Category Archives: Equal Rights

Awareness, Disabilities, Equal Rights, Feminism, Mainsteam media, Social Media

Who the #MeToo Movement is Leaving Behind

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by Anu Sawhney

This weekend, while watching the Golden Globes, one which left most awestruck by Oprah Winfrey’s fiery acceptance speech, it was another – some might say less glamorous – speech that left me overwhelmed by its importance and clarity. Sterling K. Brown, the star of the NBC series This is Us, made Golden Globe history in becoming the first-ever black actor to win the award in the Best Actor in a TV Drama category. In thanking the creator of the show, Dan Fogelman, he explained how Fogelman “wrote a role for a black man that can only be played by a black man. What I appreciate so much about this is that I’m being seen for who I am and being appreciated for who I am, and it makes it that much more difficult to dismiss me or dismiss anybody who looks like me.”

Herein, I believe, Brown was able to articulate the key to authentic representation on screen. At a time when the most powerful women in the industry wore black in solidarity with those who were silenced by their assailants, I cannot think of anything more important than ensuring that no one feels like their identity is something that can be dismissed. While we can sit here at the precipice of a what feels like a new era and view the MeToo movement as a product of important progress, intolerance, and recognition of the importance of reclaiming our bodies, I’d be one to argue that it is far too little for us to move forward as a society where no one – and I mean no one, is left behind.

As a disabled woman of color, with every “first-ever” moment I can feel my heart race at the ordeal, because somewhere in my mind this means that Hollywood – and, by extension, society – is normalizing diversity and change. And there are strides of progress that have been significant, not only for women but also for women of color. Somehow, though, almost every mainstream conversation in regard to diversity manages to leave out an important minority. 19% of Americans are people with disabilities, making us the largest minority group there is, yet somehow a latent issue outside of activist circles and sometimes, politics. On screen, disabled characters are almost always played by able-bodied actors who are awarded for portraying a disability as a costume that one can simply wear on screen or learn about through others who’ve lived with the disability for a long enough time – only to return to an able-bodied lifestyle. All of those things will remain true as long as roles aren’t given to actors in the way that, as Brown explained, doesn’t allow for the dismissal of the actor’s whole, intersectional identity.

What makes this dismissal harder to accept in the year of the MeToo movement is the findings of a recent NPR study, which shows that people with intellectual disabilities are seven times more likely to be assaulted than people without a disability. Not only is this an epidemic, the victims are described as “easy targets” and it is largely underreported, especially among women who live in group homes. We cannot seriously be having a national discussion about changing mindsets or having a cultural reckoning if we’re not giving the group who have the most to win or lose a seat at the table. This would be a disservice to the victims who have been brave enough to come out, voice their stories to all those they have paved the way for, for whom the movement is created – including the most vulnerable. The harder we are to dismiss, the more important it will be for our voices to be heard.

Activism, Art, Equal Rights, Feminism

Oprah Winfrey’s Golden Globes Speech

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source: gettyimages

Oprah's role in influencing views on love and relationships was recognized with the Cecil B. DeMille award at the Golden Globes last night. Once again, she graced us with her enchanting words and powerful stories:

"Thank you, Reese. In 1964, I was a little girl sitting on the linoleum floor of my mother's house in Milwaukee watching Anne Bancroft present the Oscar for best actor at the 36th Academy Awards. She opened the envelope and said five words that literally made history:" The winner is Sidney Poitier." Up to the stage came the most elegant man I ever remembered. His tie was white, his skin was black—and he was being celebrated. I'd never seen a black man being celebrated like that. I tried many, many times to explain what a moment like that means to a little girl, a kid watching from the cheap seats as my mom came through the door bone tired from cleaning other people's houses. But all I can do is quote and say that the explanation in Sidney's performance in Lilies of the Field: "Amen, amen, amen, amen."

