010 01:11:54 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=429</guid>
		<description><![CDATA[If you’ve heard anything about Derek Cianfrance’s Blue Valentine, it was probably in the context of the MPAA’s laughable decision to stick the film with the dreaded NC-17 rating (since reversed to a still-too-harsh R), or maybe you have a bearded, plaid-loving friend who keeps gushing about Grizzly Bear writing the film’s score (as a [...]]]></description>
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		<title>Nowhere Boy</title>
		<link>http://blogs.bu.edu/lightandshadow/2010/11/17/nowhere-boy/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2010/11/17/nowhere-boy/#comments</comments>
		<pubDate>Thu, 18 Nov 2010 00:37:11 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=397</guid>
		<description><![CDATA[In the sixty-odd year history of modern pop music, there are dozens of artists who have achieved the status of icon or legend, and the most famous names on that list are more globally recognizable than any world leader, but of all those great talents and massive names, I’d say only two acts—The Beatles and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Howl Interview</title>
		<link>http://blogs.bu.edu/lightandshadow/2010/11/17/howl-interview/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2010/11/17/howl-interview/#comments</comments>
		<pubDate>Thu, 18 Nov 2010 00:36:00 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=394</guid>
		<description><![CDATA[I recently took part in a roundtable discussion with Rob Epstein and Jeffrey Friedman, the Oscar-winning directors (Epstein made The Times Of Harvey Milk and they co-directed Common Threads: Stories From The Quilt) of the new film Howl, a multi-faceted drama about the making of Allen Ginsberg’s eponymous poem. The film stars James Franco as [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Howl</title>
		<link>http://blogs.bu.edu/lightandshadow/2010/11/17/howl/</link>
		<comments>http://blogs.bu.edu/lightandshadow/2010/11/17/howl/#comments</comments>
		<pubDate>Thu, 18 Nov 2010 00:29:58 +0000</pubDate>
		<dc:creator>adamburn</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blogs.bu.edu/lightandshadow/?p=391</guid>
		<description><![CDATA[“I saw the best minds of my generation destroyed by madness…” Thus marks the beginning of Allen Ginsberg’s “Howl,” arguably the most famous American poem of the post-war era. Discovering this poem has been a vital moment in the lives of so many so-called “angel-headed hipsters” over the last fifty years that it hardly seems [...]]]></description>
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