The 2013 Shmuel Traum Prize In Literary Translation

The Department of Modern Languages and Comparative Literature and the Creative Writing Program announce

The 2013 SHMUEL TRAUM PRIZE IN LITERARY TRANSLATION

for works in poetry, fiction or drama translated into English from French, German, or Hebrew

Grand Prize: $200

Please submit:

  • 2 copies of typed manuscript, indicating title and author and specifying language of the original; do not include your name
  • 2 copies of selection in original language
  • 1 cover sheet indicating titles of original and translation, your name, student ID number, mailing address, and telephone number and email

OPEN TO BU UNDERGRADUATE AND GRADUATE STUDENTS

Verse: submissions should not exceed 100 lines of a single long poem or several shorter works by the same poet or poets of similar style and period.

Prose: submissions should not exceed 12 pages of a complete work or excerpt (chapter, act, or section).

DEADLINE: Submit all materials by April 12, 5pm to: Shmuel Traum Prize, Creative Writing Program, 236 Bay State Road, Rm. 211

JUDGES:

  • Prof. Abigail Gillman, Modern Languages & Comparative Literature
  • Prof. Irit Kleiman, Romance Studies

The awards ceremony will be Thursday, May 2, 2013, 5pm in STH 625.

One Of Us: Discussing Descartes & Animal Consciousness

Relating to CC201's study of The Renaissance is the essay 'One Of Us' by John Jeremiah Sullivan on animal consciousness, in which he discusses Descartes' views on the topic. Here is an extract:

Descartes’ term for them [animals] was automata—windup toys, like the Renaissance protorobots he’d seen as a boy in the gardens at Saint-Germain-en-Laye, “hydraulic statues” that moved and made music and even appeared to speak as they sprinkled the plants.

This is how it was with animals, Descartes held. We look at them—they seem so full of depth, so like us, but it’s an illusion. Everything they do can be attached by causal chain to some process, some natural event.

Picture two kittens next to each other, watching a cat toy fly around, their heads making precisely the same movements at precisely the same time, as if choreographed, two little fleshy machines made of nerves and electricity, obeying their mechanical mandate.

The essay (bit.ly/YteICr) proceeds to expand and discuss these ideas, and is an interesting read.

Gender Inequality: CC204 & The Claims of Esquire’s Editor

Relating to last week's lecture by Professor Mears on gender inequality and Hochschild's readings, are two articles discussing the claim made by the Esquire's editor, that "women are there to be beautiful objects". Some extracts:

"The women we feature in the magazine are ornamental," he said, speaking at the Advertising Week Europe conference in London on Tuesday. "I could lie to you if you want and say we are interested in their brains as well. We are not. They are objectified."

Seeing someone admit outright that his magazine deliberately objectifies female models is refreshing.

Sadly, however, having admitted to perpetuating sexism, Bilmes then tried to rationalize it with two of the most illogical sexist excuses in circulation: That's just how men are and women do it, too! He trotted out the latter when he accused women's magazines of also objectifying women, as if the practice becomes less, not more, objectionable for being ubiquituous.

For the full articles, visit slate.me/14eHHuw and gaw.kr/ZdcjZ0.

This directly relates to and integrates themes addressed in both CC202 and CC204. In last week's CC204 lecture, Professor Mears highlighted some important changes in gender inequality in our society. Here is a sample:

  • Women’s labor force participation rate peaked at 60% in 1999, following several decades in which women were increasingly entering the labor market.
  • The share of mothers who are breadwinners or co-breadwinners has risen from 27.7% in 1967 to 63.3% in 2008.
  • Men have increased their participation in housework from 15% to 30%  since 1965.
  • The mentality in the fashion world is strongly affected by gender. If you are a male model, “Just walk like a man, just walk like yourself.  For guys it’s very different than girls.  Girls have to learn to walk.  Guys just walk with confidence,”  says male model Parker, 24 , NYC.
  • For men looking for prospective wives, traits like mutual attraction, education, intelligence and good looks have risen in importance between 1939 and 2008, while traits like dependable character, neatness, housekeeping and chastity have declined in importance during the same period.

