{"id":124,"date":"2009-09-03T15:14:56","date_gmt":"2009-09-03T19:14:56","guid":{"rendered":"http:\/\/blogs.bu.edu\/wcarroll\/?page_id=124"},"modified":"2025-01-13T13:59:20","modified_gmt":"2025-01-13T18:59:20","slug":"cv","status":"publish","type":"page","link":"https:\/\/blogs.bu.edu\/wcarroll\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"

\"desk<\/p>\n

William C. Carroll
\nDepartment of English
\nBoston University
\n236 Bay State Road
\nBoston, MA 02215
\ne-mail: wcarroll@bu.edu<\/p>\n

Academic Positions<\/strong>:<\/p>\n

Professor of English Emeritus<\/em>, Boston University, 2020- \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Professor of English, Boston University, 1985-2020
\nVisiting Professor of English, Universita Degli Studi di Firenze, Italy, April 1997, May 2018
\nAssociate Professor of English, Boston University, 1977-1985
\nAssistant Professor of English, Boston University, 1972-1977
\nInstructor in English, Oberlin College, 1970-1971
\nLecturer in English, Oberlin College, 1969-1970<\/p>\n

Administrative Positions<\/strong>:<\/p>\n

College<\/span> of Liberal Arts and Graduate School<\/span>
\nAssociate Dean of the College of Liberal Arts and the Graduate School, 1982-1988
\nDirector, Boston University Humanities Foundation, 1981-1988
\nChair ad interim<\/span>, Art History Department, 1987-1989
\nActing Associate Dean of the Graduate School, 1981-1982<\/p>\n

Department of English<\/span>
\nChair, 2008-2011
\nDirector of Graduate Studies, 1989-1992; 1997-2000; 2001-2007; 2015 (interim)
\nAssociate Chair, 1980-1981
\nAssociate Director, Freshman-Sophomore Composition Program, 1976-1978<\/p>\n

Education<\/strong>:<\/p>\n

Ph.D. Yale University, 1972
\nM.Phil. Yale University, 1969
\nA.B. Oberlin College, 1967<\/p>\n

Academic Honors and Awards<\/strong>:<\/p>\n

Bogliasco Foundation Residential Fellowship, 2014, 2021 (deferred)
\nTempleton Prize for Student Advising, 2017
\nFolger Library Short-Term Fellowship, 2007-8, 2016-17
\nJeffrey Henderson Senior Fellowship, Humanities Foundation,\u00a02011-12
\nACLS Senior Fellowship, 1985-6, 2007-8
\nCo-General Editor, The New Mermaid Drama Series, 2005-
\nPresident, Shakespeare Association of America 2005-6
\nThe University Lecture, Boston University, 2005
\nVice-President, Shakespeare Association of America 2004-5
\nTrustee, Shakespeare Association of America, 1996-99, 2004-7
\nACLS Travel Grant, 1994
\nWhiting Foundation Fellowship, 1992-93; 2000-2001
\nAmerican Philosophical Society Grant, 1992
\nBoston University Research Grant, 1990
\nNEH Summer Stipend Fellowship, 1989
\nNEH Travel to Collections Grant, 1987
\nMetcalf Cup and Prize for Excellence in Teaching, Boston University, 1980
\nNEH Senior Fellowship for Independent Study and Research, 1978-79
\nWoodrow Wilson Fellow, 1967
\nGraduated summa cum laude<\/span> with Highest Honors in English, 1967<\/p>\n

Publications<\/strong>:<\/p>\n

Books:<\/p>\n

Adapting Macbeth: A Cultural History.\u00a0<\/em>London: Bloomsbury\/Arden, 2022.<\/p>\n

(Co-Editor, with Pascale Drouet) The Duchess of Malfi: Webster\u2019s Tragedy of Blood<\/em>. Paris: Belin\/CNED, 2018.<\/p>\n

