{"id":1987,"date":"2011-07-08T16:51:23","date_gmt":"2011-07-08T20:51:23","guid":{"rendered":"http:\/\/blogs.bu.edu\/bjuarez\/?p=1987"},"modified":"2011-07-08T22:32:02","modified_gmt":"2011-07-09T02:32:02","slug":"2011-2012-boston-university-opera-season-announced","status":"publish","type":"post","link":"https:\/\/blogs.bu.edu\/bjuarez\/2011\/07\/08\/2011-2012-boston-university-opera-season-announced\/","title":{"rendered":"2011-2012 Boston University Opera Season Announced"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignleft size-medium wp-image-1999\" src=\"http:\/\/blogs.bu.edu\/bjuarez\/files\/2011\/07\/music_opera42-300x130.jpg\" alt=\"music_opera4\" width=\"300\" height=\"130\" srcset=\"https:\/\/blogs.bu.edu\/bjuarez\/files\/2011\/07\/music_opera42-300x130.jpg 300w, https:\/\/blogs.bu.edu\/bjuarez\/files\/2011\/07\/music_opera42.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>2001 Fall Fringe Festival<\/strong><\/p>\n<p>The Fringe Festival, now in its 15<sup>th<\/sup> season, is a collaboration between the Schools of Music and Theatre and The Opera Institute.\u00a0 Its mission is to produce new or rarely performed works of significance in the opera and theater repertoire, bringing performers and audiences close together in unique theatrical settings.<\/p>\n<p>October 2011<\/p>\n<p><strong><em>Bluebeard\u2019s Castle<\/em><\/strong><\/p>\n<p>Composer: B\u00e9la Bart\u00f3k<\/p>\n<p>Librettist: <a title=\"B\u00e9la Bal\u00e1zs\" href=\"http:\/\/en.wikipedia.org\/wiki\/B%C3%A9la_Bal%C3%A1zs\">B\u00e9la Bal\u00e1zs<\/a><\/p>\n<p><em>Based on a French fairy tale by Charles Perrault <\/em><\/p>\n<p>Conductor: William Lumpkin<\/p>\n<p>Stage Director: Jim Petosa<\/p>\n<p>Friday, October 7, 8:00pm<\/p>\n<p>Saturday, October 8, 6:00pm and 8:00pm<\/p>\n<p>Sunday, October 9, 2:00pm<\/p>\n<p>Lane-Conley Studio 210<\/p>\n<p><strong> <\/strong><\/p>\n<p>A psychologically probing tale of a young bride\u2019s insistence on opening all the locked doors of her new husband\u2019s castle.\u00a0 Despite his protestations she persists, with disturbing consequences.<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong><em> <\/em><\/strong><\/p>\n<p><strong><em>Three Decembers<\/em><\/strong><\/p>\n<p>Composer: Jake Heggie<\/p>\n<p>Librettist: Gene Scheer<\/p>\n<p><em>Based on an original play by Terrence McNally<\/em><\/p>\n<p>Conductor: Allison Voth<\/p>\n<p>Stage Director: Tomer Zvulun<\/p>\n<p>Friday, Saturday, October 14,15 at 8:00 pm;\u00a0 Sunday, October 16, 2:00pm and 6:00pm<\/p>\n<p>Lane-Conley Studio 210<\/p>\n<p><strong> <\/strong><\/p>\n<p>This powerful and poignant one act opera explores the painful and complex relationships between a famous actress and her two grown children through three Decembers of their lives (between 1986 and 2006), as they unfold the family\u2019s hidden truths: infidelity, separation, homophobia and aids, tragedy, and loss.<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong><em><span style=\"text-decoration: underline\"> <\/span><\/em><\/strong><\/p>\n<p><strong><em> <\/em><\/strong><\/p>\n<p><strong><em>Jake Heggie on Jake Heggie<\/em><\/strong><\/p>\n<p><em>(Art Song Meets Theatre)<\/em><\/p>\n<p>Friday, October 28, 8:00pm<\/p>\n<h2>Lane-Conley Studio 210<\/h2>\n<p>This evening of staged songs is the culmination of a residency by renowned composer Jake Heggie (<strong>Moby Dick, Three Decembers, Dead Man Walking<\/strong>). Mr. Heggie will be at the piano, having coached the repertoire both musically and dramatically.\u00a0 The program, selected from his vast song literature to enhance the CFA year-long theme of VIOLENCE, will include selections from a new cycle on the occasion of the 10<sup>th<\/sup> anniversary of 9\/11, plus songs on themes of war, spousal abuse, and duets from <strong>A Word or a Touch<\/strong>, about the persecution of gays during the holocaust.<\/p>\n<p>The evening will feature singers from The Opera Institute and Vocal Performance degree programs.<\/p>\n<p><strong> <\/strong><\/p>\n<p>Limited seating:\u00a0 Admission is Free, but requires a ticket.<\/p>\n<p><strong><span style=\"text-decoration: underline\"> <\/span><\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p>December 2011<\/p>\n<p><strong>Winter Opera Scenes<\/strong><\/p>\n<p>December 3, 4,\u00a0 Saturday and Sunday at 7:30 pm<\/p>\n<p>Concert Hall, 855 Commonwealth Ave<\/p>\n<p>Singers from the Opera Institute, Opera Theatre and Opera Workshops, with musical and stage direction by opera faculty and guests, perform staged scenes and arias, and a one-act opera from the standard and \u201cnot-so-standard\u201d operatic repertoire.