In 1982, Sidney received the Cecil B. DeMille award right here at the Golden Globes and it is not lost on me that at this moment, there are some little girls watching as I become the first black woman to be given this same award. It is an honor—it is an honor and it is a privilege to share the evening with all of them and also with the incredible men and women who have inspired me, who challenged me, who sustained me and made my journey to this stage possible. Dennis Swanson who took a chance on me for A.M. Chicago. Saw me on the show and said to Steven Spielberg, she's Sophia in 'The Color Purple.' Gayle who's been a friend and Stedman who's been my rock.

I want to thank the Hollywood Foreign Press Association. We know the press is under siege these days. We also know it's the insatiable dedication to uncovering the absolute truth that keeps us from turning a blind eye to corruption and to injustice. To—to tyrants and victims, and secrets and lies. I want to say that I value the press more than ever before as we try to navigate these complicated times, which brings me to this: what I know for sure is that speaking your truth is the most powerful tool we all have. And I'm especially proud and inspired by all the women who have felt strong enough and empowered enough to speak up and share their personal stories. Each of us in this room are celebrated because of the stories that we tell, and this year we became the story.

But it's not just a story affecting the entertainment industry. It's one that transcends any culture, geography, race, religion, politics, or workplace. So I want tonight to express gratitude to all the women who have endured years of abuse and assault because they, like my mother, had children to feed and bills to pay and dreams to pursue. They're the women whose names we'll never know. They are domestic workers and farm workers. They are working in factories and they work in restaurants and they're in academia, engineering, medicine, and science. They're part of the world of tech and politics and business. They're our athletes in the Olympics and they're our soldiers in the military.

And there's someone else, Recy Taylor, a name I know and I think you should know, too. In 1944, Recy Taylor was a young wife and mother walking home from a church service she'd attended in Abbeville, Alabama, when she was abducted by six armed white men, raped, and left blindfolded by the side of the road coming home from church. They threatened to kill her if she ever told anyone, but her story was reported to the NAACP where a young worker by the name of Rosa Parks became the lead investigator on her case and together they sought justice. But justice wasn't an option in the era of Jim Crow. The men who tried to destroy her were never persecuted. Recy Taylor died ten days ago, just shy of her 98th birthday. She lived as we all have lived, too many years in a culture broken by brutally powerful men. For too long, women have not been heard or believed if they dare speak the truth to the power of those men. But their time is up. Their time is up.

Their time is up. And I just hope—I just hope that Recy Taylor died knowing that her truth, like the truth of so many other women who were tormented in those years, and even now tormented, goes marching on. It was somewhere in Rosa Parks' heart almost 11 years later, when she made the decision to stay seated on that bus in Montgomery, and it's here with every woman who chooses to say, "Me too." And every man—every man who chooses to listen.

In my career, what I've always tried my best to do, whether on television or through film, is to say something about how men and women really behave. To say how we experience shame, how we love and how we rage, how we fail, how we retreat, persevere, and how we overcome. I've interviewed and portrayed people who've withstood some of the ugliest things life can throw at you, but the one quality all of them seem to share is an ability to maintain hope for a brighter morning, even during our darkest nights. So I want all the girls watching here, now, to know that a new day is on the horizon! And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say 'Me too' again."

Look forward to her work in A Wrinkle in Time.

Activism, Election, Equal Rights, Feminism, Masculinity, Men for Feminism, Politics, Women in Politics

Appearance Does Not Define a Woman

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By Kelsie Merrick

There is a universal theory amongst our society that the reason for fewer women running for political office is family concerns and responsibilities. In 2011, a study was conducted that surveyed a national random sample of men and women who were deemed "equally credentialed" in the four fields where political candidates commonly emerge. These are law, business, education, and politics. 62 percent of the men questioned admitted to having considered running for office whereas, only 45 percent of women had considered running for office. Jennifer Lawless, a director for the Women and Politics Institute at American University, analyzed this data and realized that family structure or family roles did not account for the 17 percent gap. She believes that "women are less likely to be encouraged to run and less likely to be considered as a potential candidate when a position opens up." The negative self-perception and self-doubt among women is also a factor behind why they are not as involved in office races because of the scrutiny women are under once they enter the political field.

