New John Kuntz at Storefront/Somerville

http://bit.ly/e4Wpdq

A new one act from Jonathan Kuntz, who is very funny. Has a dark streak as well – did anyone see The Salt Girl last year?

This looks like it will be good. A good cast, too.

The Theater of the Future/The Future of Theater

Lines and titles will blur, merge, and disappear. We will not be actors, playwrights, directors, lighting designers. We will be theater makers.

Whistler in the Dark’s The Europeans

I know I keep tooting Whistler's horn, but I think it's important to buy local and support your local theaters. Whistler is one that keeps putting on some real thought-provoking and intriguing theater.

Their (its?) current production is Howard Barker's The Europeans. Here's a review. I saw it this past week. It is an amazingly thought-inducing production. The story is built on a single historic event, but the unfolding is multi-layered as you watch a society that has the chance to rebuild itself into whatever it chooses. It's at the Factory Theater in the South End (not South Boston/Southie, to those not familiar with Boston,) which in itself makes it wonderfully intimate: The actors can actually whisper and you can hear them, a small facial movement speaks volumes. Like the review says, some fog and a couple of rough-hewn benches can go a long way.

Also. . .

This was just too good not to re-post. I let it speak for itself.

Shameless Ti-Jean Post

Hey guys!

Just a little shameless Ti-Jean advertising. Here are some clips from the production going on through March 13 at Central Square Theatre.

In this stark, entertaining and uplifting folk parable, the Devil challenges a poor Haitian family to make him feel human emotion or be eaten. One by one, Ti-Jean and his brothers challenge the devil in his many guises in hopes of securing a peaceful future for themselves and their people.

Central Square Theatre is only a 20 minute walk over the BU Bridge. You can also take the 42 to central square (it picks up right outside the BU Academy), or transfer to the red line. Student tickets are $25, but I'll try to see if I can get a deal for the BU Community.

Hope to see you there!

PB

Dead City Tour in the NYT

Here's a link to the article from the NYT I was talking about in class, in which Sheila Callaghan and a reporter take a tour of the NY locations represented in her play, Dead City.

Theatre Events in Boston (etc)

Ok, so here we go.

1) Actor Chris Cooper in a reading of Sam Shepard's "Curse of the Starving Class" -- produced by
Commonwealth Shakespeare Company. 7p, Mon Feb 21, at the Calderwood Pavilion

This event is free, but there's been high demand for tix, so CommShakes posted the following
instructions on their website. (If you want to go, as I know some of you do, get there hella early):

Due to overwhelming demand for seating for Curse of the Starving Class, CSC has established the
following policy for admission. Our goal is to make the process fair and clear. This process is for
audience members who have NOT donated to reserve seats and attend the post-performance reception.
•       At 5pm on Monday Feb 21st, CSC staff will start handing out 145 vouchers to people who wish to attend the free performance.
•       Patrons with vouchers are welcome to line up after receiving a voucher for entry into the theater, which will begin at 6:30.
•       Vouchers will be distributed until we run out. A waiting list will then be started.
•       There is a limit of two vouchers per person.
•       Vouchers guarantee admission, but do not guarantee specific seats. Seating location is on a first come, first served basis.
•       Doors will open at 6:30pm. Patrons with vouchers will be admitted.
•       Should any seats remain, we will admit patrons from the waiting list.
For audience members who have donated to reserve seats and attend the post-performance reception:
•       There will be a separate line for you to check in.
•       Patrons who have donated are welcome to line up for entry into the theater after 5pm.
•       Doors will open at 6:15pm for patrons who have donated. Seat locations are on a first come, first served basis.

2) "Ajax" at A.R.T.
Directed by Sarah Benson, it plays through March 13
Info on ART's Student Membership tix: http://www.americanrepertorytheater.org/student-membership

Info on ART's Student Rush tix:
"A full-time college, university, or high school student with a valid student ID can purchase a Student Rush ticket for $15 on the day of the performance, subject to availability. These are available by phone at 617.547.8300 or in person at the box office only. Limit one ticket per performance per ID."

