Marsh Chapel Sermon Archive

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John 15:1–8

The Bach Experience- April 28th, 2024

Cantata: O ewiges Feuer, o Ursprung der Liebe, BWV 34

Dean Hill:

Through this Easter season, Easter tide, you have perhaps noticed, noted, or winced to hear the letter of John, 1 John, amending, redacting, muting and amplifying the gospel of John. You are keen listeners, practiced and adroit, so you will have wondered a bit about this. Why does 1 John nip at the heels of John?

The two ‘books’, John and 1 John, were written by different authors, in different decades, in different circumstances, with different motives. The Gospel acclaims Spirit. The Letter adds in work, ethics, morals, community, tradition, leadership and judgment from on high, rather than judgment by belief and by believer. We may just have, it is important to say, the Gospel as part of the New Testament, with all its radicality, due to its brother named letter, vouching as it were for the sanity of the Gospel. The letter, like James Morrison Witherbee George Dupree, takes good care of its Gospel mother, the very cat’s mother, you see.

The Gospel in chapter 20 revealed the Spirit, elsewhere called Paraclete or Advocate, come upon us, received and with it received the forgiveness of sins. But at the heels, nipping, comes along 1 John in chapter 2, which names the Paraclete or Advocate not as Spirit but as Jesus Christ—the righteous—whose commandments all we are to keep, on pain of disobedience become lying, and truth taken flight. Both read on the same Sunday, within minutes of each other, even as they face each other, in loving disagreement.

The next Sunday, the letter in Chapter 3, on the qui vive and on the attack, spells out again in no uncertain terms that the righteous do the right, handsome is as handsome does. Both read on the same Sunday, within minutes of each other, even as they face each other in loving disagreement, maybe even at daggers drawn.

A week later, the Gospel in chapter 10 acclaimed the pastoral image of the Good Shepherd, whose one glorification on the cross is meant to obliterate the need of any other such, even as the Letter, worried, worried out in later chapter 3, a long and sorry recollection of Cain—Abel’s one-time brother—and the demands of love from one who laid down his life, and with whom and for whom we are then meant to do something of the same. ‘Let us not love in word and speech but in deed and in truth’, says 1 John 3, when the whole of the Gospel says simply ‘love’, says that words outlast deeds, and that speech, that of the glorious Risen, ever routs works. Both read on the same Sunday, within minutes of each other, even as they face each other in loving disagreement, a family row.

And now today, when and where our one Great Gospel, the Spiritual Gospel, counsels ‘abide’ and ‘remain’ in chapter 15, just here the letter of 1 John in chapter 4, fearing antinomial abandon, appends to his own most beautiful love poem, the charge again of lying, of lack of love of brother, of schism that surely created this letter, 1 John, as the spiritualists and the traditionalists, the Gnostics and the ethicists, parted company, one toward the free land of Montanus and Marcion, the other toward Rome and the emerging church, victorious, against which the Gospel was born, bred, written and preached. Both read on the same Sunday, within minutes of each other, even as they face off.

Of course, both are right. Or we would not still need or read them, let alone together. But you are right, too, to feel some neck pain, some whiplash, as Gospel soars and Letter deflates. It is as if the Song of Solomon were being sung by Obadiah.

Still. We are meant to live in Easter, not in Lent. All the disciplines of Lent, the forty and days the ten worship services of Holy Week, and the four of Triduum, and all, they are preparation for the real. The real is joy, the real is love, the real is Easter. Here our outstanding, Pentecostal cantata, inspires, guides and shapes us.

Dr Jarrett, tell us what to listen for and how, now in Easter, with our Sunday Cantata.

Dr. Jarrett:

Today’s Cantata was written for Pentecost, the Christian Holiday that celebrates the Coming of the Holy Spirit and is observed on the 50^th Day of Easter, hence Pentecost. In the New Testament, we find record of the first Pentecost in Acts 2. The Holy Spirit arrives by the wind appearing as cloven tongues of fire. And despite the many and varied languages spoken by the early followers of Jesus assembled in Jerusalem, the expression or accent of the Holy Spirit was understood by each hearer according to his own tongue. The Tower of Babel rebuilt. The new Church, the new Body of Christ, of the risen Lord, was to be for all. In John 14, Jesus explains our family tree, so to speak, first by explaining that he himself is of the Father, and that though he will soon return to the Father, another Comforter, also of the Father, will be sent to indwell in hearts of all those who keep the commandment, the Word, and love one another. A radical new intimacy with the Father, through Christ Jesus, will connect the new Church, like vines and branches, as a Body of and in Christ. The Gospel reading for Pentecost that Bach was working with was John 14: 23-31, which culminates in two sayings of Jesus: “Whoever loves me will keep my word, and my Father will love him, and we will come to him and make. Our abode with him. (Verse 23) and”Peace I leave with you, my peace I give to you” (verse 27).

Setting side the brilliant opening movement of today’s cantata, the other four movement are structured around these two sayings of Jesus: Recit No 2 around the idea of Indwelling, with the only aria of the cantata a pastoral rumination of how glorious this will be – Eden restored in each of us. The second recit, No. 4, broadens the indwelling to the new church, with the sign of Peace. The whole of the new church interrupts the baritone’s recitative to take up the new greeting shared by all who choose Love: Peace be with you.

Music of the high Baroque is much like a Swiss clock – there is extraordinary beauty in the clock itself – face and casing – but admiration becomes awe when the extraordinary number of component and moving parts are found to create such clarity and beauty. As an aural guide for Cantata 34, listen for how Bach sets the word Ewiges – or eternal, and at the same time the flickering, darting line sing for the word Feuer – or fire. Notice how Bach sets the word for ‘ignite’ – entzünde – you can almost feel the music spark each time the choir sings it. The trumpet signals the arrival of Christ, as bride-groom, of this most royal of weddings.

The central movement of the cantata, focuses on the rapture of the individual whose body becomes Christ’s Holy Temple. There is a perfection and naturalness of beauty here – directly from the sublimity of Eden’s garden.

The cantata ends in thanks and praise, but not without significant emphasis on Christ’s pronouncement, ‘Peace upon Israel.’

Today we observe two masters whose musical settings give voice to Christ’s wedding invitation. An invitation to all, without amendment or exclusion.

We prepare ourselves for cantata and covenant, in wonder and vulnerability and self-awareness…

Dean Hill:

There may well come a discreet time, for you, as a person of faith, to say something or do something, a time when some somewhat risky and uncomfortable mode of social involvement, or existential engagement, will beckon you.

After 40 years not just 40 days, such has come I believe to my beloved Methodist church, now in General Conference in Charlotte. There is a great whoosh of new life, coming into a church formerly fraught with conflict, and a great excitement of love to love and include ALL. It is the first such quadrennial gathering I have not attended with one exception since 1992. And the most successful. Maybe you just need the right people in the room and outside the room! Maybe it was my fault!

With this cantata, Methodism, at its best, built into the walls of Marsh Chapel, is love divine all loves excelling. Memorize the lines from 1 John 4: 7-12 today.

We once went to preach in a little church high in the Adirondacks, Mountainview UMC. It was one of the churches in the string served by a lone itinerant preacher. Listen to the names. Chasm Falls. Owls Head. Wolf Pond. Mountainview. My, my… (Owls Head, the ice box of the north, is where the New York Times for decades found the coldest temperature on record each winter). Reality squared, just in the names. A story, an old Methodist story, a Pentecostal cantata story, from the 1930’s comes, if memory serves, from Mountainview, a little town at the end of the rail line, where the locomotive turned around to head back downhill. Some farmers, a teacher or three, the druggist, some retirees, a small but loving congregation. They had been saving for ten years to build a new church building to replace their old one, and were just about able to break ground. But after Easter, as annually they did, they had a missionary come, this time from China. He was a gentle spirit, in the manner of Pearl Buck and others. He simply but directly told the Mountainview folk what he had seen in China of sheer poverty, of abject need, of kindness in the face of suffering, of living on nothing, and, too, of the difference faith can make. Over three days, with meals, and sugar on snow for dessert with the last marks of winter, with three days of conversation, something happened. After the missionary went to bed, the folks sat in the twilight, in silence. You don’t have to say much in a small town anyway because everyone knows what everyone thinks already. Finally, a farmer with gnarled hands, who would be milking at 4 in the morning, leaned in and said, Well. I sure would love a new church. We have waited a long time. But…but…this fellow and his people need that money a whole lot more than we do. Let’s draw out the building money and give him a check before the train leaves tomorrow. We can make do with this place another decade.

