CC105 Information

To all CC105 students,

Nate and Gayle, your Core Mentors, will be sending out weekly emails summarizing the important topics from the lectures that week, reminding you of assignments and giving you links to some science articles that you may find interesting. The Core Blog will regularly be updated with what is being sent in these emails. For last week:

Important Topics:

  • Physiology of vision
  • Specifically the structure of cells within the retina and how that is advantageous or disadvantageous
  • Lateral Inhibition
  • Spikes
  • Top down and Bottom up processing
  • Factors influencing perception of environment

Reminders:

  • You should have a topic idea for your paper ready for your discussion tomorrow!

Interesting Articles:

  • “DNA Test for Rare Disorders Becomes More Routine”, New York Times: http://nyti.ms/Xx5UYH
  • “As Wolves’ Numbers Rise, So Does Friction Between Guardians and Hunters”, New York Times: http://nyti.ms/YvCF8R
  • “The genomic signature of dog domestication reveals adaptation to a starch-rich diet”,Naturehttp://bit.ly/13aVUZb

If you have any questions, email Nate (ndf93@bu.edu) or Gayle (gminer@bu.edu)!!

 

Publication Opportunities for Students

The Core is pleased to present students with a fantastic opportunity to publish their work:

The Agora, an on-line publication of Lynchburg College, specializing in responses to the great books of the world, has become a national journal of undergraduate academic writing. The journal, like the ancient Athenian Agora, seeks to be a marketplace for important ideas and issues.

The Agora editor invites, exclusively, students from colleges and universities who are institutional members of the Association of Core Texts and Courses (ACTC) to submit their work for consideration. BU is an institutional partner of ACTC, so yes, Core/Classics students are eligible!!!

The journal is competitive, with no more than fifteen articles published annually, including one essay in each issue featuring a piece of faculty writing that focuses on pedagogy.  Submissions are reviewed by an editorial board of professors and one student representative.

Students submissions must be sponsored by a professor from the Core Curriculum. The process is simple- drop by the Core Office in CAS 119 to ask!

More details are available on the Agora website: www.agorajournal.org. Submissions are due December 15.

Zachary Bos on Robert Bringhurst

The Administrative Coordinator of the Core, Zachary Bos, recently wrote a letter to the Boston Finneganers regarding Robert Bringhurst's books:

Dear Friends, and members of the Boston Finneganers:

I have a great deal of appreciation for Robert Bringhurst's books -- his interest and valuation of languages, literatures, and the technical means these comes to us; his sense of human and imaginative ecology, and of the natural world we humans find ourselves in -- and I'm sure I've shared some of those books with some of you. I'm writing now to share with you this pamphlet (attached) of a talk he gave a few years ago at RIT, at a symposium on The Future of Reading.

Relatedly, you might enjoy watching this video of Christopher Ricks speaking at a symposium on The Future of the Book held here at BU a few years ago, at http://bit.ly/13K0LMF. His remarks begin at 67:10; they are largely addressed to comments made by an earlier speaker at the same event, James Tracy of Cushing Academy.

Tracy is the headmaster who supervised the replacement of many thousands of print books in his institution's library with a handful of e-reader devices. He explains part of the ambition of this change, in response to a question from the audience: "I don't think that most students.... in five or ten years are going to be using printed books, for most of their research projects [...] In a much larger sense, they're going to come [to college] far more adept than your other students [whose experience is with print books] at understanding the world that they're engaged in. I think that will make them extraordinarily interesting students. They'll have interacted on a monthly basis with Nobel Prize winners and Pulitzer winners and others that we bring to Cushing as part of this program [of updating the media resources supporting the education provided by Cushing]. I think they'll be some of your most innovative thinkers who can use your electronic technology adeptly." Now, this is an attitude that simultaneously flatters and condescends to students. In the end, it's the students that are hoodwinked. Pardon me for being terrifically bored by the prospect of working with a student who has hobnobbed with a  laureate but not traveled widely in books.

See also:
- Boston Globe coverage, "Welcome to the library. Say goodbye to the books." (http://bo.st/13ilQlr)
- A debate in the opinion pages of The New York Times, "Do School Libraries Need Books?" (http://nyti.ms/Xx1GjO)
- NPR, "Digital School Library Leaves Book Stacks Behind" (http://n.pr/13ilRWw)
- Libraries Are Obsolete: An Oxford-Style Debate sponsored by Harvard Library Strategic Conversations (http://hvrd.me/13ilStL)
- Nicholas Carr on "Mr. Tracy's library" (http://bit.ly/X6ABV8)

W. H. Auden’s Syllabus

In this article, Jeva Lange lets us peek into the extremely heavy reading list college students would receive from W.H. Auden for his class, Fate and the Individual in European Literature, as seen above.

Compare this to all the Core reading lists combined! http://bit.ly/W8oTLj

For the full article, visit http://nydn.us/13aM8q4

Giacinto Scelsi

From the Shutter Island Soundtrack:

The Core presents Giacinto Scelsi, an Italian composer from the 20th century that remained largely unknown for most of his career. The impact caused by the late discovery of Scelsi's works was described by Belgian musicologist Harry Halbreich:

A whole chapter of recent musical history must be rewritten: the second half of this century is now unthinkable without Scelsi... He has inaugurated a completely new way of making music, hitherto unknown in the West.

Scelsi's works sound very strange upon first hearing, largely because his music is based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics. This produces strange effects, which probably inspired Martin Scorsese to use Scelsi's work in his movie Shutter Island (link above). Here is another piece by Scelsi, Aion:

His music explores philosophical concepts deeply rooted in many books studied in the Core, especially the Tao Te Ching.

