Salvador Dali: Illustrations of Montaigne’s Essays, Alice in Wonderland and the Zodiac

The Persistance of Memory (1931)

When we think of great artists, unless we are expert scholars of them, we tend to think of their most popular masterpiece(s). The name Van Gogh brings to mind Starry Night, while Da Vinci makes one immediately think of the Mona Lisa. For Salvador Dali it may very well be The Persistance of Memory, or “that one painting with the melting clocks”.

But for those who want a deeper taste of an artists works, it is the lesser known pieces and sketches that truly excite, similar to how devoted music fans devour demos and obscure bootlegs. For Maria Popova on Brain Pickings, this comes in the form of Dali’s illustrations for Montaigne’s Essais, Carroll’s Alice in Wonderland and the twelve signs of the western zodiac.

Of particular interest to the Core are the illustrations for a rare 1947 edition of 16th century French writer Michel de Montaigne’s Essais that CC201 students have been studying of late. A portrait of the author retains the austere composure of period portraits while utilizing a much more loose, colorful style.

For essays such as “On the Education of Children”, Dali created thought-provoking drawings that are perfect accompaniments to the essays themselves.

Equally fascinating are the surrealist’s illustrations for a 1969 edition of Lewis Carroll’s beloved Alice in Wonderland. Even more abstract than the previous works, these seem to fit in well with the period in which they were created. The drawing for the mad tea party even contains a viscous clock face like that in The Persistence of Memory.

Finally, but certainly not less interesting, are Dali’s 1967 drawings of the twelve classical zodiac signs. The series culminates in a stunning illustration that shows the formation of all twelve signs together.

If you have a moment or two, take a look at the artwork in the links and let us know which is your favorite.

Rembrandt’s Lesser-Known Genius

We all know of Rembrandt's great paintings, from Night Watch to The Anatomy Lesson of Dr Nicolaes Tulp, but the genius of this great Dutch artist did not stop when the paint brush did. Rembrandt also had a skill for print making and etching, a skill currently on display at the Museum of Fine Arts. This exhibit full of small, black and white pieces seems easy to overlook amid the numerous large, colorful paintings, sculptures, and the new Hippie Chic exhibit, but if you give the pieces a second chance, you will find an amazingly intricate collection that, in the words of Cate McQuaid, bested the efforts of many of the other painters of the 1600's:

Artists of that era often used prints to prop up their careers, selling print versions of their paintings. Rembrandt, who struggled with bankruptcy, did what he could to boost his career, but it wasn’t his habit to copy his paintings. That would have been a bore for this voracious experimenter. His prints are hardly static afterthoughts. In each, he puzzles and pushes to create a dynamic composition and tell a provocative story.

Cate McQuaid's article, which you can access here, beautifully sums up the exhibit which we at the Core office have enjoyed so well. The seeming simplicity of prints as well as Rembrandt's impecable skills playing with shadow -- the subtleties of light and dark, the depth of shadows -- draw the viewer into the details recreating a tiny piece into something as intricate as the other works at the MFA such as "Where Do We Come From? What Are We? Where Are We Going?". Regardless of your tastes, it's well worth a look, but of course, we at the Core Office can barely ever stay away from museums, especially the Museum of Fine Arts which is free to all BU students with a Student ID.

So enjoy, go explore the city. Journey on Scholars. We're right behind you.

Montaigne: The First Blogger

Relating to CC201's recent study of Montaigne, Shaun Kenney discusses the idea of the 16th century French essayist as being a proto-blogger. Even though his writings came centuries before blogging and the internet, let alone the idea of a computer, it's easy to see Montaigne's essays being published through a popular blog on WordPress or Blogger. Kenney writes:

[W]hen you write for yourself, it’s easier to please the audience. Blogging being merely one medium of doing this, Montaigne’s collection of thoughts reads just as any conversation with another should read.

CC201 students and alumni: tell us what you think on the matter.

When a Picture Captures a Thousand Words

Art can make or break a book. Look at book covers: the stately classics with only a stately name or a picture that looks older than your great grandma, non-fiction collections with their suave patters, biographies with pictures that tell you exactly the type of light the unsuspecting subject will be cast under. And of course everyone has seen those beautiful old hard covers that have a separate table of contents just for the delightful pictures (often etchings) from such titles as A Christmas Story, Alice in Wonderland, Pride and Prejudice (the list goes on).z
The illustrations I remember most, though, the ones that have stuck with me and can still send me back into a haze of reminiscence, are from the books my mom and dad would read to me before bed, a long time ago. The books you had to snuggle in next to them to read because you couldn't get enough of the beautiful pictures. Even before you could read the book yourself, you would take it down just to look at the art and marvel. Would the Cat in the Hat have been half as good without that floppy red and white hat? No, of course not. Nor would Where the Wild Things Are have enticed our souls without those stuffed animal-like critters.
Of course some artists transcend even the beautiful pairings of words and illustrations mentioned above, such as Alice and Martin Provensen. This dynamic duo first began illustrating in the early 20th century, but they did not write books of their own. Through their vibrant and classic art work, they brought to life the poetry of William Blake in A Visit to William Blake's Inn whimsically depicted below.