Let us live in Easter, let us love one another!

The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 04.28.2024 at 11:00 am

Sunday
February 18

The Bach Experience

By Marsh Chapel

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Mark 1:9–15

The Bach Experience

February 18, 2024

Throughout the Gospel of Mark, Jesus heals and then prays at some length. Including today in the wilderness. Lent begins in the wilderness. What did Jesus pray? And how? And for how long? Was his prayer attendant upon his healings? Or caught up only with his pending decision to itinerate? Where was this that he went? What did he wear? Did he kneel? Is this history or theology in Mark 1?

There is a strong argument to be made that we really know very little about Jesus, including about how he prayed, how he struggled in the wilderness. James Sanders once gave us a list of 8 things we could know about Jesus, one of which was that he died on a cross, and the others of which were not much more startling. Norman Perrin said, “This material had a long history of transmission, use and interpretation in the early Christian communities, and when it reached the hand of Mark any element of historical reminiscence had long been lost…The Gospel of Mark is narrative proclamation.” Yet this scholarly sobriety hardly slakes our curious spiritual thirst. We long to see Him more clearly, love Him more dearly, follow Him more nearly. Day by Day. So, we want to know…

We want to know about Jesus, as much as we can. When you love someone, you want to know them, root and branch, hook, line and sinker. Every Christian at every time has known this desire. We listen for, and to Him, today. We listen for his word, to his word, today. His is a saving word, even in the hands of very human, very fallible preachers, congregations, churches, denominations and religions.

As one great scholar and dear friend has carefully argued (T. Weeden, Mark: Traditions in Conflict), Mark—not Jesus now, nor the early church now, but Mark—has an axe to grind. Ted, my predecessor in our Rochester church, his 17 years preceding our 11, died this year. How we shall miss him. His work remains, carries on, though. Here it is. Jesus was powerful but crucified. Christian life will involve glory–but also pain. Jesus was not only a wonder worker whom demons could celebrate or denigrate. He also became a Messiah who disappointed, disappointed, his disciples, to the point of their, to the point of Peter’s, choosing betrayal. Jesus died on a cross, toward which he chooses to itinerate. Like all humans, Christians suffer, at least to some degree. Mark may want firmly to teach his generation that hurt is, tragically, a part of the walk of faith. Nero’s persecution may lie in the background. The Jewish war may lie in the foreground. A strongly competitive version of a glory gospel may lie in the background. Regardless, this gospel is about resolute discipleship. To be a Christian means to know how, and why, when you must, to pull up our socks. To be resolute.

For this, this morning, we have some good news. We have ancient, good company in Mark. The writer’s community finds themselves at the beginning of the eighth decade AD faced with a crisis of faith. Forty years have passed since Easter morning. The eschatological age has not dawned…the joys of the kingdom are still only dreams…Mark’s church is beset by suffering…The focus of his spiritual reflection is the on the struggling, even suffering life of Jesus (Weeden, Mark: Traditions in Conflict, 159).

Some by example show us this. There have been some heroes and heroines among us, making the case for resolute discipleship, in what they say and how they live. One such, who comes to mind come February, who comes to mind come February, and come Lent, is Marian Wright Edelman, now 84 years old. She must pray. She must. Otherwise, how would she have the discipline to stay on the trail for children for so many years, so many decades? She wrote once to and for her students:

“I want to convey a vision to you today, as you (move) into an ethically polluted nation in a world where instant sex without responsibility, instant gratification without effort, instant solutions without sacrifice, getting rather than giving, and hoarding rather than sharing are the frequent messages and signals of our mass media popular culture and political life.”

In other words, this particular walk, in faith, your personal walk of faith, means that you will not always be appreciated. This walk means that you will be required to be kind to those who do not afford you the same courtesy. This walk means that you will daily get nametags thrust upon you that are misspellings. You may die a hero’s death and have your name misspelled in the paper. Jesus’ in Mark 1 begins in the wilderness, and his beginning has one single outcome: a resolve to take a hard path.

Cantata (Scott)

Speaking of February and speaking of Lent, We remember our own Howard Thurman this month, who said, ‘Jesus rejected hatred. It was not because he lacked the vitality or the strength. It was not because he lacked the incentive. Jesus rejected hatred because he saw that hatred meant death to the mind, death to the spirit, death to communion with his Father. He affirmed life, and hatred was the great denial’ (JATD, 88)

‘There is something more to be said about the inner equipment growing out of the great affirmation of Jesus that a man is a child of God. If a man’s ego has been stabilized, resulting in a sure grounding of his sense of personal worth and dignity, then he is in a position to appraise his own intrinsic powers, gifts, talents and abilities. He no longer views his equipment through the darkened lenses of those who are largely responsible for his social position’ (JATD, 53).

The basic fact is that Christianity, as it was born in the mind of this Jewish teacher and thinker, appears as a technique of survival for the oppressed…In him was life, and the life was the light of all people…Wherever this spirit appears, the oppressed gather fresh courage; for he announced good news that fear, hypocrisy, and hatred, the three hounds of hell that track the trail of the disinherited, need have no dominion over them. (JATD, 99)

Beloved, as the music and its beauty this day overtake us, how will you live out the deep river truths? How will you combat daily, hourly, the remaining even growing desocialization flowing out of Covid still? People became desocialized during Covid. Nor is the church, nor are church people exempt here. How will you live down life’s opposition, however you understand it? Have you truly intuited the brevity of life? Have you really absorbed the capacity we have as humans to harm others? Have you faced the dualism of decision that is the marrow of every Sunday, every prayer, every sermon, every service? Are you ready to make a break for it? Are you ready to discover freedom in disappointment and grace in dislocation and love in departure? Are you set to place one hand in that of The Spirit and the other in that of the Presence?

May it be so, and so, we pray, a wilderness prayer:

God of our weary years,
God of our silent tears,
Thou who hast brought us thus far on the way;
Thou who has by Thy might
Led us into the light,
Keep us forever in the path, we pray.
Lest, our feet stray from the places, our God, where we met Thee,
Lest, our hearts, drunk with the wine of the world, we forget Thee,
Shadowed beneath Thy hand, may we forever stand,
True to our God, true to our native land.

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 02.18.2024 at 11:00 am

Sunday
November 19

The Bach Experience- November 2023

By Marsh Chapel

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Matthew 25:14–30

The Rev. Dr. Robert Allan Hill:

Ponder Jesus’ parable of the talents. (One still hears the mystical reverberation of it from William Sloane Coffin, in his very first sermon at Riverside Church, autumn 1977, who preached magnificently then on it, and concluded by singing ‘This little light of mine, I’m gonna let it shine”.) Life is a gift which inspires continuous giving, says the Lord. Talents are meant to be shared, says the Lord. What we have and who we are we are meant for us to invest in the future, says the Lord. This means risk. There is risk, always there is risk, in investment. The risk is real, and should be reasonable, and can be managed. But it is risk still. All walks of life, including yours and mine, involve real, reasonable, manageable risk. Let us apply the lesson, you and I, to our own lives and work. As Oliver Wendell Holmes said of a sermon he once heard: ‘I applied it to myself’. This morning, in particular, let us think about those faithful people who preceded us at Marsh Chapel, now glistening as angels in the heavenly church triumphant, to whom the Lord may have said: “Well done thou good and faithful servant. You have been faithful over a little. We will set you over much. Enter into the joy of the master”.

