Category: Great Questions

Zachary Bos on Robert Bringhurst

The Administrative Coordinator of the Core, Zachary Bos, recently wrote a letter to the Boston Finneganers regarding Robert Bringhurst’s books: Dear Friends, and members of the Boston Finneganers: I have a great deal of appreciation for Robert Bringhurst’s books — his interest and valuation of languages, literatures, and the technical means these comes to us; his sense of […]

The Essay as Reality Television

Adam Kirsch discusses whether or not essays are “extinct” as a form of writing, and references Michel e Montaigne, whose work is studied in CC201. Here is a sample: The essay, traditionally, was defined by its freedom and its empiricism—qualities that it inherited from its modern inventor, Montaigne. “What do I know?” Montaigne asked, and […]

Applying Confucian Ethics to International Relations

In view of CC102’s study of the Analects of Confucius, the Core presents an interesting discussion of Confucian ethics when applied to international relations. Here is a sample: Chinese ethics is a deontological system that has a continuity spanning a range from personal to public concerns, without differentiation. A good society, a good state, and […]

Where Stars Come From

Watch this video on YouTube The Core shares an article from BU Today concerning the intriguing origin of stars, where CAS professor James Jackson answers some exciting questions. A sample: For years, Jackson, a College of Arts & Sciences professor of astronomy, and his international colleagues studied [a dark, opaque mass that astronomers call] “the brick,” […]

Charles McNulty on Depictions of Violence in Theater

In this compelling article, Los Angeles Times Theater Critic McNulty discusses the controversial topic of violence in theater. Here is a sample: What is the line between acceptable and unacceptable violence in art? If gruesomeness is the criterion, much of Jacobean drama would have to be banned, including Shakespeare’s “King Lear,” with its graphic scene […]

Brad Leithauser: Why We Should Memorize

Core classes extensively explore poetry. Here is an essay on the topic of memorizing poetry – whether we should do it, and if so, why and how? An excerpt: Anyone equipped with a smartphone—many of my friends would never step outdoors without one—commands a range of poetry that beggars anything the brain can store. Let’s […]

Paula Byrne: ‘Pride and Prejudice’ and politics

The class of CC202 delves into Jane Austen’s Pride and Prejudice. Here the Core presents an article looks at that work from another perspective- politics. Here is an excerpt: The Victorians fostered the idea of Austen as the retiring spinster who confined her novels to the small canvas of village life. In more recent times she […]

Language and Other Abstract Objects: Plato

Language and Other Abstract Objects was published by Rowman & Littlefield in 1981. It discusses the ideas of Plato studied in CC101. Internalization and externalization also explain why, for Plato, poetry corrupts our psyches. Given our psychology, there are two features of poetry which make it an especially potent drug. First, the music and  rhythms […]

Knust’s Lecture on Genesis

Professor Knust held a lecture in September of 2011, of which the Core is belatedly releasing the concluding minutes. While it related to The Book of Genesis, which is studied in CC101, the Core feels that the questions raised here are important, and relevant to many other works. In the end, I’m not sure what […]

‘The Strangest Art’ by Wendy Lesser

Relating to the work of CC202, which inspects Mozart, is an essay arguing that revivals of classic works do not hold back the opera genre from blossoming. Here is an excerpt: Nothing, perhaps, will ever be as good as Shakespeare, but that doesn’t prevent Tony Kushner or David Mamet from writing marvellous plays now. Shostakovich […]