Sunday
January 31
The Bach Experience, Imago Dei: Bach and the Golden Rule
By Marsh Chapel
Click here to hear the full service
Click here to hear just The Bach Experience
Dr. Scott Allen Jarrett, Director of Music:
As we turn again to our regular musical conversation partner, Johann Sebastian Bach, the tri-partite rhythm of Tradition, Confrontation, and Response echoes in the works of Bach, a fifth Gospel transforming thought, word, and deed into a sacred song of praise, inspiration and aspiration.
Today, we feature five movements from five cantatas heard over the past two decades here at Marsh Chapel in our Sunday morning liturgy. As with Bach, we begin and end with hymns of praise and adoration, before confronting the challenges of our earthly predicament. Bach seems to acknowledge the difficulty we have in loving our neighbor, but he challenges us to embrace the transformative experience of a daily opportunity to extend God’s grace, Loving into freedom and freeing into greater Love.
We begin in joyful adoration with the opening movement of Cantata 69: Bless the Lord, O My Soul and forget not all His benefits.
BWV 69a.1| Lobe den Herrn, meine Seele August 15, 1723
Psalm 103:2
Lobe den Herrn, meine Seele, und vergiß nicht, was er dir Gutes getan hat!
Bless the Lord, O my soul, and forget not all His benefits!
The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel:
And now, a pivot, a challenge, a confrontation, an opportunity for contrition perhaps:
Ecclesiasticus 1:28 — “See to it that thy fear of God be not hypocrisy, and do not serve God with a double heart”
Dr. Scott Allen Jarrett:
Ah yes, the Apple of Sodom. Did you ever hear of this mystical fruit?? Bright and shiny on the outside, but so rotten inside, that it instantly dissolves into ash when plucked. For Bach and the librettist of Cantata 179, the Apple of Sodom represented a dire warning for the faithful: see to it that your inner and outer piety are of equal sincerity. The idea of reflection and mirroring the image of the creator is seared into the very counterpoint of the movement we’re about to hear. Written as a fugue, notice how successive entrances are cast in mirror inversion of the main theme — a paradigm for the purity faith requires, inside and out. One can hear the strain and stress of a false or double heart in the descending chromatics sung on the word Falsche or False. See to it, that your fear of God be not hypocrisy. Serve God with a pure heart, reflecting and mirroring God’s infinite grace and mercy. Jaunty, didactic, even admonishing, Bach readily flexes his contrapuntal muscles with zeal and ardor, inviting the faithful to seek the high ground, survey the common ground, but not before we’ve scoured the background.
BWV 179.1 — Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei August 8, 1723
Ecclesiasticus 1:28
Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, und diene Gott nicht mit falschem Herzen!
See to it that thy fear of God be not hypocrisy, and do not serve God with a double heart.
Dr. Scott Allen Jarrett:
Hear these words from the prophet Isaiah:
“Deal thy bread to the hungry, and bring the poor that are cast out to thy house. When thou seest the naked, cover him; and hide not thyself from thine own flesh. Then shall thy light break forth as the morning and thy health shall spring forth speedily; and thy righteousness shall go before thee, the glory of the Lord shall be thy reward.”
The Rev. Dr. Robert Allan Hill:
The idea of reflecting the image of the creator is the creative spark at the heart of the golden rule. For to love your neighbor, extending grace, is indeed the image of God’s grace so freely and readily given to each of us. What begins as social justice for Isaiah – feed the hungry, clothe the naked, house the unhoused, becomes the animus for our own transformation.
Dr. Scott Allen Jarrett:
Like Jesus in today’s lesson from Mark 1, Bach teaches us with remarkable understanding and authority. What begins as hollow, even disembodied “dry bones” music, more resembling those who most need our help, little by little takes on sinews until fully clothed in the garb of a joyful dance.
The Rev. Dr. Robert Allan Hill:
Love and serve your neighbor, and do so with the understanding that this above all rejoices God’s heart, transforming us with the brightness of the morning sun.