In the United States, during elections there is a tremendous problem with the media and the difference between how they judge female politicians in comparison to male politicians. When it comes to women, "media exposure is often belittling and irrelevant because newspapers and television newscasts focus on appearance and attire, rather than the candidate’s platform or attitudes about central issues." Female politicians are acknowledged by their gender then by whether they can handle raising a family and being a politician at the same time as well as on their mothering styles. Then after the media is finished analyzing them on these two subjects, politics become the main focus. Men, on the other hand, are never questioned about their masculinity or family roles; they are immediately questioned about politics.

Two well-known female politicians that have had to endure the media's crude comments are Sarah Palin and Hillary Clinton. They both ran during the 2008 presidential election and the media had a field day with sexist comments.

For Sarah Palin, there were plenty of topics for the media to critic her on while she was Governor of Alaska such as her defeat with big oil companies. Unfortunately, instead, she was "glorified over her participation in beauty pageants and cheerleading." For this reason, the media immediately dismissed her as a serious candidate and continued to focus on her appearance, lack of seriousness, or lack of experience. She was also persecuted for her role as a mother. Palin, a mother of five with one child having special needs, "was constantly questioned if she would be able to devote enough time to the Vice-Presidency." However, if she were to be a dedicated Vice-President, she then would have been labeled as a bad mother. Her credibility of a Vice-Presidential candidate was questioned even more when her seventeen-year-old daughter became pregnant. If a male candidate’s young daughter became pregnant, it is very unlikely that the media would have broadcasted it as much as they did with Palin.

Sarah Palin's fellow female candidate during the 2008 race was Hillary Clinton. Unlike Palin, Clinton had an "impressive resume and strong qualities" but the media still "labeled her as old, worn down, and significantly less sex appeal than Palin." Yet again, the media chose to focus on Clinton's appearance rather than the extensive experience in politics she had. The media created a dynamic between the two women where Palin was the pretty candidate and Clinton was the powerful, manly candidate due to her "pantsuits and stout stature." Clinton had to deal with comments about her "body, cleavage, choice of pantsuits, and speculation about cosmetic surgery." Because of the continuous inappropriate attacks on her appearance and mannerisms, the public seldom saw any media coverage that was about her intelligence, experience or policies. Hillary Clinton being a Presidential candidate for the upcoming election has had to endure the same inappropriate critics she experienced in 2008. In April, Chelsea Clinton became a mother and this "set off speculation that being a grandmother would affect Hillary Clinton's presidential ambitions" but Joe Biden, a man with five grandchildren, never once was asked about how it would affect his possible Presidential ambitions.

An article in the Huffington Post in 2013, spoke of Johanna Dunaway, an Assistant Professor of Political Science and Mass Communication of Louisiana State University, who conducted a research study that proved that the media covers female candidates running for office differently than men running for office. The research team employed in this study collected data from 9,725 newspaper articles from the Senate and gubernatorial races in 2006 and 2008. The team then looked at if the article focused on personality traits or political issues of those running and compared between the two genders. Their findings were that:

When only male candidates were running, stories focused on character traits 6 percent of the time and political issues 55.5 percent of the time. When only female candidates were running, the stories focused on character traits 9.4 percent of the time and issues 51.7 percent of the time. And when a mix of male and female candidates were running, the articles focused on traits 10.8 percent of the time and the issues 53.1 percent of the time.

The research team concluded that when there is a female candidate in a political race, the media tends to focus more on personality traits in general with an extra focus on the female's personality traits over the male candidate.

