Break<\/a><\/em><\/span>, by Rabih Alameddine<\/h2>\n<\/li>\n<\/ol>\n![\"break\"](\"\/hoochie\/files\/2019\/03\/break.png\")
\nImage Source: Chloe Scheffe, The New Yorker<\/p>\n
This piece chronicles the relationship between a sister and a brother who correspond over the course of seven years with just photographs. What is the reason for such a peculiar form of communication, you may ask? The narrator is a trans-woman whose family disowned her upon her transitioning, and threatened her brother not to speak or write to her without consequences. This story is a haunting\u00a0<\/span>portrait of the breaking and reparation of family, love, and loneliness.<\/p>\n\u201cHe broke first. I received a four-by-six portrait of his son with a slightly bleeding nose, taken hastily,\u00a0badly lit, likely by a bathroom bulb. On the ten-year-old face, a thread of blood trickled from nose to upper lip, curving an ogee around the corner of the mouth and down the chin. The boy was in no pain; he looked inquisitively at the camera, probably wondering why his father had had the urge to bring it out.<\/em><\/strong><\/p>\nI held my breath for a beat or two or three when I saw the image. On the back of the photograph Mazen had written, \u2018I keep seeing you.\u2019\u201d<\/em><\/strong><\/p>\n <\/p>\n
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Girl<\/a><\/span>, by Jamaica Kincaid<\/h2>\n<\/li>\n<\/ol>\n![\"5257587215119.image\"](\"\/hoochie\/files\/2019\/03\/5257587215119.image_.jpg\")
<\/p>\n
Image Source: Jefferson Wheeler<\/p>\n
In this laundry list of dos and don\u2019ts, demands, and warnings, Jamaica Kincaid exposes the unembellished realities of growing up as a girl in a patriarchal world. Written in 1978, in the height of the Second Wave feminist movement, Kincaid\u2019s story feels just as personal as it does political. It is not flashy about its brilliance, and yet in its modesty it proves<\/span> to be a nuanced masterpiece.<\/p>\n\u201cthis is how you smile to someone you don\u2019t like too much; this is how you smile to someone you don\u2019t like at all; this is how you smile to someone you like completely; this is how you set a table for tea; this is how you set a table for dinner; this is how you set a table for dinner with an important guest; this is how you set a table for lunch; this is how you set a table for breakfast; this is how to behave in the presence of men who don\u2019t know you very well, and this way they won\u2019t recognize immediately the slut I have warned you against becoming; be sure to wash every day, even if it is with your own spit; don\u2019t squat down to play marbles\u2014you are not a boy, you know\u201d<\/em><\/strong><\/p>\n <\/p>\n
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The Huntress<\/a><\/em><\/span>, by Sofia Samatar<\/h2>\n<\/li>\n<\/ol>\n![\"huntress\"](\"\/hoochie\/files\/2019\/03\/huntress.png\")
<\/p>\n
Image Source: Del Samatar<\/p>\n
In this sci-fi fast fiction piece, an impossibly large female monster called The Huntress terrorizes the inhabitants of a city below. The narrator is a foreigner to this place and is fatally <\/span>unprepared for the wrath of The Huntress. This piece weaves together intense sensory imagery with disorienting<\/span> ambiguity; we, as readers, feel just as on-edge as the narrator.<\/p>\n\u201cThe Huntress left dark patches wherever she passed. She left a streak. In the morning, the hotel staff would find me unconscious, gummed to the floor. The proprietor weeping, for nothing like this had ever happened in his establishment, nothing. Had I not read the instructions on the desk?\u201d<\/em><\/strong><\/p>\n <\/p>\n
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Housewife<\/a><\/em><\/span>, by Amy Hempel<\/h2>\n<\/li>\n<\/ol>\n![\"amy-hempel\"](\"\/hoochie\/files\/2019\/03\/amy-hempel.jpg\")
<\/p>\n
Image Source: VICE<\/p>\n
In this one-sentence story, Amy Hempel humorously captures the pure delight of a cunning, two-timing housewife rejoicing in her latest affair. Hempel relays the sexual freedom and polyamorous nature of a modern-day woman who seeks her own pleasure first, and protocols second.<\/p>\n
\u201cShe would always sleep with her husband and with another man in the course of the same day, and then the rest of the day, for whatever was left to her of that day, she would exploit by incanting, \u2018French\u00a0film,\u00a0French\u00a0film.\u2019\u201d<\/em><\/strong><\/p>\n <\/p>\n