I don't know where that inn is, but I want to go there.

And of course, nothing can beat their imaginings of Homer:



How could you even drag your eyes away from the pictures enough to read the story? Check out more of this couple's beautiful artwork here.

The Major #1: English?

Looming above many college students is the uncertainty of choosing a major.

The Core does not have specific instructions on how to make this important decision... However, here we highlight some of the common opinions on the matter. Today's topic is the English Major:

In a thoughtful though rather biased article from The Chronicle Review we find the most common sentiments supporting the English major:

English majors want the joy of seeing the world through the eyes of people who—let us admit it—are more sensitive, more articulate, shrewder, sharper, more alive than they themselves are. The experience of merging minds and hearts with Proust or James or Austen makes you see that there is more to the world than you had ever imagined. You see that life is bigger, sweeter, more tragic and intense—more alive with meaning than you had thought.
...
The English major at her best isn't used by language; she uses it. She bends it, inflects it with irony, and lets hyperbole bloom like a firework flower when the time's right. She knows that language isn't there merely to represent the world but to interpret it. Language lets her say how she feels.

The English major believes in talk and writing and knows that any worthwhile event in life requires commentary and analysis in giant proportion. She believes that the uncommented-on life is not worth living. Then, of course, there is the commentary on the comments. There must be, as Eliot says, a hundred visions and revisions before the taking of the toast and tea—and a few after as well.
...
The English major wants to use what he knows about language and what he's learning from books as a way to confront the hardest of questions. He uses these things to try to figure out how to live. His life is an open-ended work in progress, and it's never quite done, at least until he is. For to the English major, the questions of life are never closed. There's always another book to read; there's always another perspective to add. He might think that he knows what's what as to love and marriage and the raising of children. But he's never quite sure. He takes tips from the wise and the almost wise that he confronts in books and sometimes (if he's lucky) in life. He measures them and sifts them and brings them to the court of his own experience. (There is a creative reading as well as a creative writing, Emerson said.)
...
What we're talking about is a path to becoming a human being, or at least a better sort of human being than one was at the start. An English major? To me an English major is someone who has decided, against all kinds of pious, prudent advice and all kinds of fears and resistances, to major, quite simply, in becoming a person. Once you've passed that particular course of study—or at least made some significant progress on your way—then maybe you're ready to take up something else.

Taking a look at the discussion of the English Major's disadvantages is key, as this post highlights:

As an English major you may find yourself spending the first few years in your chosen profession trying to catch up, to learn the specifics of that field. Or you may be unsure what job to pursue at all. These disadvantages of an English major are particularly salient for the student who specializes in literature, an area with far fewer career options than writing. The best way to overcome this drawback is to study a particular area of English, such as education or ESL, or to at some point during your education take an internship in the field you would like to pursue after graduating.
...
Another potential English major disadvantage is that English professors tend to focus on teaching skills such as critical thinking and reasoning, and less on concrete information. There is little to no memorization in an English class, and very often there are no tests—only long research papers. This can be a good thing, since critical thinking skills and abilities such as doing research are so important. At the same time, however, English majors come away from college knowing very few facts and details.

Also, as a comment on Humanities degrees in general, is the following lecture by Dr. Damon Horowitz, a philosopher and entrepreneur. He explores what is possible at the intersection of technology and the humanities. He discusses the value of a humanities Ph.D. in a world that is being continuously inundated with new technology, and how to apply the degree toward a successful career:

So, there is plenty of food for thought.

What are your views on the English Major?

The Core faculty and staff would gladly discuss these questions with students facing such a dilemma. Feel free to drop by our office at CAS 119.

A Little James Joyce for Us All

There was a brief period at the beginning of the 20th century that has lived on, constantly finding its way into our hearts, through the works a few genius (if, perhaps, morally questionable) men: the Paris of the 1920s. Some of the greatest minds came together and created, leaving behind a legacy that has tantalized our imaginations ever since. Perhaps the two most famous were Ernest Hemingway, who immortalized the experience of an American in Paris in his book A Movable Feast, and F. Scott Fitzgerald, who wrote one of the most loved novels of all time, The Great Gatsby.

Yet one man is often side-lined by such accessible names. That man is James Joyce. All of us have heard of this unapologetic eccentric, yes of course, but rarely does he receive the amount of attention his two compatriots inspire. He was not an American but a born and raised Dubliner who spent most of his time in Italy, not Paris; he loved his wife very much and she him.