Art, Equal Rights, Gender Norms, LGBT, Literature, Marriage

Un espacio en Australia

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by Caroline Brantley

This past October, I wrote a short, contemporary scene inspired by “La casa de Bernarda Alba” by Federico García Lorca, a Spanish playwright and poet assassinated during the Spanish Civil War for being gay. My scene sought to relate these events and the uphill battle of the LGBTQIA+ community to Australia’s current nationwide postal survey for marriage equality. By November 15, 80% of Australian voters submitted their postal surveys, with 62% voting in favor of marriage equality. This past Thursday, the Australian Parliament officially accepted the postal survey’s success and voted overwhelming in favor of legalizing same sex marriage across the country (!!).

In celebration of how far the LGBTQIA+ community has come and in recognition of the barriers we still have to tackle, I present the scene I wrote (in Spanish and English) a couple months back. Here’s to Lorca and all those who have risked or sacrificed their lives so that others may now live with pride.

Un espacio en Australia

Todos los papeles de esta obra (Bernarda, Adela, Angustias, Martirio, Pepe) reflejan los papeles originales de “La casa de Bernarda Alba” por Federico García Lorca.

Arriba el telón para una casa en un suburbio conservador de Perth, Australia, 2017. En Australia, hay una encuesta postal este mes sobre la legalización del matrimonio entre personas del mismo sexo. Esta escena específicamente está en un cuarto oscuro que es tranquilo y vacío con la excepción de ADELA. ADELA se sienta en una silla en el medio del cuarto, escribiendo en la computadora portátil con una cara de consideración y estrés. La única luz es de la computadora, y brilla en la cara de ella.

(Entra BERNARDA, encendiendo una lámpara)

ADELA: (suspiro)

BERNARDA: (severamente) ¡Adela! ¿Por qué no estás durmiendo? Es muy tarde y no quiero ver que estás cansada mañana durante la cena para Angustias y Pepe.

ADELA: Estoy cansada, pero no puedo dormir. Necesito el espacio para pensar.

BERNARDA: ¡Eres demasiado dramática! Duerme porque nosotras vamos a tener un problema mañana si tu estás de mal humor. Es la cena antes del matrimonio de Pepe y tu hermana; es un día feliz y no me gustan ánimos malos.

ADELA: (con vacilación) Mamá, tengo algo que necesito decirte.

BERNARDA: No estás feliz por Angustias.

ADELA: ¡Qué!. . . No, mamá. Yo—buenas noches.

BERNARDA: (escéptica) Igualmente.

(Cierra la portátil. Se apaga la luz.)

El día siguiente en una cena antes del matrimonio entre ANGUSTIAS y PEPE. La atmósfera es alegre mientras la familia de Angustias y los invitados hablan sobre chismes y nuevas cosas de la comunidad.

MUJER: Ay, Bernarda, ¡es una fiesta muy grande! Y yo sé que Angustias estará bonita mañana cuando ella se casará con Pepe. Pues, ¡claro! Todas tus hijas son hermosas. No tendrán problemas para encontrar un esposo.

BERNARDA: ¡Por supuesto, no! Pero mis hijas piensan que es una idea anticuada, especialmente Martirio y Adela. Ellas no quieren novios ahora—a veces son demasiado liberales y modernas para mí.

ADELA: (un poco amarga) Martirio no es liberal. . .

MARTIRIO: Sí, estoy de acuerdo con ella. Es una idea loca.

MUJER: Bien, Martirio, si no tienes un novio, ¿Qué te gusta hacer? ¿Trabajas?

BERNARDA: Sí, Martirio ha estado trabajando para la campaña de “No” contra la loca encuesta postal. ¿Pueden creer que las personas quieran implementar la habilidad para la gente homosexual para casarse?

MARTIRIO: No es “un derecho”, es horrible. Quieren terminar la importancia del matrimonio.

ADELA: Voy a tomar una bebida.

(MARTIRIO sigue a ADELA)

MARTIRIO: (tranquilamente) Flaca—fue una noche muy tarde.

ADELA: (con sorpresa) ¿Qué?