(Editor) Thomas Middleton: Four Plays<\/em> (New Mermaids). London: Bloomsbury, 2012.<\/p>\n

(Editor) William Shakespeare, Love\u2019s Labour\u2019s Lost <\/em>(New Cambridge Shakespeare). Cambridge: Cambridge Univ. Press, 2009; reprinted 2012.<\/p>\n

(Editor) William Shakespeare, The Two Gentlemen of Verona. <\/em>(Arden Three Series). London: Thomson Learning, 2004; reprinted 2005, 2007.<\/p>\n

(Editor) Macbeth: Texts and Contexts. <\/em>New York: Bedford Books of St. Martin’s Press, 1999.<\/p>\n

Fat King, Lean Beggar: Representations of Poverty in the Age of Shakespeare.<\/em> Ithaca: Cornell Univ. Press, 1996. [Choice <\/em>Selection, Outstanding Academic Book, 1996]<\/p>\n

(Editor) Thomas Middleton, Women Beware Women. <\/em>(New Mermaids). London: A & C Black, 1994. Reprinted 1995, 2002, 2007, 2008, 2008, 2010.<\/p>\n

The Metamorphoses of Shakespearean Comedy. <\/em>Princeton: Princeton Univ. Press, 1985. Reprinted 2014.<\/p>\n

The Great Feast of Language in Love’s Labour’s Lost. <\/em>Princeton: Princeton Univ. Press, 1976. Reprinted 2015.<\/p>\n

Articles:<\/p>\n

\u00a0\u201cPolitics, Adaptation, Macbeth<\/em>,\u201d in The Arden Research Handbook to Shakespeare and Adaptation<\/em>, edited by Diana Henderson and Stephen O\u2019Neill. London: Bloomsbury\/Arden, 2022.<\/p>\n

\u201c\u2018Strange Intelligence\u2019: Transformations of Witchcraft in Macbeth<\/em> Discourse,\u201d in Shakespeare and the Supernatural<\/em>, eds. Victoria Bladen and Yan Brailowsky. Manchester: Manchester Univ. Press, 2020.<\/p>\n

\u201c\u2018I knew him in Padua\u2019: London Theatre and Early Modern Constructions of Erudition,\u201d Sederi 28<\/em> (2018): 7-32.<\/p>\n

\u201c\u2018The Death of Fathers\u2019: Succession and Diachronic Time in Shakespearean Tragedy,\u201d in Temporality, Genre, and Experience in the Age of Shakespeare: Forms of Time<\/em>, ed. Lauren Shohet. London: Arden, 2018.<\/p>\n

\u201c\u2018Ce qui est fait ne peut \u00eatre d\u00e9fait\u2019: succession et temps diachronique dans la trag\u00e9die shakespearienne\u201d [\u201c\u2018What\u2019s Done Cannot Be Undone\u2019: Succession and Diachronic Time in Shakespearean Tragedy\u201d], in Shakespeare au risque de la philosophy<\/em>, eds. Pascale Drouet and Philippe Grosos. Paris, \u00c9ditions Hermann, 2017.<\/p>\n

\u201cVagrancy,\u201d in A New Companion to Renaissance Drama<\/em>, eds. Arthur F. Kinney and Thomas Warren Hopper. London: Wiley-Blackwell, 2017.<\/p>\n

\u201cHistoricizing Historicism,\u201d in SAA 2016: Reflections and Projections<\/em>, ed. Dympna Callaghan and Suzanne Gossett. London: Arden, 2016.<\/p>\n

\u201cThree Gentlemen of Verona,<\/em>\u201d Shakespeare Bulletin<\/em> 34.1 (2016): 129-43.<\/p>\n

\u201cIntroduction\u201d to David Greig, Dunsinane<\/em> (dual language English\/French translation Edition). Nouvelles Sc\u00e8nes Anglais. Montpellier: Presses Universitaires du Mirail, 2016.<\/p>\n