As now Bishop Ken Carter said about this parable, as our guest in this pulpit, a dozen years ago: “We hear themes of patience and trust in the Gospel from Matthew today. The Master, who can be interpreted either as God or as Christ, gives the generous gift of a “talent” or large sum of money to each of his slaves. Now, we could just take the “talent” at face value as a story about sound financial investment, but instead, let us consider Jesus as the Master and the talent as the good news of Jesus Christ entrusted to Christians after Jesus’ death, but before his promised return. The lesson we learn from the third slave is that what is given to us from God or even through the death and resurrection of Jesus Christ, what is entrusted to us, is not meant to be hidden away as some sort of secret, but rather is meant to be shared with others…we are meant to share the good news of Christ with others’’. Or as our colleague Rev. Dr. Chicka said once, preaching upon this parable, ‘God entrusts us with this message and we, in turn, place our trust back in God.”

Dr. Jarrett, the gospel rings out to us in Matthew, but also in Bach’s own chosen text for today’s beautiful cantata, Psalm 130, de profundis, out of the depths. For what shall we listen upon this majestic, mystical Lord’s day?

Dr. Scott A. Jarrett, Director of Music:

One of Bach’s earliest vocal works, Cantata 131 draws almost exclusively on Psalm 130 for its text. There are two chorale verse layered within the two solo movements of the cantata, but otherwise Bach sets each line of text with its own motivic and melodic properties. Even at a young age and with little to no experience composing in the genre, Bach reveals his considerable skills in musical form, structure, symmetry, and contrapuntal textures. Of the roughly five sections, the first, third, and fifth movements feature the full vocal and instrumental ensemble. And each of these three movements contains two sections, the first more syllabic and homophonic moving to a second section characterized by polyphony, fugues, melismas, and other hallmarks of contrapuntal maturity. The second and fourth movements feature solo baritone and tenor, respectively. the most interesting feature of these movements is the elegant layering of a chorale tune sung by sopranos in the baritone aria, and then by altos in the tenor aria. The musical effect is similar to hearing a chorale prelude on the organ, with newly composed material ostensibly in the foreground, and the chorale tune on a solo stop entering variously over the course of the piece. Because both soloists and the chorale singers employ texts, the layering takes on a theological, even mystical, purpose. One hears the chorale tune almost as an after-thought, a hazy aural image, whose presence is more subliminal than obvious – is it evocative, sentimental, nostalgic, clarifying, troubling?

And here is the wonder of Cantata 131 – from the hands of a 22year old Johann Sebastian Bach, the music colludes with the Psalmist phrase by phrase finding each us in our own depths, our own melancholy or despair; and phrase by phrase, our faith is renewed, restored, revived, as we wait upon the Lord assured of his mercy and plenteous redemption. You’ll identify with the sincerity, doubt, or dolor of the fourth movement – I know I’m supposed to wait, but how long? How long until God’s mercy and redemption flow like a river? Just how long until justice rolls down like water?

And like a splash of cold water, Bach answers with three marble columns in the three opening measures, each calling Is-ra-el, Is-ra-el, Is-ra-el. Worried frenzy interrupted, and the posture of devotion resumed, hope in the Lord! For in the Lord there is mercy, and with him is plenteous redemption. The final verse surges off the pages, the promise of redemption as the refiner’s fire in ascending chromatic tones, or the well-spring of the Holy Spirit in sixteenth-note melismas for the word “Erlösen” or Redeem.

However deep, however low, the assurance of pardon, mercy, redemption, a new day, a second chance – this is the hope of the word. The word made flesh. The word of the Lord endureth forever. Longer and outlasting those that wait and hope in the Lord.

RAH:

Faith does not exclude us from calamity, but faith prepares us to fight it. Faith does not give us the capacity to understand, but it does give us the courage to withstand. Faith is not an answer to every question, but it is a living daily question of ultimate concern. Faith in God is faith in God, not in another creaturely being. Our faith in God is cruciform, faith in the crucified God, who has chosen to make our vulnerable condition his own. I know the early church rejected patripassianism (the teaching that in the suffering of Jesus on the cross God the Father also suffered). But barely. But barely. And developing the capacity to meditate on profoundly unanswerable questions of human suffering is why three times a fall 1000 of us used to go and listen to Elie Wiesel. Faith does not protect us from calamity, though it does weave us together into the shared human experience and history of loss.

Hence the dire need for salvation, offered us in musical mystique, Scriptural grace, the quiet of the Sunday liturgy, a restoration it may be of our rightly minds.

For, as citizens of both country and globe, we weep, weep in this autumn of conflict and tragedy, and so mightily benefit to hear the truth, goodness and beauty of this morning’s word and music, Scripture and song. It may be that the dark struggles of this year, this autumn, over time, may make us both more human and more humane. Let us pray so. One of my students this fall grew up in Stockbridge, MA. She remembers seeing Reinhold and Ursula Niebuhr there, when he, at the end, was convalescing following a stroke. Her mother made sure she knew who he was, he who wrote ‘The Irony of American History’. When he died in 1970, and was buried out of that village congregational church, his eulogy—do you remember who gave it?—was delivered by Rabbi Abraham Heschel, he who wrote one of finest theological sentences ever to emerge in American English. The sentence begins with the word ‘different’ and ends with the word ‘same’, and its musical balance and cadence recalls us to our rightful humanity, our rightful mind: Different are the languages of prayer, but the tears are all the same. Different are the languages of prayer, but the tears are all the same. Different are the languages of prayer, but the tears are all the same.

-The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

-Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 11.19.2023 at 11:00 am

Sunday
October 15

The Bach Experience, October 2023

By Marsh Chapel

Click here to watch the Bach lecture

Matthew 22:1–10

The Rev. Dr. Robert Allan Hill:

We are living in and through a dark and difficult time, this fall. Our climate shows significant signs, in our lived experience, of steady and worrisome warming. Our nation continues in the grip of deep divisions, and, of more concern, a palpable willingness on the part of some to jettison centuries of hard-won democracy for autocracy, and its false promise of ‘escape from freedom’, as Erik Fromm called it. Our culture languishes in the doldrums of a pervasive malaise, not unrelated to our fear of freedom, and its demands, and its rigors, and its openness to human flourishing. The dark night of warfare has fallen and stayed grounded into Europe, for a year and a half, with the fate of our Ukrainian sisters and brothers in the balance, with no end in sight. Now, in addition, we have the advent of a full blown catastrophic second war, perpetrated through terrorist violence, horrific and unspeakable violence, upon the people and traditions of Israel, which people and traditions our own Elie Wiesel over four decades here at Boston University did so much to illumine and honor, say: “The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it is indifference.”

How we miss his voice, his presence, his warning and his wisdom today. Our youth and young adults, still wriggling free from years in the screen prisons of COVID, need and deserve and require expanded care and services related to personal, emotional and mental health, at a rate and with a range quite difficult for other generations fully to grasp. The challenges of poverty, of racism, of sexism, of inequality and injustice, of health care, of educational disparity, and the ever--present clouds of greed, malevolence, mendacity and despair continue to lap at the shores of our existential beaches, without pause and with ongoing wind strokes of pain. We are living through a dark and difficult time, this fall.

While true for every season and age, it is acutely the case for our time that an honest, a necessarily honest admission of our condition should also and more so be soothed by, and challenged by, the promise of the gospel, and the prospect of better days to come. It is acutely the case for our time, for this very day, this day of rest and worship, this sabbath day, that a pause, a discreet hour of ordered worship, should be observed, and honored, including today by way of word and music both, the stringent candor of word and the soothing beautiful balm of music, together. The ordered public worship of Almighty God upon the Lord’s Day is not a matter of indifference. It is a savingly crucial hour, that brings a ray of light into the dark, a note of promise into the silence, a reminder of joy into the pain, and a source of get up and go again power into the despond. It is thus fitting to hear the negativity of the last third of St. Matthew, including the harsh cold parable this morning, as a partnered honest admission of our own condition, the condition our condition is in. For Matthew cries out over the rejection of invitation, the rejection of welcome, the rejection of love. And he will not be consoled, like Rachel weeping for her children, and like Israeli mothers today weeping for their now soldier sons, no dishonest avoidance here. His parable matches our own angers. When things are not right, saith the Scripture, let us be honest that things are not right. And then let us turn and listen for the true, the good, and the beautiful. As in our cantata this morning. Dr Jarrett, what does this morning’s Cantata bring us?