<\/p>\n<p><strong><span style=\"text-decoration: underline\"> <\/span><\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p>February<\/p>\n<p><strong>FEBRUARY MAINSTAGE<\/strong><\/p>\n<p><strong>Il Matrimonio Segreto<\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p>Composer: <a title=\"Domenico Cimarosa\" href=\"http:\/\/en.wikipedia.org\/wiki\/Domenico_Cimarosa\">Domenico Cimarosa<\/a><\/p>\n<p>Librettist: <a title=\"Giovanni Bertati\" href=\"http:\/\/en.wikipedia.org\/wiki\/Giovanni_Bertati\">Giovanni Bertati<\/a><\/p>\n<p>after The Clandestine Marriage (1766) by George Colman the Elder and David Garrick.<\/p>\n<p>Conductor:\u00a0 William Lumpkin<\/p>\n<p>Stage Director:\u00a0 TBA<\/p>\n<p>February 23 &#8211; 26, Thursday, Friday, Saturday at 7:30<\/p>\n<p>February 26, Sunday at 2:00<\/p>\n<p><strong>Boston University Theater, Mainstage<\/strong><\/p>\n<p>This farcical domestic comedy features arranged marriages, dowries, feuding sisters, tangled circumstances, banishment to convents, and misdirected romantic aspirations.\u00a0 Inspired in part by Hogarth\u2019s painting series \u201cMarriage A-la-Mode,\u201d it lives as a musical bridge between Mozart and Rossini, with both beautiful lyrical melodies, and brilliant challenging ensembles.<\/p>\n<p><img loading=\"lazy\" class=\"alignleft size-medium wp-image-1997\" src=\"http:\/\/blogs.bu.edu\/bjuarez\/files\/2011\/07\/music_opera61-300x130.jpg\" alt=\"music_opera6\" width=\"300\" height=\"130\" srcset=\"https:\/\/blogs.bu.edu\/bjuarez\/files\/2011\/07\/music_opera61-300x130.jpg 300w, https:\/\/blogs.bu.edu\/bjuarez\/files\/2011\/07\/music_opera61.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong><em> <\/em><\/strong><\/p>\n<p><strong><em>March Opera Marathon<\/em><\/strong><\/p>\n<p>March 3, Saturday<\/p>\n<p>March 4, Sunday<\/p>\n<p>Concert Hall, 855 Commonwealth Ave<\/p>\n<p>Please see BU calendar on the web after February 1 for specific times and venues<\/p>\n<p>Now in its third year, the Marathon brings together singers from all opera programs who join forces to present one act operas and operatic and theatrical scenes spaced throughout the weekend. Musically directed and staged by BU opera faculty, guest artists and directing students, this year\u2019s Marathon especially celebrates the 100<sup>th<\/sup> birthday of Gian Carlo Menotti.<\/p>\n<p>Free admission<\/p>\n<p>April<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>APRIL MAINSTAGE<\/strong><\/p>\n<p><strong><em>The Dialogues of the Carmelites<\/em><\/strong><\/p>\n<p>Composer: Francis Poulenc<\/p>\n<p><em>Libretto by <\/em>Francis Poulenc and Emmet Lavery<em> <\/em><\/p>\n<p><em>from the drama by <\/em>Georges Bernanos,<\/p>\n<p><em>based on the novel by <\/em>Gertrude von Le Fort<\/p>\n<p>Conductor: William Lumpkin<\/p>\n<p>Stage Director: Sharon Daniels<\/p>\n<p><strong><em><span style=\"text-decoration: underline\"> <\/span><\/em><\/strong><\/p>\n<p>April 19,20, 21, Thursday, Friday, Saturday at 7:30<\/p>\n<p>April 22, Sunday at 2:00<\/p>\n<p><strong><em>Boston University Theater, Mainstage<\/em><\/strong><\/p>\n<p><strong><em> <\/em><\/strong><\/p>\n<p>A poignant and tragic look at the French Revolution from the viewpoint of a young woman from an aristocratic family who has entered a monastery of Carmelite nuns in Compiegne to deal with her pathological fear of life itself, only to witness the revolution unfold around her.\u00a0 The opera is based on the true story of the thirteen sisters of Compiegne, who defied the dictates of the revolution even after their order was dissolved, by meeting secretly to worship, and were ultimately martyred at the guillotine.<\/p>\n<p><strong><em> <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2001 Fall Fringe Festival The Fringe Festival, now in its 15th season, is a collaboration between the Schools of Music and Theatre and The Opera Institute.\u00a0 Its mission is to produce new or rarely performed works of significance in the opera and theater repertoire, bringing performers and audiences close together in unique theatrical settings. October [&hellip;]<\/p>\n","protected":false},"author":1682,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/posts\/1987"}],"collection":[{"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/users\/1682"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/comments?post=1987"}],"version-history":[{"count":9,"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/posts\/1987\/revisions"}],"predecessor-version":[{"id":2019,"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/posts\/1987\/revisions\/2019"}],"wp:attachment":[{"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/media?parent=1987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/categories?post=1987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.bu.edu\/bjuarez\/wp-json\/wp\/v2\/tags?post=1987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}