Godard’s King Lear (1987) oscillates between being both a mess and a masterpiece. Shunning any straight-reading of the Shakespeare play, Godard, as he did throughout the 1960s, raises questions about the instability of language and the very meaning of art in a society driven by the culture industry. There is no real plot to Godard’s […]
Monthly Archives: April 2011
Locating the Infinite: Uncle Boonmee Who Can Recall His Past Lives
How do you describe the indescribable? Such a question, lies at the heart of Apichatpong Weerasethakul’s latest film, Uncle Boonmee Who Can Recall His Past Lives. Continuing the trend of so many masters, from Godard and Herzog to Fuller and Hitchcock, Weerasethakul combines both high and low art, in charting the final days of one […]
Your Highness
Once upon a time, about eight years ago, David Gordon Green was America’s most promising young filmmaker. In certain circles, people were calling him the next Malick, and while comparing a twenty-seven year-old with two feature films under his belt to the greatest American filmmaker since Orson Welles may have been a bit excessive, it […]
Certified Copy
Looking over my now three-month-old list of the best films of 2010 (which I now realize I should have posted here) I’m noticing how much some of the positioning would change with the benefit of time. The key word there is “some.” There is still no doubt in my mind about the top two films […]