MARTIRIO: ¿Estabas hablando por teléfono a las cuatro?

ADELA: No es importante para ti.

MARTIRIO: Dime con quien te hablaste anoche.

ADELA: Vete.

MARTIRIO: (pausa) Con una chica. (ADELA mira a MARTIRIO, están enojadas) Eres homosexual.

ADELA: Y tú eres homofóbica. Mi cuerpo y mi vida me pertenecen, y no hay nada que puedas hacer. ¡No es el lugar para crear una escena, pero yo sé que tú quieres atención!

MARTIRIO: (Mas ruidosa) Cállate. Cuando le diga a Mamá—

ADELA: ¿Por qué necesitas decir a madre? ¿Porque no tienes nada interesante en tu vida? Si estás tratando a arruinar el día con mi sexualidad—

MARTIRIO: Pues, si ninguna de nosotras tenemos un novio en el matrimonio de nuestra hermana, al menos mi amor por hombres es auténtico. Va a ser muy interesante—cuando yo le diga a madre sobre tu secreto y tu “novia”.

(Llega ANGUSTIAS con BERNARDA)

ANGUSTIAS: ¡Están ruidosas! Dime el chisme.

ADELA: No es chisme.

BERNARDA: No tengo tiempo para sus problemas.

MARTIRIO: Es solo el problema de Adela. Mi hermana loca tiene a correr a Nueva Zelanda para casarse, y todavía ella no sería normal.

ANGUSTIAS: ¡Martirio!

ADELA: ¡Basta! Mi sexualidad no es vergüenza. No debería una cuestión política. Ustedes me tratan como una enfermedad, pero pronto puedo casarse en Australia. Y, Martirio todavía sería soltera porque ella siempre pone su nariz en los asuntos de otros. (ANGUSTIAS empieza a llorar, BERNARDA está enojada) Y madre, mamá . . . he tratado a decirte, iba decirte, pero era demasiado—

Bernarda: Basta.

Corta el escenario a negro.

La escena final: un cuarto oscuro. Tranquilo y vacío con la excepción de BERNARDA, quien se siente en una silla al lado de un escritorio. ANGUSTIAS entra.

ANGUSTIAS: (con hesitación) Son las dos en punto.

BERNARDA: Sí. Deberías dormir. Necesito pensar.

ANGUSTIAS: Pienso sobre ti, mamá. Estoy preocupa por ti.

BERNARDA: Estoy bien—es cierto. Y te quiero una montaña, y necesitas volver a Pepe.

(ANGUSTIAS sale)

BERNARDA: (murmurando) Es cierto que amo a todas mis hijas. (Completando la encuesta postal sobre apoyo para el matrimonio homosexual de Australia y sellando el sobre) Sí, Adela.

Fin.

 A Space in Australia

All the roles in this work (Bernarda, Adela, Angustias, Martirio, Pepe) reflect the original roles from “The House of Bernarda Alba” by Federico García Lorca.

 

Curtain up to a house in a conservative suburb of Perth, Australia, 2017. In Australia, there is a postal survey this month about the legalization of same sex marriage. This specific scene is in a dark room that is quiet and empty with the exception of ADELA. ADELA sits in a chair in the middle of the room, writing on her laptop with a face of consideration and stress. The only light is from the computer, and it shines in her face.

 

 

 

ADELA: (sighs)

BERNARDA: (severely) Adela! Why aren’t you sleeping? It is very late and I don’t want to see you tired tomorrow during Angustias and Pepe’s dinner.

ADELA: I am tired, but I can’t sleep. I need space to think.

BERNARDA: You are too dramatic! Sleep, because we are going to have a problem tomorrow if you are moody. It is the dinner before Pepe and your sister’s wedding; it is a happy day, and I don’t like bad spirits.

ADELA: (hesitantly) Mamá, I have something that I need to tell you.

BERNARDA: You are not happy for Angustias.

ADELA: What! . . . No, mamá. I—good night.