3) Theatre of War (Bryan Doerries' project) Nights at A.R.T
Two Monday night events, Feb 28 and March 7, at 7p.  Tix are free, but you must reserve online.  More info here:
http://www.americanrepertorytheater.org/tow
I'll be going both nights, and would love to make a night of it with any of you who wish to attend. We can go to the event, and then retire to a local cafe for conversation afterwards.

4) "Ti-Jean & His Brothers" at the Central Square Theatre -- a co-production between Boston
Playwrights' Theatre & Underground Railway Theatre, playing through March 13
The show features several of your SOT colleagues, and is by Nobel Laurate (and founder of BPT) Derek Walcott.  Definitely worth seeing!
Info here: http://www.centralsquaretheater.org/season/10-11/ti-jean.html

5) Sleep No More in NYC (PunchDrunk Theatre)
I contacted the folks at the Sleep No More NYC pdxn.  There aren’t any single ticket or student
discounts at present, but you might consider geting a group together to attend during InCite.  Here’s their twitter message to me: “No discounts on individual student tix at this time but we are offering student group discounts. jweinbloom@sleepnomorenyc.com
I leave it to you to follow up. You may also want to follow their (new) twitter feed, in case deals get offered there: @sleepnomorenyc

6) Young Jean Lee in NYC
Her new piece, "We're Gonna Die," goes up in NY April 1-30 at Joe's Pub (Public Theatre).
Info: http://www.youngjeanlee.org/were_gonna_die
April 1-2 and April 30 @ 7PM
April  8-9, 17-18, 22-23, 29-30 @ 9:30PM
TICKETS
Full Price: $30 Seated / $25 Standing
INSIDER DISCOUNT: $25 Seated / $20 Standing
(Valid only for tickets purchased prior to March 15. Use code JPTIXA2)

I'm going to head down some Sunday yet to be determined. If you want to make a caravan trip out of it (some people in my car, any extra people on Megabus or BoltBus or the like), let me know and I'll put you on the email list I'll use to plan the event.

Ulysses Essay

Click for the article on Ulysses. A lot of it has to do with the different themes in Joyce's work, a few of which are also in Dead City.

More DREAM THEATRE!!!

Okay, so the performance being reviewed in this article is really more of a dance-theatre piece (there's no text involved) than a play, but I just couldn't resist letting you guys know about this production.  First of all, the content of the show is an exploration of the landscape of dreams, which reminded me of the work that performance majors do in acting class freshman year (isn't it funny how dreams seem to continuously provide material for compelling theatre?).   And second of all, the reviewer's description of images and moments from the piece just swept me up completely and really sparked my imagination.  Go ahead, read the review, and tell me it doesn't set you daydreaming about what it would be like to see this show.

http://www.guardian.co.uk/stage/2011/feb/16/masquerade-review

Just do it.

http://newyork.timeout.com/arts-culture/theater/719341/a-girl-wrote-it

I really like the lack of affectedness that this minifestival has. A bunch of playwrights (in this case, female) got together to put up a night of theater, and present what they'd been working on. This seems like a very realistic model to use for making our own work, as well as not needing some sort of special occasion or gimmick to promote the evening; just DOING it is enough.

Who Says Girls Can’t Play Football?

(Click Text To Go to Article)
Brooklyn-Based Theatre Group "Half Straddle" presents a gender-bending, stereotype-reinforcing play called "In The Pony Palace/Football", which takes a look at the world of high school football-- but a world in which the girls are the football stars. The play runs until February 26 at the Bushwick Starr in Brooklyn.

Un tramway nommé désir

In Paris, Comédie-Française is putting on Un tramway nommé désir aka  A Streetcar Named Desire  in French AND in the Japanese Orientalist Style. I don't know what to think of this, but it's definitely going to be interesting. Check out the article here: http://www.nytimes.com/2011/02/15/arts/15comedie.html?_r=1

South Park and Avenue Q Writers Meet to Write Uganda’s Music Man

Jaw dropped when I saw this article. Not sure the world is ready for this pairing, but I sure am! Being a fan of both Avenue Q and South Park, I know the power humor has to get across serious messages.

Hahahaha

I'm sorry that this [angsty hipster] guy had to see what sounds like a shitty production of TV(oTGC). If you click on the thumbnail at the top right of the article, you might understand. Still, I think he was a bit harsh on Crystal Skillman there, essentially comparing her play to a torture porn movie.

http://www.brooklynpaper.com/stories/33/18/24_vigilreview_2010_04_30_bk.html

The way he talks, just wanna punch him.