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John Redding Goes to Sea<\/a><\/em><\/span>, by Zora Neale Hurston<\/h2>\n<\/li>\n<\/ol>\n![\"zora-neale-hurstonjpg\"](\"\/hoochie\/files\/2019\/03\/zora-neale-hurstonjpg.jpg\")
<\/p>\n
Image Source: Fotosearch \/ Getty Images<\/p>\n
Zora Neale Hurston is one of my all-time favorite female novelists as well as an iconic figure in feminist history. Although she is primarily known and celebrated for her novels, her fast-fiction and short stories are equally deserving of praise. In this piece, Hurston masterfully uses dialect to illustrate the story of John Redding, a ten-year-old daydreamer who imagines his backyard stream is a great sea.<\/p>\n
\u201cThe little brown boy loved to wander down to the water\u2019s edge, and, casting in dry twigs, watch them sail away downstream<\/span> to Jacksonville, the sea, the wide world and John Redding wanted to follow them.<\/em><\/strong><\/p>\nSometimes in his dreams he was a prince, riding away in a gorgeous carriage. Often he was a knight bestride a fiery charger prancing down the white shell road that led to distant lands. At other times he was a steamboat captain piloting his craft down the St. John River to where the sky seemed to touch the water. No matter what he dreamed or who he fancied himself to be, he always ended by riding away to the horizon; for in his childish ignorance he thought this to be farthest land.\u201d<\/em><\/strong><\/p>\nFor those who feel like they don\u2019t have the time to read a full-fledged novel, or who desire a fast-paced narrative, fast fiction is the way to go. However, do not assume that just because these pieces are short, they are any less than a novel or a lengthier piece. Fast fiction is an important subgenre of literature because it stretches the expectations of what we perceive fiction to be. It teaches us to be creative and really think about the words we are writing. Fast fiction is a lean and efficient form; nothing is arbitrary. It is important that we read works like these so that we, too, may become better readers and writers.<\/p>\n
—<\/p>\n
For more fast fiction pieces, check out:<\/p>\n
https:\/\/flashfictionmagazine.com\/<\/a><\/p>\nhttp:\/\/www.100wordstory.org\/<\/a><\/p>\nhttp:\/\/thecollagist.com\/<\/a><\/p>\nhttps:\/\/everydayfiction.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"By Annie Jonas In honor of Women\u2019s History Month, I have chosen 5 flash fiction pieces written by, or about, women. These pieces take no more than 5 minutes to read, and are perfect for any spare moments you have throughout your day. Break, by Rabih Alameddine Image Source: Chloe Scheffe, The New Yorker … Continue reading 5 Flash Fiction Pieces to Celebrate Women\u2019s History Month<\/span>
\nImage Source: Chloe Scheffe, The New Yorker<\/p>\n
\u201cHe broke first. I received a four-by-six portrait of his son with a slightly bleeding nose, taken hastily,\u00a0badly lit, likely by a bathroom bulb. On the ten-year-old face, a thread of blood trickled from nose to upper lip, curving an ogee around the corner of the mouth and down the chin. The boy was in no pain; he looked inquisitively at the camera, probably wondering why his father had had the urge to bring it out.<\/em><\/strong><\/p>\n I held my breath for a beat or two or three when I saw the image. On the back of the photograph Mazen had written, \u2018I keep seeing you.\u2019\u201d<\/em><\/strong><\/p>\n <\/p>\n Image Source: Jefferson Wheeler<\/p>\n In this laundry list of dos and don\u2019ts, demands, and warnings, Jamaica Kincaid exposes the unembellished realities of growing up as a girl in a patriarchal world. Written in 1978, in the height of the Second Wave feminist movement, Kincaid\u2019s story feels just as personal as it does political. It is not flashy about its brilliance, and yet in its modesty it proves<\/span> to be a nuanced masterpiece.