\u201cThe Wars of Love\u2019s Labour\u2019s Lost<\/em>: Performance and Interpretation,\u201d Soci\u00e9t\u00e9 Fran\u00e7aise Shakespeare <\/em>(2015): <\/em>http:\/\/shakespeare.revues.org\/2891<\/a>.<\/p>\n

\u201cSpectacle, Representation, and Lineage in Macbeth<\/em> 4.1,\u201d Shakespeare Survey 67 <\/em>(2014): 345-71.<\/p>\n

\u201cThe Fiendlike Queen: Recuperating Lady Macbeth in Contemporary Adaptations of Macbeth<\/em>,\u201d Borrowers and Lenders: The Journal of Shakespeare and Appropriation <\/em>8.2 (2014). https:\/\/openjournals.libs.uga.edu\/borrowers\/article\/view\/2213\/2118. Reprinted in Shakespeare Criticism: Macbeth<\/em><\/span>, ed. Lawrence Trudeau. Columbia, S.C.: Gale\/Cengage, 2016.<\/span><\/p>\n

\u201cThe State of the Art: Twelfth Night<\/em> since 2000,\u201d in Twelfth Night: A Critical Guide<\/em>, eds. Alison Findley and Liz Oakley-Brown. London: Bloomsbury, 2014.<\/p>\n

“Fleance\/Macbeth: The Return of the Repressed,” in Shakespeare on Screen: Macbeth, <\/em>eds. Sarah Hatchuel and Nathalie Vienne-Guerrin. Rouen: Publications des Universit\u00e9s de Rouen et du Havre, 2014.<\/p>\n

\u201cLove\u2019s Labour\u2019s Lost<\/em> in Afghanistan.\u201d\u00a0 Shakespeare Bulletin <\/em>28 (2010): 443-458.<\/p>\n

\u201cMulti-cultural, Multi-lingual Macbeth<\/em>,\u201d in Weyward Macbeth: Intersections of Race and Performance, <\/em>eds. Scott Newstok and Ayanna Thompson. New York: Palgrave Macmillan, 2010.<\/p>\n

\u201c(Re-)Staging Love\u2019s Labour\u2019s Lost<\/em>.\u201d Shakespeare Bulletin <\/em>25 (2007): 1-11.<\/p>\n

\u201cMacbeth <\/em>and the Show of Kings.\u201d University Lecture. <\/em>Boston: Boston University, 2005.<\/p>\n

\u201c\u2018Two Truths Are Told\u2019: Afterlives and Histories of Macbeths.\u201d Shakespeare Survey 57 <\/em>(2004), 69-80.<\/p>\n

\u201cShakespeare\u2019s Romantic Comedies\u201d and \u201cTwelfth Night\u201d\u00a0 <\/em>in Shakespeare: An Oxford Guide<\/em>, ed. Stanley Wells and Lena Cowen Orlin. Oxford: Oxford University Press, 2003.<\/p>\n

\u201cTheories of Kingship in Shakespeare\u2019s England.\u201d A Companion to Shakespeare\u2019s Works: The Histories<\/em>, ed. Richard Dutton and Jean E. Howard. Oxford: Blackwell, 2003.<\/p>\n

\u201cSongs of Madness: The Lyric Afterlife of Shakespeare\u2019s Poor Tom.\u201d Shakespeare Survey 55 <\/em>(2002), 82-95.<\/p>\n

\u201cVagrancy,\u201d in A Companion to Renaissance Drama<\/em>, ed. Arthur F. Kinney. Oxford: Blackwell, 2002.<\/p>\n

\u201cRecent Studies in Tudor and Stuart Drama.\u201d Studies in English Literature<\/em> 41 (2001): 417-465.<\/p>\n

\u201cGoodly Frame, Spotty Globe: Earth and Moon in Renaissance Literature.\u201d Earth, Moon, and Planets: An International Journal of Solar System Science <\/em>85 (1999): 5-23.<\/p>\n