But Joyce, for all his strangeness, had just as much cause for our attention as anyone else. Here are some fun facts for all you literary lovers out there:

1. Joyce, for all the trouble he most certainly stirred up, preferred to hide behind the stronger Hemingway as this video shows.

2. Ulysses all took place on day, June 16. This day was chosen in part because of the various historical events important to Ireland that happened, but also because it was the first day James Joyce ever took his wife Nora for an outing.

3. Joyce had a horrifying fear of dogs (cynophobia) as a result of a dog attack he underwent at the age of five and a fear of thunder and lighting (keraunophobia), the result of his grandmother telling him thunder was the wrath of an angry God.

4. Finnegan's Wake, perhaps one of the most unreadable novels of all time, sounds fantastic when Joyce is the one reading. Listen here.

5. The word "quark" comes from Finnegan's Wake. Scientist Murray Gell-Mann considered naming it "kwork", but upon discovery of the already invented word, he knew he had to use it instead.

Of course, there needs no further reasons to love this wonderful writer, but there can never be too much love for the rowdy intellectuals of that time and place.

Alum Advice: Prescription # 3

We asked our Core Alumni what succinct advice they could offer to new Core students as strategies for success in CC101.

Here are some highlights:

Beware the man whose trireme or codpiece is more impressive than yours.
~ Jonah Blustain (Core 2007, CAS 2009)
[of course referring to Prof. Samons' infamous trireme lecture!]

Speak your mind, and welcome being challenged.
~ John James McCargar (Core 2009, CAS 2011)

Don't be afraid of the Core writing tutors! They're not scary and they won't judge you.
~ Elizabeth Yvette Ramirez (Core 2010, CAS 2012)

Get yourselves to class and stay engaged. One day you'll tell people you heard so and so live in YOUR lecture, so make the most of every one. Talk to the professors. Ask questions. Wrestle with ideas. For these brief years you get to sit at the feet and glean wisdom from some amazing minds - cherish this chance.
~ Jennifer Ahl (Core 2002, CAS 2004)

Alum Advice: Prescription #2

We asked our Core Alumni what succinct advice they could offer to new Core students as strategies for success.

Here are some highlights:

For sophomores, Don't give up, the benefits of Core will continue on and on in all your future classes, regardless of major. You will be so well prepared to draw comparisons and reference other great thinkers! Don't quit!!
~ Suzyn-Elayne Soler (Core 1998, CAS 2000)

Discuss the texts with fellow Core students, especially Core alums.
~ Matt Moran (Core 2006, CAS 2008)

If you're returning to Core for a second year, it's not only for the texts (and the credits). You're returning because of the faculty. The caliber of teaching and engagement by the Core faculty is unique. There were few classes where I welcomed my mind to be held captive as much as my time in the Core.
~ Kim Santo (Core 1998, CAS 2000)

Alumni Profiles: Martha Muñoz

Martha holding an Anolis gundlachi at El Yunque Rainforest in 2013

(Core '05, CAS '07)

Years at Boston University: 4 years

Current location: Medford, MA  (but works in Cambridge)

    Company and Title:  "I'm currently a PhD candidate in Organismic and Evolutionary Biology at Harvard. I'm also affiliated with the Department of Herpetology at the Museum of Comparative Zoology at Harvard."

    Recent activities: "I recently ran two legs for the One Run For Boston, a transcontinental relay (the first of its kind!) to raise money for the One Fund. I was interviewed for USA today! Also, I published some work I began as an undergraduate working with Chris Schneider at BU in Molecular Ecology."

    Martha in Valle Nuevo, La Vega, Dominican Republic in 2011

    Benefits of the Core: "I have used the Core to keep myself interested in good books and big ideas. I also have learned to defend my points of view better. I have learned to appreciate good ideas, old and new, and have fallen in love with words."

    Alumni Profiles: Doug Herman

    Source: Doug's website.

    (Core '06, CAS '08)

    • Years at Boston University: from 2004-2008 (double major in Linguistics and Classics, minor in French).
    • Current location: Strasbourg, France.
    • Company and Title: Freeman Financial Translation.

     

    • Recent activities: Doug writes:

    I work at a small, client-focused language services firm specialising in corporate communications. My main duties there involve translation, document review and project management.

    • Benefits of the Core: Doug writes:

    Being genuinely curious and widely inquisitive is very important for translators. Without the Core I might not be doing what I do today.

    • Hobbies or interests that started at the Core and have continued to become life-long interests:

    My Core experience has undeniably followed and supported me ever since I finished college. Not a day goes by that I do not draw on the cultural, historical, scientific, and critical thinking skills that I learned thanks to the Core.