BWV 39.1 — Brich dem Hungrigen dein Brot June 23, 1726
Isaiah 58: 7–8
Brich dem Hungrigen dein Brot und die, so im Elend sind, führe ins Haus! So du eienen nacket siehest, so kleide ihn und entzeuch dich nicht von deinem Fleisch. Alsdenn wird dein Licht herfürbrechen wie die Morgenröte, und diene Besserung wird schnell wachsen, und deine Gerechtigkeit wird für dir hergehen, und die Herrlichkiet des Herrn wird dich zu sich nehmen.
Deal thy bread to the hungry, and bring the poor that are cast out to thy house. When thou seest the naked, cover him; and hide not thyself from thine own flesh. Then shall thy light break forth as the morning and thy health shall spring forth speedily; and thy righteousness shall go before thee, the glory of the Lord shall be thy reward.
The Rev. Dr. Robert Allan Hill:
The Golden Rule. Seems so easy, so straightforward. The Law – to love the Lord your God with all thy heart, and with all thy soul, and with all thy might, and with all thy mind, and thy neighbor as thyself. Jesus offers simply and directly, “Love one another.” No other qualifications or exemptions, but Jesus’s Lucan parable of the Good Samaritan acknowledges our human failings. In so doing, Jesus reveals a sublime dialectic – Law and Grace, inextricably connected, inviting us daily to acknowledge our sin, claim God’s redeeming grace, and freely share that same Grace.
Dr. Scott Allen Jarrett:
In recent years, our survey of Bach’s cantatas has drawn inspiration and focus from those cantatas Bach wrote in his first months in Leipzig: July, August, and September of 1723. These works reveal an astonishing and radiant understanding of the scripture, far beyond mere text setting. The grand and bold opening movement of Cantata 77 unfolds with tender, unassuming lines, that ultimately gather to the most extraordinary musical essay on the great dialectic of the Law and Grace. The highest and lowest instrumental voices play the familiar Ten Commandments chorale tune in grand canonic imitation. But these lines attain new meaning and height when we realize that the inner lines sung by the chorus are that same melody sung backwards and upside down. Grace is inextricably derived from the creative stuff of the Law, in perfect equilibrium, the most noble expression of contrite, sincere love of God — a pure reflection of inner and outer piety. Bach’s musical expression of Imago Dei – the Image of God.
BWV 77.1 — Du sollt Gott, deinen Herren, lieben August 22, 1723
Luke 10:27
Du sollt Gott, deinen Herren, lieben von ganzem Herzen, von ganzer Seele, von allen Kräften und von ganzem Gemüte und deinen Nächsten als dich selbst.
Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind; and thy neighbor as thyself.
The Rev. Dr. Robert Allan Hill:
Well beloved, today’s journey with Bach celebrates that perfect state of grace attained when we — each of us — imparts grace, kindness, patience — persistent patience — all without quid pro quo.
Dr. Scott Allen Jarrett:
Imago Dei. The mirror of the divine: freeing into love, and loving into freedom. Freide über Israel! Peace upon Israel. Bach’s song to you, God’s abiding peace to you. Peace upon Israel.
BWV 34.5 — O ewiges Feuer, o Ursprung der Liebe 1740s
John 14: 23 and 27
Whoever loves me will keep my word, and my Father will love him, and we will come to him and make our abode with him. Peace I leave with you, my peace I give to you.
Friede über Israel. Dankt den höchsten Wunderhänden, Dankt, Gott hat an euch gedacht. Ja, sein Segen wirkt mit Macht, Friede über Israel, Friede über euch zu senden.
Peace upon Israel! Give thanks to the Almighty’s wondrous hands, Give thanks that God has been mindful of you. Yea, the might of His blessing casts peace upon Israel, and peace upon you.
-Compiled and written by Dr. Scott Allen Jarrett, Director of Music