\u201cLove’s Labor\u2019s Lost,\u201d<\/em> <\/em>in Shakespeare\u2019s World and Work: An Encyclopedia for Students<\/em>, ed. John F. Andrews. New York: Scribner\u2019s, 2001.<\/p>\n

\u201c\u2018And love you \u2018gainst the nature of love\u2019: Ovid, Rape, and The Two Gentlemenof Verona,<\/em>\u201d\u00a0<\/em>in Shakespeare\u2019s Ovid: The Metamorphoses in the Plays and Poems<\/em>, ed. A. B. Taylor. Cambridge: Cambridge Univ. Press, 2000.<\/p>\n

\u201cDescription,\u201d in Shakespeare\u2019s Dramatic Language<\/em>, ed. Lynette Hunter, Lynne Magnusson, and Ann Thompson. London: Arden, 2000.<\/p>\n

\u201cSemiotic Slippage: Identity and Authority in the English Renaissance,\u201d The European Legacy<\/em> 2.2 (1997). Reprinted in Nominalism and Literary Discourse:<\/em>
\n New Perspectives<\/em>, ed. Hugo Keiper, Christoph Bode and Richard J. Witz. Amsterdam: Rodopi, 1997.<\/p>\n

\u201cLove’s Labor\u2019s Lost<\/em>: A Modern Perspective,\u201d in the New Folger Edition of Love\u2019s Labor\u2019s Lost<\/em>, ed. Barbara A. Mowat and Paul Werstine. New York: Washington
\nSquare Press, 1996.<\/p>\n

\u201cThe Crisis of the Sign: Vagrancy and Authority in the English Renaissance.\u201d Semiotica <\/em>108-3\/4 (1996), 381-388.<\/p>\n

\u201cThe Virgin Not: Language and Sexuality in Shakespeare,\u201d Shakespeare Survey 46<\/em> (1994), 107-119. Reprinted in Shakespeare and Gender: A History<\/em>, ed. Ivo Kamps and Deborah Barker. London: Verso Press, 1995, and in Shakespeare and Sexuality<\/em>, ed. Catherine M.S. Alexander and Stanley Wells. Cambridge: Cambridge Univ. Press, 2001.<\/p>\n

\u201c\u2018The Nursery of Beggary\u2019: Enclosure, Vagrancy, and Sedition in the Tudor-Stuart Period,\u201d in Enclosure Acts: Sexuality, Property, and Culture in Early Modern<\/em>
\n England<\/em>, ed. Richard Burt and John Michael Archer. Ithaca: Cornell Univ. Press,
\n1994.<\/p>\n

\u201cLanguage, Politics, and Poverty in Shakespearian Drama,\u201d Shakespeare Survey 44<\/em> (1992), 17-24. Reprinted in Shakespeare and Politics<\/em>, ed. Catherine M.S. Alexander. Cambridge: Cambridge Univ. Press, 2004.<\/p>\n

\u201cDesacralization and Succession in Richard III<\/em>.\u201d Shakespeare Jahrbuch (West) 1991<\/em>, 82-96. Reprinted in True Rites and Maimed Rites<\/em>, ed. Linda Woodbridge and Edward Berry. Urbana: Univ. of Illinois Press, 1992.<\/p>\n

\u201c\u2018When Beggars Die, There Are No Comets Seen\u2019: The Discourse of Poverty and the Shakespearean Beggar.\u201d Shakespeare Jahrbuch (Ost)<\/em> 126 (1990), 96-104.<\/p>\n

\u201cNew Plays vs. Old Readings: The Division of the Kingdoms<\/em> and Folio Deletions in King Lear<\/em>,\u201d Studies in Philology <\/em>85 (1988), 225-244.<\/p>\n