Indie Theater Companion

So as I was doing some background research for this weeks play, The Vigil, I repeatedly came across a term that I'd never heard before: "indie theater".  Apparently this is a thing.  A vibrant thing - in NYC, at least - and they've got a pretty comprehensive website to prove it.  Without further ado, I pass along the Indie Theater Companion.  Enjoy.

http://www.nytheatre.com/itc.aspx

Please Don’t Start a Theater Company

I read this with interest because, for me, a playwright, the more theaters there are, the better chance I get of getting my work produced. And you'd think that actors would want more theaters because there are more parts. The same could be said for costume, lighting and set designers, directors, stage managers, et al.

What do you think? Is there a glut of small theaters, and is this a problem?

Guerrilla Girls

This is a bit blast-from-the-past, but I thought I'd introduce you to the Guerrilla Girls.  This feminist arts group started in the 1980s to protest the ridiculously obvious underrepresentation of female artists in major art collections worldwide.  They are a collective of anonymous activists/artists who tend to make their statements in gorilla masks and via huge poster campaigns.  (See their FAQ page for more details.)

I bring them up for a few reasons.  First, I think as we wade through the plays of the last twenty years, it's worth us investigating the changing (or not) notions of feminism.  Second, they've got two great twitter feeds: @guerrillagirls and @GuerrillaGsOT. Third, in cleaning out a file folder the other day, I stumbled across the poster hand-outs I got in 1996 when the GGs came to my college -- in full gorilla masks -- to talk to us about the need for equality in the arts.  I've scanned those posters in, and have uploaded them here for you to see.

And lest you think that the struggle for equality in the arts is a moot point, I invite you to check out the work of a group called 50/50 in 2020. Their twitter feed is here: @5050in2020.  They also run an initiative called Works by Women Meet-up that organizes groups to attend plays by women.

Govt. cuts to arts funding…a response

The government is (again) threatening to cut funding to PBS, NEA, et. al. Here's a response to the threat. It's really not new, we've been dealing with this since what seems like the dawn of time, but...

I do think it's important for people to understand why the arts are important to a well-rounded, educated, aware human being. I have sat through I don't know how many grade school, middle-school, and high school theater productions. And I've sat in the audience while grandma or auntie this or uncle that cooed at the sight of their little wonder up on stage, while I seethed through minute-long scene changes or flubbed lines. And I think to myself, if this were a school sports event, and one of those youngster missed a passed, or didn't double up the runner, everyone would know it and not be so sympathetic.

I'm not saying sports aren't important to society; I'm saying we have to elevate the arts to where sports are today, so actors (and writers and painters and photographers, etc) are just as revered as the Tom Bradys are.

Anyway, give this a read. Here a couple of excerpted quotes to pique your interest.

"...we never really hear why such programming is important and why it must be sustained."

"The reason the arts and humanities are targeted is that for a major portion of the country, we are either a complete blank or the spawn of the upper-class elites. We fail to make the argument for the value of our field, because we’re too busy getting butts in seats or bodies through turnstiles."

SNL: Spiderman Sues/ Seattle Intiman Theater

http://artsbeat.blogs.nytimes.com/category/theater/

You really can't buy this kind of publicity. Who knows, maybe Spiderman gets the last laugh in the end.

And for some real news, see the article below this (same web page) on Seattle's Intiman Theater. Here's a quote that should make you shudder:

“We discovered that basically our finance department appears to have been nonfunctional for a few months,” Ms. Anderson said. Asked if the board bore any responsibility for not seeing warning signs earlier, Ms. Anderson said no.

You may have the opportunity to serve on the board of a non-profit in the future. I have sat on three now, and all three of them have had moments of serious disconnects between those responsible for reporting finances (usually staff), and those with the fiduciary responsibility. Sadly, this is very, very common.

Just for fun: Chris Chalk, actor

http://bit.ly/i8NOLh

Nothing particularly newsy here, but a very fun read, especially about 2/3 down where he recounts forgetting his lines in Ruined. Enjoy and get back to work.