BERNARDA: (skeptically) Same to you.

(ADELA closes the laptop. She turns off the light.)

The next day at the dinner before the marriage of ANGUSTIAS and PEPE. The atmosphere is happy while Angustias’ family and guests talk about gossip and new things for the community.

MUJER: Ay, Bernarda, what a big party! And I know that Angustias will be pretty tomorrow when she marries Pepe. But, of course! All your daughters are beautiful. They will not have any problems finding a husband.

BERNARDA: Of course not! But, my daughters think that this is an outdated idea, especially Martirio and Adela. They don’t want boyfriends now—sometimes they are too liberal and modern for me.

ADELA: (a bit bitterly) Martirio is not liberal. . .

MARTIRIO: Yeah, I agree with her. That is a crazy idea.

MUJER: Well, Martirio, if you don’t have a boyfriend, what do you like to do? Do you work?

BERNARDA: Yes, Martirio has been working for the “No” campaign against the crazy postal survey. Can you all believe that people want to implement the ability for homosexual people to marry?

MARTIRIO: It is not “a right”; it’s horrible. They want to end the importance of marriage.

ADELA: I’m going to get a drink.

(MARTIRIO follows ADELA)

MARTIRIO: (Calmly) Flaca (skinny girl)—It was a very late night.

ADELA: (surprised) What?

 

MARTIRIO: Were you talking on the phone at four?

ADELA: It’s not important to you.

MARTIRIO: Tell me whom you were talking to last night.

ADELA: Go away.

MARTIRIO: (pause) With a girl. (ADELA looks at MARTIRIO, they are mad) You are a lesbian.

ADELA: And you are homophobic. My body and my life belong to me, and there is nothing that you can do. It is not the place to create a scene, but I know that you want attention!

MARTIRIO: (louder) Shut up. When I tell Mamá—

 

ADELA: Why do you need to tell our mother? Because you do not have anything interesting in your life? If you are trying to ruin the day with my sexuality—

MARTIRIO: Well, if none of us have a boyfriend at our sister’s wedding, at least my love for men is authentic. It is going to be very interesting—when I tell our mother about your secret and your “girlfriend”.

 

(ANGUSTIAS arrives with BERNARDA)

ANGUSTIAS: ¡You are so loud! Tell me the gossip.

ADELA: It’s not gossip.

BERNARDA: I don’t have time for your problems.

MARTIRIO: It is only Adela’s problem. My crazy sister has to run away to New Zealand to get married, and she still would not be normal.

ANGUSTIAS: Martirio!

ADELA: Enough! My sexuality is not shameful. It should not be a political question. You treat me like an illness, but soon I will be able to marry in Australia. And, Martirio still will be single because she always puts her nose in other people’s business. (ANGUSTIAS starts to cry, BERNARDA is mad) And mother, mamá . . . I had tried to tell you, I was going to tell you, but it was too much—

Bernarda: Enough.

Cut the scene to black.

The final scene: a dark room. It is quiet and empty with the exception of BERNARDA, who sits in a chair next to a desk. ANGUSTIAS enters.

 

ANGUSTIAS: (hesitantly) It is two o’clock.

BERNARDA: Yes. You should sleep. I need to think.

ANGUSTIAS: I think about you, mamá. I worry about you.

BERNARDA: I am fine—truly. And I love you a lot, and you need to return to Pepe.

(ANGUSTIAS leaves)

BERNARDA: (murmuring) It is true that I love all my daughters. (Completing the postal survey about support for marriage equality in Australia and sealing the envelope). Yes, Adela.