\u201c\u2018The Base Shall Top Th\u2019Legitimate\u2019: The Bedlam Beggar and the Role of Edgar in King Lear<\/em>,\u201d Shakespeare Quarterly <\/em>38 (1987), 426-441. Reprinted in New Century Views: Shakespeare\u2019s Middle Tragedies<\/em>, ed. David P. Young. Englewood Cliffs: Prentice Hall, 1992.<\/p>\n

\u201cThe Cartesian Nightmare of Despair,<\/em>\u201d Nabokov\u2019s Fifth Arc<\/em>, eds. J. E. Rivers and Charles Nicol. Austin: Univ. of Texas Press, 1982.<\/p>\n

\u201c\u2018We Were Born To Die\u2019: The Ending of Romeo and Juliet<\/em>,\u201d Comparative Drama <\/em>15 (1981), 54-71.<\/p>\n

\u201cThe Ending of Twelfth Night<\/em> and the Tradition of Metamorphosis,\u201d Shakespearean Comedy: Theories and Traditions<\/em>, ed. Maurice Charney. Special Issue of New York Literary Forum<\/em> (1980).<\/p>\n

\u201cMetalanguage in Shakespearean Comedy,\u201d Shakespearean Metadrama<\/em>, ed. John W. Blanpied. Rochester: Univ. of Rochester Dept. of English, 1977.<\/p>\n

\u00a0\u201c\u2018A Received Belief\u2019: Imagination in The Merry Wives \u00a0 \u00a0 \u00a0 of Windsor,<\/em>\u201d Studies in Philology <\/em>74 (1977), 186-215.<\/p>\n

\u201cNabokov\u2019s Signs and Symbols,\u201d A Book of Things About\u00a0\u00a0 Vladimir Nabokov<\/em>, ed. Carl Proffer. Ann Arbor: Ardis, 1974. Reprinted in Anatomy of a Short Story: Nabokov\u2019s Puzzles, Codes, \u201cSigns and Symbols\u201d<\/em>, ed. Yuri Leving. New York: Continuum, 2012.<\/p>\n

Editorial<\/span>:<\/p>\n

Co-General Editor (with Brian Gibbons, Tiffany Stern) of the New Mermaid Drama Series, published by A & C Black, 2005-2014. Co-General Editor (with Tiffany Stern), 2014-2023<\/p>\n

Guest Co-Editor, Journal of Early Modern Studies<\/em>, vol. 4
\n(2015). http:\/\/www.fupress.net\/index.php\/bsfm-jems\/index<\/a><\/p>\n

Member, Editorial Board, English Literary Renaissance<\/em>, 2014-<\/p>\n

Member, Editorial Board, Shakespeare Quarterly<\/em>, 2008-2013<\/p>\n

Editor, Shakespearean Criticism: The Two Gentlemen of Verona.<\/span> vol. 150 (Detroit: Gale), 2013.
\n<\/span><\/p>\n

Co-editor (with R. Berry, G. Bradshaw, et al), Shakespearean Criticism: Yearbook <\/span>1989<\/span> (Detroit: Gale Research, 1991), Yearbook 1990<\/span> (1992), Yearbook 1991<\/span> (1993), Yearbook 1992<\/span> (1994), Yearbook 1993<\/span> (1995), Yearbook 1994<\/span> (1996), Yearbook<\/span>1995<\/span> (1997), Yearbook 1996<\/span> (1998), Yearbook 1997<\/span> (1999).<\/p>\n

Advisory Editor for Love\u2019s Labour\u2019s Lost<\/span>, The Complete Works of Shakespeare<\/span>, Third Edition, ed. David Bevington. Glenview, Ill.: Scott, Foresman, 1980. Fourth Edition,ed. David Bevington. New York: HarperCollins, 1992. Fifth Edition, ed. David Bevington. New York, Longman, 2003.<\/p>\n

Other Professional Activities<\/strong>:<\/span><\/p>\n

Shakespeare Association of America<\/span><\/p>\n

–Member, Search Committee for Executive Director, 2017-18 –Chair, Ad Hoc Review Committee on SAA Constitution, 2014-15<\/p>\n

