This interview, though not about Women Dreamt Horses, helps me understand Daniel Veronese’s work. I don’t know how much time we’ll have to talk about this in class, so it might be a helpful booster. (Beware non-spanish speakers, however. The translation is poor.) He believes the greater sufferer in life is the one who doesn’t show it. The theatrical illusion of actors going through pain in their relationships on stage demonstrates this. The public, the audience watches silently. So the play in conversation (The Way It Unfolds...) actually sends the message that the public/the audience suffers the most, not one character over another.
http://www.alternativateatral.com/nota74-el-teatro-esta-hecho-de-la-falta-y-su-correspondiente-melancolia
Alternativalteatral is awesome by the way.