Dr. Scott Allen Jarrett's contribution to this sermon is not currently available.

The Rev. Dr. Robert Allan Hill:

Presence in an ordered service of divine worship, your presence here today for instance, is one sign of trust that in this life we are being addressed from beyond. Your presence this morning is an indication, a witness if you will, to your intimation or confidence or something in between, that you are ‘hearing voices’, that you are called, spoken to, addressed.

The parable of the wedding banquet, retold in Matthew from a kinder Lukan version, rests on this conviction of a divine beckoning and calling.

I think we seldom recognize what a powerful thing an invitation can be. Pause and recall a time or two when you were savingly invited.

We know the power of an invitation when we hungrily receive one heartily desired. Nothing in all the world ever happened between persons without invitations. Every sermon is in some way an invitation to you, to take a step in faith, to take a step, one step, in faith.

That is, you receive today, again, a personal invitation. The invitation is meant for you, sent to you, an event for you. You are invited to attend the wedding of heaven and earth! to lead a godly life! to lead a life worthy of God! to live in faith and by a conviction, which is a trust, faith is a personal commitment to an unverifiable truth.! If we had all proof we want we would not have all the faith we need. Will you come to the banquet? Will you take a step in faith?

The voice of invitation is an enticement, a coaxing, a luring, a courting.

President Biden this week offered such an invitation, a biblical one, tucked into perhaps the greatest speech thus far in his administration, saying: This is a moment for the United States to come together, to grieve with those who are mourning. 

You remember that our gospel writer for today, St Matthew, the Evangelist, has a passion. It is invitation. The point of the Gospel of Mathew the Evangelist is that he is an evangelist. This is his love. His first love. To seek the lost, to hug the lonely. And it is a passionate love. I can see your passions, in architecture, history, homily, mission, symbol, country, group—these inspire passion. As, especially, does music. Matthew offers the gift, divinely wrapped, of his passion: sharing an invitation, perhaps a first encounter with Christ for those c’est vouz?, who do not know a single verse, cannot recite a single psalm, cannot describe baptism and communion, do not a favorite hymn, and have no lived experience of church committee meetings. This is the great joy of faith, to share it. Do so. You only have what you can give away.

-The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

-Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 10.15.2023 at 11:00 am

Sunday
April 30

The Bach Experience- April 30, 2023

By Marsh Chapel

John 10:1-10

RAH: The name of God's act is resurrection. Without it our faith is in vain and we are still in our sins, trapped, enslaved, the creatures of various conditions beyond our control or understanding that steal our freedom, and so our humanity. More. Without resurrection there is no response, because there is no responsibility at all. But with resurrection there is joy, there is freedom, and there is response.

John 10 today shows us the fullness of emptiness, presence in absence. John has always more than one opponent or contestant. He is fighting always on two fronts. So much for tradition, so much for culture. So much for depth, so much for breadth. So much for Judaism, so much for Gnosticism. So much for church and so much for community. So much for memory, so much for experience. John contrasts the freedom of Christ with fragile, formulaic faith. Things do not always fit into little boxes. The Hurricane winds of change, the reaches of pandemic and post pandemic, say, rearrange every manner of dwelling.

The Gospel of John, more than any other ancient Christian writing, and in odd contrast to its prevalent misunderstanding abroad today, knew the necessity of nimble engagement of current experience, and the saving capacity to change, in the face of new circumstances.   The community of this Gospel could do so because they had experienced the Shepherd, present, ‘here’, here and now.  In distress, we hold onto divine presence, we hold onto the Shepherd– hic et nunc. Speaking, and hearing.  They found that in speaking of the Shepherd: ‘he is here’.  ‘I am…’  That is all, still, we have, the voice.  Utterance.  ‘I am…’  The ‘here’ is in the hearing.  Can you hear that?  It begs to be heard, here. Come in and go out and find pasture. A resurrection moment.

Which may bring us to the Cantata this morning, a joyful, even jolly, happy piece, befitting its Christmas birth, and also embracing our Easter rebirth. Mark this day! So shouts the Cantata, and so it reminds us of the precious gift that is every one day. Dr. Jarrett, how today does the music shape, form, mold and teach us?

SAJ: The name of God’s act is Resurrection. And what is resurrection? Rebirth, renewal. The chance to grow. The chance to grow again. This is the Grace of God, freely given. This last Sunday of April, a gentle rain falls outside, nourishing the earth’s annual rebirth. The rain falls freely to the earth, just as God’s grace. Freely given.

By God’s grace, woman and man were created in a garden long ago. And by God’s grace, he created them free, and free they have remained. Freed daily to choose Grace. What would you choose?

God’s grace revealed anew in a Bethlehem manger, a second Adam: Light and life to all he brings, ris’n with healing in his wings. Mild he lays his Glory by, born that we no more may die, born to raise the sons of earth, born to give them second birth.

The name of God’s act is Resurrection. Second Birth, a covenant renewed. Verbum caro factum est et habitavit in nobis. The Word was made flesh and dwelt among us. Will you follow him? Will you choose God’s grace?

Grace is the central theme of Bach’s Christmas cantata written in Weimar in 1714. “For the dawning radiance reveals itself to you as the light of grace.”

“Let us then ever trust in Him and build upon His grace.”

“May we ever walk in grace.”

As with the two fronts of John’s Gospel, so too, our cantata embraces the paradox of God’s majesty clad in the humility of the manger; our Salvation born of a lowly Virgin, homage paid by the Shepherds. And in the fullness of time, our Prince of Peace, will arrive in Jerusalem not on a mighty steed, but a humble donkey. Ride on, King Jesus! “Ride on in majesty! In lowly pomp ride on to die; bow thy meek head to mortal pain, then take, O God, thy power and reign.”

The name of God’s act is Resurrection. A saving Grace. A healing Grace. Freely given, that we might be freed of sin and death. Christians, etch this day in metal and marble stone. Mark this day. Mark this day, for God’s grace. Will you choose God’s grace, will you embrace it?

How will you respond to cynicism? Negativity? Hopelessness? Fear? Will you simply acknowledge? Why not “Yes, and . . .” Choose it, yes, and proclaim it. Freely given that we might be free. So Christian, Mark this day. Choose Grace. Choose Resurrection. Proclaim Renewal. Live in Resurrection.

Soar we now where Christ has led, Following our exalted Head,

Made like him, like him we rise,

Ours the cross, the grace, the skies.

Alleluia. Alleulia.

RAH: As one for whom Christ died, and for whom God has raised him from the dead, now in the hearing of this good news, you have responsibility. You are free. You have the power to respond. Our past has been forgiven and our future has been opened (Christ has overcome sin and death). But that leaves you holding the bag, if not the burial cloth. Ability to response, response-ability, is forever set loose on Easter.

I heard again our own Inner Strength Gospel Choir, in their 50th anniversary celebrations and fellowship and concert this weekend, in their honoring of our own Herb Jones in 20 years of leadership, and their response and responsibility to one another, over decades, and to faith welling up from that resurrection ‘inner strength’. Mark this day!

I talked with a young couple not long ago, just after their son was born. Early in the morning the contractions began. Panting and blowing and praying and waiting, the birth progressed. Suddenly-miracle! - ruddy and pink and crying and blinking there appeared a new born. You can revisit that moment, that sense of the miraculous. Mark this day!

I remember devotions in a meeting, given by a young man who has a telescope. When he was nine his neighbor taught him about the heavens. On a clear night he would call over next door, "Mikey come on out. I've got my scope. It's clear. Let's listen to the stars." Listen to the stars…Mark this day!

I read Isaiah Berlin on his life mission. "Collisions, even if they cannot be avoided, can be softened. Claims can be balanced, compromises can be reached; in concrete situations not every claim is of equal force: so much liberty, so much equality; so much for sharp moral condemnation, and so much for understanding a given human situation; so much for the full force of law, and so much for the prerogative of mercy; for feeding the hungry, clothing the naked, healing the sick, sheltering the homeless. Priorities, never final and absolute, must be established." Is there a time in history in which, we would have been more receptive to the mission of softening collisions? Mark this day!