End.
Boston University, Equal Rights, Feminism, I Need Feminism Because, Men for Feminism, On Campus Issues

The Ultimate Move of BU’s Lady Pilots

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By Priest Gooding

It is often with reproach that Feminism is received in contemporary conversation—c, a rebuke is made against the (usually false) idea that feminism is an Unterdrücker of men. There are various self-described “meninists” and intellectuals alike who reject the idea of feminism and the pursuits of feminists, often under the aforementioned pretense; even classical feminists (those of the second-wave cloth) often meet contemporary (so-called third-wave) feminism with contention. Certainly there exist those extremes of feminism which do fall under the pretense of Unterdrücker; however, these are, as stated, extremes. Nonetheless, the very volatile environment in which feminism exists today demonstrates the need for critical and dialectical conversation. Especially if feminism wishes to achieve its ends, there must be a social discussion (indeed, such is required to define the exact ends themselves of the movement!) of feminism. Lo! This is the exact stance (or purpose) of Boston University’s “Women’s Ultimate (Lady Pilots)”and their dialectical series of “Why I Need Feminism”, which includes women and men.

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In the vein of those so-called “meninists” and anti-feminists who seem to have popularized the posting of photos on the internet which display them holding signs which state why they do not need feminism, Boston University’s “Women’s Ultimate” have begun this series by having females and males post photos in which the individual presents a sign explaining why they do need feminism. The ultimate (pardon the pun) goal of this project is, according to the group, to help “people understand the definition of the word and movement of feminism, [which] is: the doctrine advocating social, political, and all other rights of women EQUAL to those of men.” It is, thus, a project dedicated to dispelling the myths of feminist oppression, as well as those extremes of feminism, the Hasserinnen, which often become the embodiment of feminism for those against the movement.

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This organization, then, represents the necessary feminist dialogue in the pursuit of defending feminism from its often misguided detractors and misguided proponents. But what are the merits of such dialogue? Not only does such a project provide a counter to the “Why I do not need feminism” proclamations, it also demonstrates an intersectionality which is often absent from the extremes of feminism—that is, it presents the ultimate goal of feminism qua itself: the equality of man and of woman. This is a meta-project, then, which demonstrates feminism qua feminism, and feminism in terms of its merits and ideals—a sure way to initiate the very necessary discussion of feminism as a movement.

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This project is a rather stunning achievement, both of feminism and of college-age feminists alike. We look to the Boston University “Women’s Ultimate” with hope that they may ignite the passion of others, and that we may begin a serious and critical discussion on feminism and all that it represents. Let us be reminded of those great words of encouragement: “To the daring belongs the future.”[1]

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[1] Attributed to Emma Goldman

Source of pictures: https://www.facebook.com/buladypilots/?fref=ts

Blogroll, Equal Rights, Feminism, Men for Feminism, UN Women

“He For She” and the Next Step in Feminism

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By Anto Rondon

“He For She” is a UN Solidarity Movement for Gender Equality, founded by UN Women with the key support of Emma Watson, Wolf Blitzer, and Simon Pegg. At Hoochie, we believe this movement, which has as its main goal underlying the important role of men in the Feminist movement, is crucial for Feminism in the 21st century, and is evidently the next step in the Feminist journey. It is clear for us that for Feminism–the conviction that men and women should be treated as equals because they are–to work, men need to take part in the movement. Not only for their wives, their daughters, their sisters, but because it is the right thing to do. 

heforshe

Photo from: https://shoreditchsisterswi.files.wordpress.com/2015/03/heforshe.gif

The Feminist man, who is indispensable for Feminism to prevail, is often undermined as nonexistent or fake. As much as Feminism is about elevating females so they reach males’ levels of opportunity and privilege, it is also about educating males to understand that this elevation is right and natural. This is why all children have to be taught that for a woman to stand up for herself or to be an equal is okay, that there is no such a thing as an inferior gender. It is not enough for a woman to know her worth, if those around her (not only the other women, but the men) do not allow her to act on that worth. Teaching our children about gender equality is teaching our children about humanity. Not only can women achieve all that men can achieve, but men can also do things that are often exclusively thought of as womanly things. 