–President (2005-6)
\n–Vice President (2004-5)
\n–Trustee, 1996-99, 2004-7
\n–Chair, Program Committee, Year 2000 Conference, 1998-99
\n–Member, Program Committee, 1996 World Shakespeare Congress, 1992-1996
\n–Chair, Nominating Committee, Shakespeare Association of America, 1997
\n–Member, Nominating Committee, 1991, 1994
\n–Chair, Open Paper Review Committee, 1996<\/p>\n

Chair, MLA First Book Prize Committee, 2001; Member, 2000<\/p>\n

Co-Chair, Shakespearean Studies Seminar, Center for Literary and Cultural Studies, Harvard University, 1992-present<\/p>\n

Member, The New Variorum Shakespeare Committee, MLA, 2002-2006<\/p>\n

Faculty Advisor, Willing Suspension Productions, Department of English 1996-2020<\/p>\n

Committees<\/strong>:<\/p>\n

College<\/span> of Liberal Arts<\/span> and University:<\/span><\/p>\n

Chair, Dean Search Committee for the College of Fine Arts, 2009-2010<\/p>\n

Provost\u2019s Ad Hoc Selection Committee for Associate Provost, 2007
\nUniversity Lecture Selection Committee, 2005-9
\nCollege of Liberal Arts Promotion and Tenure Committee, 1991, 2001, 2004
\nSearch Committee in English Education, School of Education, 2004-2006
\nHumanities Curriculum Committee, 1995-97; Chair, 1996-97
\nSearch Committee in Renaissance Art, Art History Department, 1997-98
\nSearch Committee in Baroque Art, Art History Department, 1995-96
\nSearch Committee for English Department Chair, 1990-91
\nSearch Committee for Senior Professor in German, 1990-91
\nChair, University Promotion and Tenure Committee, 1989-90
\nSearch Committee for Art History Chair, 1987-89
\nUniversity Fulbright Committee, 1988
\nUniversity Research Reaccreditation Committee, 1988
\nChair of numerous Graduate School Committees:<\/p>\n

University Fellowship Committee (1981-85; 1986-88); Martin Luther King and Whitney Young Fellowship Committees (1981-85; 1986-88); University Research Seed Grant Committee (1981-82; 1987-88); Committee on Academic Standards (1981-85; 1986-88)<\/p>\n

Chair, Metcalf Prize Selection Committee, 1983; Member, Metcalf Committee, 1981, 1989, 2007
\nChair, Search Committee for Director of American and New England Studies Program, 1982
\nTrustee Scholars Admissions Committee, 1976-78, 1979-81, 2009-11<\/p>\n

Department of English<\/span><\/p>\n

Chair, Seventeenth-Century Literature Search Committee, 2002-3
\nChair, Modern\/Contemporary Drama Search Committee, 1995, 2012-13
\nAcademic Policy Committee, 1991-92
\nMerit Review Committee, 1990, 1991, 2003, 2004, 2005
\nChair, Seventeenth-Century Literature Search Committee, 2002-3
\nDirector of Graduate Placement, 1979-80; 1983-84; 1988-89; 1993-96; 1997-2007; 2018-19
\nAppointments Committee, 1973-74; 1980-81
\nUndergraduate Studies Committee, 1974-77<\/p>\n","protected":false},"excerpt":{"rendered":"

William C. Carroll Department of English Boston University 236 Bay State Road Boston, MA 02215 e-mail: wcarroll@bu.edu Academic Positions: Professor of English Emeritus, Boston University, 2020- \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":514,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/pages\/124"}],"collection":[{"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/users\/514"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":46,"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/pages\/124\/revisions"}],"predecessor-version":[{"id":402,"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/pages\/124\/revisions\/402"}],"wp:attachment":[{"href":"https:\/\/blogs.bu.edu\/wcarroll\/wp-json\/wp\/v2\/media?parent=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}