I hear the voice of Harry Belafonte, bringing us southern charms, warm breezes, music for dancing and dreaming, a voice for the ages, now given over to heavenly rest, to joy, to resurrection. Mark this day!

Therefor let us ever trust Him

And build upon his Grace

For He has bestowed upon us

What now delights us forever

-The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

-Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 04.30.2023 at 11:00 am

Sunday
January 29

The Bach Experience- January 29, 2023

By Marsh Chapel

Matthew 5:1-12

For the text and translation of the cantata, please open the January 29, 2023 bulletin in a new tab. A portion of the sermon is available below.

Dean Hill:

By grace, with the encouragement of truth in Scripture, of goodness in the women and men of this faithful congregation, and of beauty in the highest reaches of musical splendor in Bach this morning, we are gathered and addressed. There is much about us that occludes, that shadows, the lastingly true, the sturdily good, and the elegantly beautiful. Our culture is awash, sometimes overcome, with these shadows. We see photos of young widows in Ukraine. We watch reports of gruesome gun violence in California. We mourn a racist, heedless, needless death in Memphis. Sometimes it threatens to become enough to take away our confidence, our courage, our willingness to lift another foot, to take another step forward.

So, Sunday. Sunday comes to bring encouragement, including this morning. Matthew adorns our shared life with beatitudes, inverted blessings, which invert the expected blessings, finding makarios, happiness, blessing, on the underside, weakened, distaff side of life. So, worship of God on the Lord’s day is not a matter of indifference, not at all.

For we have left St. Luke, now to follow the trail of Jesus’ life, death and destiny, this year, 2023, in the Gospel of Matthew. Matthew relies on Mark, and then also on a teaching document called Q, along with Matthew’s own particular material, of which our reading today is an example. He has divided his Gospel into five sequential parts, a careful pedagogical rendering, befitting his traditional role as teacher, in contrast to Luke ‘the physician’, whose interest was history. We have moved from history to religion, from narrative to doctrine. Matthew is ordering the meaning of the history of the Gospel, while Luke is ordering the history of the meaning of the Gospel. You have moved from the History Department to the Religion Department. Matthew has his own perspective.

Every word is meant for a particular time, but not for all time. For all time, and for our time, we have the staggering responsibility to fit the teaching to a new era, another epoch. Whether or not ethics is situational, it is certainly epochal. Our response and resistance to a megalomaniacal regime can be guided by but not directed by these precious verses of Holy Scripture. Their application is, to use a marvelous American idiom, ‘up to you’. And this will be inevitably be difficult. Experience, freedom, presence—the invisible divine in life—are demanding and difficult.

Matthew has his own perspective. Remember: ‘A literary work or a fragment of tradition is a primary source for the historical situation out of which it arose, and is only a secondary source for the historical details for which it gives information’ (45). (Wellhausen.)

Some of that perspective involves a developing and developed Christology, an understanding of Christ. Matthew is apparently fighting on two fronts, both against the fundamental conservatives to the right, and against the spiritual radicals to the left. In Matthew, Gospel continues to trump tradition, as in Paul, but tradition itself is a bulwark to defend the Gospel, as in Timothy. Matthew is trying to guide his part of the early church, between the Scylla of the tightly tethered and the Charybdis of the tether-less. Our forebears taught us so. That is, with Matthew, they wanted to order the meaning of the history of the gospel. They aspired to do so by opposition to indecency and indifference. They attempted to do so by attention both to conscience and to compassion. That is, they lived daily with a yearning to transform the culture around them in the spirit and into the form and face of Jesus Christ.

For example: we today hear a reading and rendering of the Sermon on the Mount, perhaps the most beloved and best remembered of Jesus’ teachings. At the outset, we face a raging river to cross. For when were these teachings meant? For all time, for Jesus’ time, for Matthew’s time, for our time—for the time being?

Let us let the beauty of the moment bathe us for a moment. How today Dr. Jarrett shall we hear Bach?

Dr. Scott Jarrett's portion is not available at this time.

Dean Hill:

Gracious God, loving and holy and just,

We lift our hearts in thanks and praise this morning.

We come to this sanctuary ready again to live as glad hearted women and men.

With glad hearts, curious minds, and eager spirits we offer ourselves in worship. Bless us, we pray, by thy presence, which we invoke in the name of Jesus Christ our Lord.

Are we as ready to receive the gifts of grace as we should be?

Have we been prepared, in these days, to notice the bountiful goodness by which Divine Love has touched us?

Do we need to confess a little slowness, a little occasional lack of perception, shortness of spiritual breath, a slight or not so slight disregard for what we have been given?

O Lord, as a people of glad heart, we confess that we have not always been fully a people of open hands. Open us in these moments of silence, to a new rebirth of wonder.

Great art thou, O Lord our God, and fully to be praised, morning by morning.

We pray for thy blessing in this hour, thy gifts of confidence, certainty and sureness for the days to come.

Help us to receive, with confidence, the many surprising gifts embedded in our personal lives. Help us to notice the unexpected possibility, the new friend, the unusual word, the strange connection. Help us to see more than we plan to see, to receive more than we expect to receive, with the confidence born of obedience.

Teach us to claim some certainty in the midst of uncertainty, as a church and and as a congregation. Teach us we pray the path we best should trod into the unforeseeable future. Teach us rightly to connect yesterday with tomorrow, in the light of thy certain love.

Shower with cool saving rain and moist power the leaders of this world, with sureness to seek justice and peace. Help those in the torn out conflicts of our day to continue daily, surely, to seek the promise of the Prince of peace. Kindle daily in the hearts of great leaders an even greater desire for peace, with a sense that surely goodness and mercy shall follow.

Through Jesus Christ our Lord, Amen.

-The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

-Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 01.29.2023 at 11:00 am

Sunday
November 20

The Bach Experience- November 20, 2022

By Marsh Chapel

Luke 23:33–43

SAJ: In September, we opened our Bach Experience series with Cantata 147. Along with with Cantata 10, and of course Bach’s magnificent Magnificat setting, the first chapter of Luke has provided centuries of musical creativity and inspiration. The parables of Jesus as recounted in the Gospels are the departure point for many cantatas, but Luke’s voice is prominent in the liturgical schedule of readings for Bach. Of the cantatas Bach wrote in 1723 for the 26 Sundays after Trinity, nearly two-thirds are based on lessons from Luke -- the Sermon on the Mount, Zechariah’s benedictus, the parables of the unjust steward, the good Samaritan, the pharisee and the publican, prophesies of the great tribulation, and Jesus’ raising from the dead the young man from Nain.

And once more, we interweave the power of Scripture with the glory of music, the word spoken with the word sung. Bach and Luke meet today in Cantata 70 Wachet Betet Betet Wachet, as Jesus foretells the second coming. Before Bach, help us regard St Luke. His voice has guided our Sunday by Sunday experience this past year. On this final Sunday of the liturgical calendar, Dean Hill, help us look forward by looking back to a year wherein we have heard the voice of St. Luke, Sunday by Sunday?

RAH: Yes, Dr. Jarrett, we indeed have spent the year with St. Luke, and conclude our conversation with him this morning. There are some outstanding features of the Lukan biblical theology, which we may simply name as we set sail for other shores. On this Sunday which honors the reign of Christ, especially, this is most fitting. First, Luke displays a commitment to and interest in history, and orderly history at that.  Both Luke and Acts are cast in a distinctive historical mode. In fact, Luke has his own schemata for sacred history, in three parts: Israel, Jesus, Church: the time of Israel, concluding with John the Baptist; the time of Jesus, concluding with the Ascension; the time of the church, concluding with the parousia, the coming of the Lord on the clouds of heaven, at the end of time.  Second, Luke employs and deploys his own theology, or theological perspective, including this emphasis upon history and the divine purpose in history.   Third, Luke highlights the humanity and compassion of Jesus in a remarkable way. The Christ of St. Luke is the Christ of magnificent compassion, embodied in the humility of a birth among shepherds.  The poor, women, the stranger, the injured, those in dire need all stand out in Luke, as the recipients and subjects of Jesus’ love, mercy, grace and compassion. Fourth, Luke carries an abiding interest in the church.   History, theology, compassion, and church are hallmarks of Lukan biblical theology, and signs of the reign of Christ, and emphasize the promise of what God has done, in the indicative mood, over what we can do, in the imperative mood.