<\/p>\n \u201cthis is how you smile to someone you don\u2019t like too much; this is how you smile to someone you don\u2019t like at all; this is how you smile to someone you like completely; this is how you set a table for tea; this is how you set a table for dinner; this is how you set a table for dinner with an important guest; this is how you set a table for lunch; this is how you set a table for breakfast; this is how to behave in the presence of men who don\u2019t know you very well, and this way they won\u2019t recognize immediately the slut I have warned you against becoming; be sure to wash every day, even if it is with your own spit; don\u2019t squat down to play marbles\u2014you are not a boy, you know\u201d<\/em><\/strong><\/p>\n <\/p>\n Image Source: Del Samatar<\/p>\n In this sci-fi fast fiction piece, an impossibly large female monster called The Huntress terrorizes the inhabitants of a city below. The narrator is a foreigner to this place and is fatally <\/span>unprepared for the wrath of The Huntress. This piece weaves together intense sensory imagery with disorienting<\/span> ambiguity; we, as readers, feel just as on-edge as the narrator.<\/p>\n \u201cThe Huntress left dark patches wherever she passed. She left a streak. In the morning, the hotel staff would find me unconscious, gummed to the floor. The proprietor weeping, for nothing like this had ever happened in his establishment, nothing. Had I not read the instructions on the desk?\u201d<\/em><\/strong><\/p>\n <\/p>\n Image Source: VICE<\/p>\n In this one-sentence story, Amy Hempel humorously captures the pure delight of a cunning, two-timing housewife rejoicing in her latest affair. Hempel relays the sexual freedom and polyamorous nature of a modern-day woman who seeks her own pleasure first, and protocols second.<\/p>\n \u201cShe would always sleep with her husband and with another man in the course of the same day, and then the rest of the day, for whatever was left to her of that day, she would exploit by incanting, \u2018French\u00a0film,\u00a0French\u00a0film.\u2019\u201d<\/em><\/strong><\/p>\n <\/p>\n Image Source: Fotosearch \/ Getty Images<\/p>\n Zora Neale Hurston is one of my all-time favorite female novelists as well as an iconic figure in feminist history. Although she is primarily known and celebrated for her novels, her fast-fiction and short stories are equally deserving of praise. In this piece, Hurston masterfully uses dialect to illustrate the story of John Redding, a ten-year-old daydreamer who imagines his backyard stream is a great sea.<\/p>\n \u201cThe little brown boy loved to wander down to the water\u2019s edge, and, casting in dry twigs, watch them sail away downstream<\/span> to Jacksonville, the sea, the wide world and John Redding wanted to follow them.<\/em><\/strong><\/p>\n Sometimes in his dreams he was a prince, riding away in a gorgeous carriage. Often he was a knight bestride a fiery charger prancing down the white shell road that led to distant lands. At other times he was a steamboat captain piloting his craft down the St. John River to where the sky seemed to touch the water. No matter what he dreamed or who he fancied himself to be, he always ended by riding away to the horizon; for in his childish ignorance he thought this to be farthest land.\u201d<\/em><\/strong><\/p>\n For those who feel like they don\u2019t have the time to read a full-fledged novel, or who desire a fast-paced narrative, fast fiction is the way to go. However, do not assume that just because these pieces are short, they are any less than a novel or a lengthier piece. Fast fiction is an important subgenre of literature because it stretches the expectations of what we perceive fiction to be. It teaches us to be creative and really think about the words we are writing. Fast fiction is a lean and efficient form; nothing is arbitrary. It is important that we read works like these so that we, too, may become better readers and writers.<\/p>\n —<\/p>\n For more fast fiction pieces, check out:<\/p>\n https:\/\/flashfictionmagazine.com\/<\/a><\/p>\n http:\/\/www.100wordstory.org\/<\/a><\/p>\n http:\/\/thecollagist.com\/<\/a><\/p>\n https:\/\/everydayfiction.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" By Annie Jonas In honor of Women\u2019s History Month, I have chosen 5 flash fiction pieces written by, or about, women. These pieces take no more than 5 minutes to read, and are perfect for any spare moments you have throughout your day. Break, by Rabih Alameddine Image Source: Chloe Scheffe, The New Yorker … Continue reading 5 Flash Fiction Pieces to Celebrate Women\u2019s History Month<\/span> \n
Girl<\/a><\/span>, by Jamaica Kincaid<\/h2>\n<\/li>\n<\/ol>\n
<\/p>\n\n
The Huntress<\/a><\/em><\/span>, by Sofia Samatar<\/h2>\n<\/li>\n<\/ol>\n
<\/p>\n\n
Housewife<\/a><\/em><\/span>, by Amy Hempel<\/h2>\n<\/li>\n<\/ol>\n
<\/p>\n\n
John Redding Goes to Sea<\/a><\/em><\/span>, by Zora Neale Hurston<\/h2>\n<\/li>\n<\/ol>\n
<\/p>\n