The Core encourages students to dig further into this broad and controversial topic- it certainly deserves our attention.

CC105 Information

To all CC105 students,

Nate and Gayle, your Core Mentors, have been sending out weekly emails summarizing the important topics from the lectures that week, reminding you of assignments and giving you links to some science articles that you may find interesting. The Core Blog is regularly updated with what is being sent in these emails. For the last week before spring break:

Important Topics:

  • Electromagnetic waves (light) (review)
  • Speed of light (review)
  • Refractive index
  • v=μ
  • Differential absorption of wavelengths in H20
  • Reflection and refraction
  • H20 as a medium
  • Snell's window
  • Blue Jay search images
  • Spatial resolution
  • Pit viper and the debate of whether their "pits" allow them to see in the infrared
  • Flicker fusion as a visual illusion

Reminders:

  • Prof. Atema's lectures have been updated. Please download them again. Slides marked with stars will be important to study for the exam.
  • Important changes to Labs 3 & 4: Lab 3 will meet on April 3, not March 20; Lab 4 will meet on April 17, not April 10. Here is the updated schedule:

Lab I, Feb. 6: Simulating natural selection and building phylogenies
Lab II, Mar. 6: Sensory biology
Lab III, Apr. 3: Ecology and behavior of isopods
Lab IV, Apr. 17: Biosphere I: Building an ecosystem
Lab V, Apr. 24: Biosphere II: Analysis of an ecosystem"

Interesting Articles:

If you have any questions, email Nate (ndf93@bu.edu) or Gayle (gminer@bu.edu)!!

Famous Authors To Famous Authors

As an example of fan letters written by famous authors to famous authors, here is a sample of W.H. Auden's words to James Agee's editors in 1944:

In my opinion, his column is the most remarkable regular event in American journalism to-day. What he says is of such profound interest, expressed with such extraordinary wit and felicity, and so transcends its ostensible — to me, rather unimportant — subject, that his articles belong in that very select class — the music criques of Berlioz and Shaw are the other members I know — of newspaper work which has permanent literary value.

One foresees the sad day, indeed, when Agee on Films will be the subject of a Ph.D. thesis.

W.H. Auden's work is often studied in Core classes.

For other such letters, visit http://bit.ly/11k9FER

Beastly Boys & Ghastly Girls – Illustrated Poetry

Tomi Ungerer's illustration for Ted Hughes' My Brother Bert

The Core presents a collaboration between editor William Cole and children’s book illustrator Tomi Ungerer, in which various poems by A.A. Milne, Ted Hughes & Shelley Silverstein are illustrated in lovely and amusing ways.

For the full set of poems accompanied by their illustrations, visit http://bit.ly/100zIM3

An Introduction to Self-Publishing

The Guardian is offering extremely helpful advice on self-publishing. In brief:

This comprehensive one-day course offers advice on all the finer points of self-publishing. From designing a cover to managing your costs (and projecting your profits), plus essential tips on how to promote your work in the press and social media, get inside knowledge from a panel of experts.

For details and tutor profiles, visit http://bit.ly/YGAcot

Six Degrees of Francis Bacon

This project reassembles the Early Modern social network, interweaving many of the personalities studied in CC201: bit.ly/15YyGnM

The Future of the Bolshoi Ballet

The Core presents an article from The Atlantic discussing the Bolshoi ballet and its changing state. Here is an extract:

History and lingering popular sentiments tether the institution to the state more than any other cultural venue, even if ideologically speaking, neither is much use to the other. Though Putin's own insistence on machismo makes clear his disinterest in cultivating the ballet, it is a subject impossible for his government to ignore.

For the full article, visit http://bit.ly/15Wl8sS

The Core often organizes ballet-oriented events, so watch out for any announcements!