SAJ: Indicative and imperative. Pluperfect. Subjunctive. Declension, conjugation. I can almost smell a pencil sharpener nearby, and I bet if we’d diagram a sentence or two, we might even recall the smell of the mimeograph machine!

But back to our grammarly moods – indicative and imperative – In the eleven movements of today’s cantata, I count 23 imperative verbs: Rejoice greatly, Celebrate with the Angels, Triumph eternally, Lift up your heads, Be of good cherr, Tremble, o sinner, Sound the last trumpet!, Flourish in Eden. Serve God eternally. Lead me to the gates of heaven. Lead me to promised rest, lead me to everlasting joy. Cantata 70’s title has is entirely imperative verbs – Wachet betet betet wachet. Watch pray, pray watch.

Bach and his librettist are creating a musical sermon, a theology of which is likely downstream of the great Lutheran preachers and teachers, all of whom are downstream of Luther himself, continuing all the way to the Ursprung – the evangelist’s record of the life and teaching of Christ.

Is this river cruise similar to a pure science flowing downstream to its related applied disciplines? Philosophical or practical? Ideal or pragmatic? Visionary or realistic?

RAH: Just so, Dr Jarrett. That is, indicative precedes imperative. Indicative precedes imperative, in history, theology, compassion and church. The gospel is about what God has done, first, not about what we might do, a distant second, if that. JS Bach, a good Lutheran, would heartily agree. What God has done outlasts, outshines, overshadows, outranks, outdoes what we might do, or not. That is what makes the gospel good news, rather than just news. What God has done! And let us hold most closely the divine compassion in Luke.  At every turn, there is a return to the least, the last, the lost; those at the dawn of life, those at the twilight of life, those in the shadows of life.

Further, Dr. Jarrett, over 16 years we have endeavored to render the good news in a bi-lingual manner, on these Bach Sundays, Scripture and Cantata together, juntos, conjoined. For those of us today, especially, who are listening from afar, who hear but do not see, what are two of the themes of this particular Cantata to which we should caringly attend, in the dialogue of the soulful song and sacred page? That is, first, what in the music should most listen for?

SAJ: Today’s images are exciting and dramatic, and Bach manages to cover all the ways in which one can be excited and dramatic. The second coming, in many ways, represents the ultimate test of faith. If we acknowledge that faith is that fuzzy intersection of doubt and certainty, here, the believer (also a sinner) is at once terrified of the day of judgement, then finds a deep breath an enough confidence to sustain their faith a longer. Repeatedly, at macro- and micro-levels, Bach meets us in a crisis of faith, neutralizes our fear through Christ’s love, giving the needed strength and confidence to match Christ loving embrace for eternal pardon and peace. The arias take this tri-partite journey individually and cumulatively.

Two extraordinary moments from the baritone bring us to the edge, a terrifying foretaste of the final destruction of heaven and earth. But the second instance might just model how each of us could meet that moment when it comes.

RAH: And then, second, what in the word, in the words sung, is most telling for us this morning, listening to Bach?

SAJ: The signal of the last day, the day of judgement is the trumpet. “Behold I tell you a mystery, we shall be changed in a moment in the twinkling of an eye, at the last trumpet. Bach features the trumpet throughout the cantata, in chorale tunes and in the triumphant arpeggio that is the motto heard in the first measure of the piece. Geoff Shamu is out trumpeter today – Geoff will you play the motto for us??

SAJ: So, Dean Hill, in conclusion this morning, how shall we think about what he have heard, and shall hear?

RAH: Well, it may be, Dr. Jarrett, that our living of these days, and our life in Christ this day, carry both a dimension of practice and promise.

In practice, our envisioned mission of Marsh Chapel is be a heart in the heart of the city, and a service in the service of the city. Our use of President Merlin’s epigram means city as the global city, and service as worship and work. Our foci guiding this envisioned mission are voice, vocation, and volume. One aspect of this today is the work of sermon and cantata.

Twice a term, you engage our collegium, choir, community and listenership in a full morning of teaching about JS Bach, and enjoyment of a Bach Cantata in worship. This Bach Experience, lecture, gathering, brunch, worship, and sermon, are novel and experimental advancements, in learning and performance, a part of our practice of faith.

SAJ: And regarding promise?

In promise, we turn to Holy Scripture. Our conclusion in the reading of St. Luke comes today with Jesus upon the cross. Every benediction in ending for a service of worship, including this morning, carries a sense of an ending at hand. Our own mortality, our own full physical limitation, our own death, at some unforeseen point, is both shadowed and overshadowed, just here in Luke 23, just now on Calvary. Perhaps more than anything else, our own mortality, our limited humanity, dust art thou and to dust thou shalt return, call us to faith, and awakens us to faith. Our Christ and his final consort address us, with a promise, a promise that in life and in death and in life beyond death, God is with us, we are not alone, thanks be to God. Jesus even promises paradise in that hour, in that liminal moment. The reign of Christ, somehow, says our Gospel, and somehow, sings our Cantata, continues and conquers, though how and how so who can say? It may be that the single purpose of Sunday worship, every seventh day, every Lord’s Day, is a clinging to the ringing of this dominical promise, our own everlasting hope. The Lukan Jesus has the last word, and offers that word a lasting promise, a last word in lasting promise…today you will be with me in paradise.

We are given and receive in faith the divine promise: He keeps them in His hands, and places them in a heavenly Eden. May it be so!

RAH: We are given and receive in faith the divine promise: You shall flourish in Eden, serving God eternally. May it be so!

-The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

-Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 11.20.2022 at 11:00 am

Sunday
September 25

The Bach Experience- September 2022

By Marsh Chapel

Click here to hear the sermon and cantata

Luke 16:19–31

Dean Hill:

Especially throughout the COVID summers, we came to rely on the radio, its classical music and occasional weather and news, for our summer technological engagement with the wider world, out in the woods of Empire State. Alone in the earlier mornings, when the fitful restlessness of work life gradually abates, as it can over time if we give it time, sometimes there is momentous moment.

The announcer said something about Debussy, whom I remember from required (back in the days of required courses) college introduction to music. Therein we sat on a carpet and listened and were tested later on baroque, classical, romantic, impressionist and modern music. The French name made a mark.

Then onto the radio waves came a light, flowing harp beauty. It was a shimmering beauty, light and alluring, quiet, gentle, unlike really anything I could remember hearing before. The host named the piece as an Arabesque, perhaps the second such from Debussy, though I may have mistaken that. The lake breeze lifted the notes, and there was throughout the room for a few fine minutes a shimmering beauty. For two summers and more we could not sing together, or perform together, or worship together, in COVID. We will never any longer take the thrill of congregational and choral singing of the hymns of faith for granted. These are beautiful moments.

Like its cousins, truth and goodness, such a beauty leaves a mark, makes a lasting mark, a beauty mark you could say. Time stops. Imagination awakens. Troubles recede. You are caught up in something larger than yourself, as sometimes happens in religious experience too.

In this radio carried music, it seemed to this untrained ear, there rose and fell a kind of oriental melody, a lightness, a veiled impression. And it seemed to me that the better person to listen was the kind of person listening in this moment, who has no formal musical education, other than that incurred through spouse, family, and various church organists and choir masters.

It is the ear, often, rather than the eye, voice rather than face, the audible invisible, that carries an uncanny power. The triumph of the invisible over the visible.

It happens that my mentor Bishop Joseph Yeakel died in this same summer time week. He taught us: you can only preach what you know…the one on one work is the most important ministry…your staff need to be creative and loyal both…people remember what you do more than what you teach...most of us need more reminder than instruction

His contemporary, a long-retired minister, had a dream the night before, before he knew of Joe’s death, that he had been asked to preach at the memorial, but had not prepared a sermon. Dreams are such strange things. Invisible, shimmering, beautiful, too.

Across the radio waves again, Dr. Jarrett, we assemble our listenership. With joy and peace in believing, with joy and peace in the true, good and beautiful. For what, this Lord’s Day, shall we most listen?