The “He For She” campaign addresses all of this, and allows us to get involved in the gender equality issues that matter to us: education, work, violence, politics, health, and identity. “Our mission is Gender Equality. Our stories make it matter. Our actions make it real”, reads the He For She webpage, advocating for the right fight for Gender Equality: the fight that involves both the female and the male gender. 

For more on this: Emma Watson at the HeForShe Campaign 2014 – Official UN Video https://www.youtube.com/watch?v=gkjW9PZBRfk 

emmawatson.jpg

Twit pic @VanityFair

Being a Man, Equal Rights, Feminism, Masculinity, Take the Power Back, Terms You Should Know

TYSK #3: Misandry (and why it’s not a thing)

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Misandry (definition: hatred of men) is not a thing.

This is a controversial statement to make.

However, when feminists use this catchy slogan, we are completely aware of the fact that there are, indeed, situations in which men are disadvantaged by their gender. We are not disputing this fact, we are simply pointing out that, given the current reality that men hold the “one-up position” in society, true misandry does not occur and cannot occur on a large enough scale for it to merit the same amount of attention and activism that misogyny does. In other words, the current societal climate necessitates that issues of misandry are not our primary concern.

Hence, the feminist slogan, “Misandry is not a thing”.

Feminists are consciously refusing to spend an equal amount of time and effort addressing misandry, because an equal amount of time and effort should not be allocated to solve the subsidiary issues of the privileged group.

Even so, often in the midst of conversation regarding feminism someone points out how men are left out of the discussion. This person (if not arguing from the standpoint that feminism is secretly advocating  men’s oppression) argues that if feminists wish to get men on their side, they ought to include talk about both men and women’s issues. Focusing solely on women supposedly alienates the people feminists need to ally with in order to enact social change.

This is why there is such opposition to the term “Feminism” as used to describe the movement towards gender equality. If it is a movement based on eliminating pernicious social norms and structures which disadvantage both men and women, why not call it “Equalism” or something of the like?

The answer is that feminism is named thusly to put the focus on the disadvantaged group: women. The pernicious social norms and structures are damaging to women far more often than they are to men. This is true to such an extent that in our society, the supposedly neutral human – the default – is a man. So when we choose to use the term “Feminism,” or the slogan “misandry is not a thing,” we do so intentionally to direct the focus to the group who is most often ignored, underrepresented, and harmed.

Yes, men, we need you on the side of feminism for this whole thing to work. But we do not need to mitigate our efforts to solve women’s issues by addressing misandry as much as we address misogyny. To do so would be to enforce male privilege, not lessen it. The process of achieving equality of the sexes requires men to give up their privileges, one of which is their expectation to be included in and catered to by every institution and discussion.

Feminists are not in any way advocating the systematic oppression of men by using the slogan “Misandry is not a thing.” We are not telling men that it is impossible that their gender could somehow disadvantage them, either. We are simply asserting the point that misandry, here and now, in this discussion, is not relevant. Misogyny is.

The unfortunate day could hypothetically arrive when men are the underprivileged group and misandry does merit our attention, but that day is nowhere in the near future. Those who cry “Misandry!” when they hear “Feminism!” need to stop yelling fire before someone has even lit a candle.

For further reading:

If I Admit That ‘Hating Men’ Is a Thing, Will You Stop Turning It Into a Self-Fulfilling Prophecy?

Sorry, Men, You’re STILL Not Oppressed: Reexamining the Fallacies of “Misandry”

This post was written in partial response to:

On the Misandry Isn’t a Thing Thing

Activism, Awareness, Equal Rights, Politics

Pakistani Feminist poised to become youngest Nobel Peace laureate ever

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Read this article! It’s referring to an interview with Malala Yousafzai and Jon Stewart. Malala is a famous Pakistani woman who advocates for women’s rights, specifically rights to education. In the past, she was subject to assassination by the Taliban – it’s an amazing story. Check out her response to being threatened by them:

http://www.businessinsider.com/malala-yousafzai-left-jon-stewart-speechless-2013-10