Dr Jarrett's section is not available.

Dean Hill:

In these weeks we listen also to, and soberly remember, Jeremiah.

The prophet Jeremiah excoriated his people, hoping against hope to keep them in faith along. For four decades he challenged, criticized, and vilified his beloved country, and its leadership, and its people.  They heeded him not.

Jeremiah exclaimed: False prophets deceive people with their optimism.  The temple has no efficacy in and of itself.  The true circumcision is not of body, but of mind and heart.  Even the Bible can lead astray: Even the Torah may become a snare and a delusion through the false pen of the scribes.

Notice some of the themes from the sixth century bce:  Deportation, false optimism, betrayal of heritage, forgetfulness of history, ineffective leadership, personal failings which damage the nation, turning of a deaf ear toward the voice of God. “For my people are foolish, they do not know me; they are stupid children, they have no understanding. They are skilled in doing evil, but do not know how to do good.”

Jeremiah, whom we have heard in the background of our worship and preaching for some weeks, speaks to us again. today.  He warns us, he warns us, week by week he has warned.  And then, remarkably, in today’s reading, he stakes his life on hope, an unseen hope, a powerful hope of what may yet be. May his memory, just here, truly help us.

The beauty of the music this morning is itself a sort of baptism of hope.  We sometimes long to take a spiritual shower, to bathe ourselves in the living waters of grace, faith, hope, life, and love.   Especially, it might be stressed, on any college campus today, the need for spiritual cleansing is continual.  We need both judgment and mercy, both honesty and kindness, both prophetic upbraid and parabolic uplift.  And we get them, thanks be to God, in Jeremiah and in Luke.  But look!  They come upside down.  In a stunning reversal, kindness and gentle hope are the hallmarks of our passage from Jeremiah, while wrath and hellfire explode out of Luke.

Listen again to the voice of the prophet, one of the great, strange voices in all of history and life, one of the great, strange voices, in all of Holy Writ.  Jeremiah.  All is lost, in Judah, as Jeremiah addresses Zedekiah the King.  You will be a slave in Babylon, King Zedekiah.  You will be given into the hand of your sworn, mortal enemy, and so too will be the fate of your city, your temple, your people, and your country, King Zedekiah.  But. Nonetheless. Nevertheless. And yet. These are resurrection words. But. Nonetheless. Nevertheless. Still. Even And Jeremiah put his money where his mouth is.  Or was.

With his beloved country in ruins, Jeremiah does something great, something remarkable and hopeful and great.  Jeremiah buys a plot of land.  One day, a long time from now, he muses and prays, there will be some manner of restoration: ‘I cannot see it.  I cannot hear it.  I cannot prove it.  Sometimes I cannot believe it.  But, hoping against hope, I will buy some land, and someday, somebody, somehow will use it’.  This is faith:  to plant trees under which you will not sleep, to build churches in which you will not worship, to create schools in which you will not study, to teach students whose futures you will not know—and to buy land which you will not till.  But someone will.  Or at least, that is your hope. You have done some things this fall.  You offered a morning prayer.  You attended to worship. Good for you.  You sent a check to support something or someone.  Good for you.  You went and volunteered to make contacts and calls. Good for you.  You spoke up and spoke out, regardless of the fan mail, family disdain, and other costs.  You did something.  Will it make a difference?  Who can say? But it does make a difference, for you, if for no one else. 

Go. Go. Go and buy your little plot of land.

-The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

-Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 09.25.2022 at 11:00 am

Sunday
April 10

The Bach Experience- Sunday, April 10, 2022

By Marsh Chapel

Click here to hear just the sermon

Luke 19:28-40

Dean Hill:

It is not so long ago that we greeting Jesus at his nativity, singing carols and lighting candles of hope. It is not so long ago that we witnessed his growth in wisdom and stature, in the knowledge and love of God, while as a teenager he taught in the temple. It is not so long ago that this mighty young man Jesus stooped, fully human, for baptism in the surging river Jordan, the river of death and life. It is not so long ago that we saw him take up his ministry among us, preaching and teaching and healing. It is not so long ago that with Peter and James and John we saw him ascend the Mountain of the Transfiguration. With him have we walked this Lent, step by step.

And now it is time to take the full measure of this Man, and to have the courage to let Him take our full measure, too. The crisp air and vistas of the mountain pass have fed our souls. But now it is time to head home, and turn our face to Jerusalem.

The road down the Mount of Olives, or down any mountain, can tax the traveler. It reminds us all of earlier homecomings.

Odysseus walking the last few miles to Thebes. Socrates walking to the center of Athens and the cup of hemlock. Richard the Lionhearted sailing the English Channel, heading home. A prodigal son, scuffling up the last mile of country road toward a dreaded homecoming, as we heard two weeks ago. You, returning at last to whatever you have long avoided, wandering as you have in the Galilee of the rest of life. At last, there is the Emerald City, and the road home.

Today, I raise just one question. What was Jesus’ state of mind, what was on his mind and heart, as he entered the Holy City?

It is perilous, even arrogant, at this late date and from this great distance, to try to imagine Jesus’ state of mind as he descends the Mountain and enters the City.

Albert Schweitzer, before he went of to heal the jungle sick, showed convincingly how inevitably errant are most such attempts. We paint our own inner lives into the life of Jesus, when so we try to see what cannot be seen in Scripture. And yet, particularly at this point in his journey, at the entrance into the Holy City, and on the threshold of his own death, we are haunted—are we not?—by the desire to see what Jesus saw and feel what he felt and sense what he did sense, coming home.

Now Jesus is walking down into the city, down off the mountain, and down into the heart of his destiny. He is going to his grave.

Some of the Gospel today, as Jesus heads home, is too true to be good. He is not at home, not at home, in a world of injustice, abuse, violence, and death. For him, in such a benighted world, there is no place like home. He is not at home under the rubble of Ukraine. And need to recall and recover our own tragic sense of life, and our own use of biblical terms like sin, like death, like the threat of meaninglessness.

As are we all, though it seems sometimes to be a conspiratorially well-kept secret. We all are walking down the lenten mountain and into our lasting, our last future. Every one of us is going to die. We are going home.

Here is a possible sentiment in Jesus’ heart and mind as he descends the Mount of Olives.

He looks back upon his ministry and feels that there is no place like home. He has found no lasting nest on earth, no lasting crib, no lasting domicile. He has found opposition and rejection. He has encountered misunderstanding and criticism. To a harsh world he has brought a gentle manner. To a wolfish world he has brought the labor of love. To a selfish community he has brought the summons to service. To an inconsistent dozen disciples, he has brought the steady presence of peace. He has not found a home, not here. There is no place like home, for Jesus, descending the Mount of Olives. He has even said of himself, “foxes have their holes, and birds of the air their nests, but the Son of Man has no place to lay his head.”

Some of greatest sentences ever written in English are devoted to a similar ennui, a similar existential vagrancy, Hamlet’s soliloquy, ‘to be or not to be’

And those of you who have been shot out of the saddle, riding for a righteous cause, as you dust yourselves off and bind your wounds, do so in the best of company, in the company of the crucified, for whom, on this green earth, as yet, there is no place like home. But let me ask you something. What other saddle would have rather ridden? Some losing causes are worth support even in defeat. I would rather be shot out of the right saddle than to canter comfortably all the live long day in the wrong saddle. So dust off, bind the wound, and get ready to ride again. We have not a person, dollar, idea or dream to spare, locally, nationally, or globally. Not one. And it is, let us confess it, an uphill pull. But there is no other saddle you would ride in, for all the risk. This is the place to be!

This hunger for home, this is what Paul meant: this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison.

Our beautiful Palm Sunday Bach Cantata may arouse again this hunger for home. Dr. Jarrett, how best shall we listen this morning?

Dr. Scott Jarrett

This slight momentary affliction is preparing us for an eternal weight of glory beyond all comparison. A slight momentary affliction. One could be forgiven for thinking it a little churlish of Paul to categorize the human condition as a momentary affliction. Especially if our only solace is acceptance of a future heavenly home that can only be verified by faith. That’s a tough one.

With our loud hosannas and palm branches waving, we commemorate Christ’s triumphal entry to the city of Jerusalem, riding on a lowly donkey. In a few days, we’ll recall the events of the upper room, a dear friend’s betrayal, another’s denial and recusal. We’ll observe the manipulation of a populace through lies and falsehoods – alternative facts, perhaps? We’ll observe the original washing of hands – an abdication of responsibility – moral ambivalence, a giving up and giving in when the fight becomes too difficult.

Today we offer Bach’s Palm Sunday cantata Himmelskönig sei Wilkommen. Beyond enjoining ourselves to those who shouted Hosanna in Jerusalem centuries ago, Jerusalem is in our hearts, and the Salem of joy, our eternal rest. Cantata 182 is a triumph of charm, sweetness, humility, mercy, and fortitude, a joyful dance. Listen for Bach’s interpretation of a royal French overture – no trumpets or drums here. Christ’s entry on a humble donkey represented by solo recorder and violin with pizzicato strings. Utterly charming and affecting. A Lutheran theology, a Bachian melody, an invitation to acknowledge our need for salvation, a joyful acceptance and confidence of the redeemer’s grace and mercy, all that we might take up the Banner of Christ’s Cross and Passion to be Christ for and with one another throughout all our momentary afflictions.

Dean Hill:

Whittier’s poem:

I know not what the future hath of marvel or surprise

Assured alone that life and death God’s mercy underlies

And so beside the silent sea

I wait the muffled oar

No harm from Him can come to me

On ocean or on shore

I know not where His islands lift

Their fronded palms in air

I only know I cannot drift

Beyond His love and care

posted in The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 04.10.2022 at 11:00 am

Sunday
January 30

The Bach Experience

By Marsh Chapel

Click here to hear just the sermon

Luke 4: 21-30

Consider us with Your love, enclose us within Your mercy!

So, in word and song, we bow before God this morning.

In word, this year, the word as given through the Gospel According to St. Luke.

What meets us in St. Luke this year?

Luke was written nearly a generation later than Mark, by most estimates, Mark in or near 70, Luke in or near 90 of the common era. Traditionally ascribed to Luke the physician, its author and that of its sequel, the Acts of the Apostles, is finally unknown to us. We know him only through the writing itself.

What do we find? Or what shall we find in prayerful conversation with Luke across the next year, and beginning today amid Cantata and Liturgy?

Luke is made up of a mixture of ingredients. First, Luke uses most of Mark. An example is our passage today, the depiction of Jesus rejection by his own home town. Like Matthew, Luke knew and repeated most of the earlier gospel of Mark. But he made changes along the way, or construed the gospel according to his own desires and emphases. This is hopeful for us, in that it is an encouragement for us to take the gospel in hand, and interpret it according to our time, location, understanding, and need. Second, Luke uses a collection of teachings, called Q, as does Matthew. An example is our Lord’s Prayer. Luke’s version is slightly different from that in Matthew, as is his version of the beatitudes and other teachings, found in the ‘sermon on the plain’, rather than the ‘sermon on the mount’. Third, Luke makes ample use of material that is all his own, not found in Mark or elsewhere. The long chapters from Luke 8 or so through Luke 18 or so, are all his. Examples include some of your favorite parables, like the Good Samaritan, and like the lost sheep, and like the Prodigal Son, and like the Dishonest Steward. We have Luke to thank for the remembrance of these great stories. Luke brings us a unique mixture of materials, and makes his own particular use of them.

But regarding Word, what does Luke say, and how does he say it?

This will take us the year and more to unravel. We shall do so, one step at a time, one Sunday at a time, one parable, teaching, exhortation, miracle, or, as today, one narrative at a time. Still, there are some outstanding features of the Lukan horizon, which we may simply name as we set forth, a sort of map for the journey ahead. First, Luke displays a commitment to and interest in history, and orderly history at that. Both Luke and Acts are cast in a distinctive historical mode. In fact, Luke has his own schemata for sacred history, in three parts: Israel, Jesus, Church: the time of Israel, concluding with John the Baptist; the time of Jesus, concluding with the Ascension; the time of the church, concluding with the parousia, the coming of the Lord on the clouds of heaven, at the end of time. Second, Luke employs and deploys his own theology, or theological perspective, including this emphasis upon history and the divine purpose in history. Third, Luke highlights the humanity and compassion of Jesus in a remarkable way. The Christ of St. Luke is the Christ of magnificent compassion, embodied in the humility of a birth among shepherds. The Lukan Christ bring this word: a passion for compassion. The poor, women, the stranger, the injured, those in dire need all stand out in Luke, as the recipients and subjects of Jesus’ love, mercy, grace and compassion. Fourth, Luke carries an abiding interest in the church. Ephesians says that ‘through the church the manifold wisdom of God might now be made known to the principles and powers’. That catches the spirit of the author or the third gospel and of the Acts to follow.

Hold most closely the compassion in Luke. At every turn, there is a return to the least, the last, the lost; those at the dawn of life, those at the twilight of life, those in the shadows of life. Those who decry preaching that engages life, culture, politics, economy and the cry of need about us have not read Luke, not even a bit.

Notice, record, the way Luke puts it, beginning, middle and end: He has put down the mighty from their thrones, and exalted those of low degree, he has filled the hungry with good things, and the rich he has sent empty away…The Spirit of the Lord is upon me, because he has anointed me to preach good news to the poor…Blessed are the poor, for yours is the kingdom of God…What does it profit a man if he gains the whole world and loses or forfeits himself?…Sell your possessions and give alms; provide yourselves with purses that do not grow old…When you give a feast, invite the poor, the maimed, the lame and the blind…You will be repaid at the resurrection of the just…Said Zacchaeus, ‘behold Lord the half of my goods I give to the poor’…They contributed out of their abundance, but she out of her poverty…

Dr Jarrett, what grace, and sung beauty does our Cantata bring us today, alongside the compassion of St. Luke?

Dr. Jarrett's response text is unavailable at this time.

Dean Hill:

What shall bring to application of Scripture and Cantata?

First, forbearance. “Let your forbearance be known by all men.” Forbearance is a patient power to bear with others and their needs. To help others get things right. To guide by presence and voice. Forbearance is a kind of prevenient forgiveness, a gift ahead of time. We look for and lean on people who bear one another’s burdens and so fulfill the law of Christ, like mothers bear children and fathers bear with children. Institutions depend upon forbearance, and discern their leadership there. It is this grace to bear with that helps us in tight places, helps us through tense meetings, helps us manage tough interviews. It takes faith to show forbearance, and it takes something else, too. It takes a peace, like a river, down deep in the soul, a freedom from anxiety. “Have no anxiety about anything, but in all things through prayer and supplication with thanksgiving bring your entreaties to God”. It makes me anxious to read the sentence, because I can scarcely live it, in full, for a whole day. Yet as we grow in faith we find, over time, the peace to be forbearing, to be present but not anxious. We affirm forbearance in Cantata and in Scripture.

Second, joy. Our passage is best known, perhaps, for its triumphant affirmation of faithful joy. “Rejoice in the Lord, always, again I say, Rejoice!” It is startling for us to hear this sincere word, written in prison. It is one thing to be joyful in the summer, another in the winter. One thing in the meadow, another behind bars. Joy is more than happiness. Joy is bone happiness, or happiness put to music. Sometimes it is expressed in humor. One winter in our church there was a high moment, when our youth performed Godspell. It makes us older people very happy to see a stage full of handsome, talented 17 year olds. Since his grandson played Jesus, and very well, I said to the three generations: “Son and Father I understand in the Trinity, along with Spirit, so Daniel and Al, my theology can comprehend you two, but Albert I have no way to comprehend the role of the Grandfather of Jesus”. Joy also a playful musing (musing is a crucial spiritual term), and he carried the thought along. We affirm faithful joy in Scripture and Cantata.

Consider us with Your love, enclose us within Your mercy!

So, in word and song, we bow before God this morning.

-The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel

-Dr. Scott Allen Jarrett, Director of Music

posted in Dr. Scott Allen Jarrett, Director of Music, The Bach Experience, The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel on 01.30.2022 at 11:00 am