BU Today: The Penelopiad

This article by Susan Seligson of BU Today provides the first reactions to CFA's rendi tion of Margaret Atwood's Penelopiad. Here is a sample of description:

In this contemporary reimagining of The Odyssey, which the author adapted from her 2005 novella, the dead Penelope narrates her tale from a 21st-century Hades, in a state she describes as “liplessness, breastlessness.” Joined in the underworld by her 12 unfaithful handmaidens, who were hanged upon Odysseus’ return, Penelope recounts her teenage marriage, her desolate Trojan War decades, and the way she outfoxed a parade of suitors during the wanderings of her husband, whose story we all know well.

The production will play through March 2nd at the Calderwood Pavilion’s Wimberly Theatre, Boston Center for the Arts. For the full article and more information, visit http://bit.ly/XQlMl7

The Essay as Reality Television

Adam Kirsch discusses whether or not essays are "extinct" as a form of writing, and references Michel e Montaigne, whose work is studied in CC201. Here is a sample:

The essay, traditionally, was defined by its freedom and its empiricism—qualities that it inherited from its modern inventor, Montaigne. “What do I know?” Montaigne asked, and the essay is the form that allows both the “I” and the thing it knows equal prominence. For this reason, the essay could address any subject, exalted or trivial, as long as it displayed the mind of the writer engaged with the world. The subjects in The Oxford Book of Essays, edited by the late John Gross, range from truth and dreams to wasps and the Hoover Dam. Not coincidentally, some of the greatest essays, from Addison on Paradise Lost to Mill on Coleridge, are engaged with texts, which is to say, with other minds. For the essay is one of the purest ways for a writer’s mind to record its own motions, which are the basis of prose style.

For the full article, visit http://on.tnr.com/W7VgcS

Notes from the February EnCore Book Club: Persepolis

The EnCore book club met this month to discuss the popular graphic novel Persepolis, by Iranian artist Marjane Satrapi. It was an unusual choice for the group for a variety of reasons: the book is a memoir of a young girl growing up in revolutionary Iran, it was originally written in French, and it was published as a graphic novel. By choosing this medium, Satrapi tells her story as much through her black and white, Matisse-like artwork as she does through her words.

The conversation veered from the nature of comics as art to political realities and fiction. Would Satrapi's story have beeen better told in the form of a conventional book? Would Iran's cultural story? What do we in America think about the fact that much of the political and moral vitriol many Iranians feel towards the West is due to the role America and Britain had in establishing the Shah's regime early in the 20th century? Is Persepolis less valuable for its focus on art and the individual over historical accuracy, or is that an irrelevant point?

Satrapi herself has been quoted as saying that the facts of the story, as we read it, must be seen exclusively from the perspective of her young self at the time. For example, some minor plot details are actually historically inaccurate, because they reflect the strongest rumors that were circulating at that time (e.g. which political groups were in charge of certain attacks on buildings or protest crowds). Narrow in scope or not, Satrapi's background and personal experience (coming from a "Westernized" and cultivated intellectual family, living through the Iraq-Iran war, studying abroad, and returning to her homeland) offer a unique, funny, and compelling glimpse into the aftermath and ongoing consequences of the Iranian Cultural Revolution.

EnCore held a screening of the award-winning film Persepolis (2007) on February 20th at the Kenmore Classroom Building, to further explore how this unconventional book was adapted to the unconventional medium of animation, and what was gained or lost as a result.

Does this sound like a discussion you would have wanted to take part in? EnCore will continue its Revolutionary Theme next month with Former People, a look at the fall of the Russian aristocracy after the 1917 Bolshevik revolution. Regardless of whether you've read all, part, or none of the book, we look forward to seeing any Core folks join us on March 6th for another fun discussion.

Sting & Confucius

The Core presents a song by Sting titled Englishman in New York. It's message relates to CC102's study of the Analects of Confucius. The Confucian idea of the ethics of a "gentleman", to some extent, provides directions on how to behave in the "gentlemanly" way when in a foreign land.

Sting addresses this idea of a "gentleman" far from home. Here are the lyrics:

I don't drink coffee I take tea my dear
I like my toast done on one side
And you can hear it in my accent when I talk
I'm an Englishman in New York

See me walking down Fifth Avenue
A walking cane here at my side
I take it everywhere I walk
I'm an Englishman in New York

I'm an alien I'm a legal alien
I'm an Englishman in New York
I'm an alien I'm a legal alien
I'm an Englishman in New York

If, "Manners maketh man" as someone said
Then he's the hero of the day
It takes a man to suffer ignorance and smile
Be yourself no matter what they say

I'm an alien I'm a legal alien
I'm an Englishman in New York
I'm an alien I'm a legal alien
I'm an Englishman in New York

Modesty, propriety can lead to notoriety
You could end up as the only one
Gentleness, sobriety are rare in this society
At night a candle's brighter than the sun

Takes more than combat gear to make a man
Takes more than a license for a gun
Confront your enemies, avoid them when you can
A gentleman will walk but never run

If, "Manners maketh man" as someone said
Then he's the hero of the day
It takes a man to suffer ignorance and smile
Be yourself no matter what they say

I'm an alien I'm a legal alien
I'm an Englishman in New York
I'm an alien I'm a legal alien
I'm an Englishman in New York

Applying Confucian Ethics to International Relations

In view of CC102's study of the Analects of Confucius, the Core presents an interesting discussion of Confucian ethics when applied to international relations. Here is a sample:

Chinese ethics is a deontological system that has a continuity spanning a range from personal to public concerns, without differentiation. A good society, a good state, and a good world all have to rest upon the foundation of good individuals. Between the world (tien-hsia), which is a universal, cultural order with little racial implication, and individuals, who are expected to achieve self-cultivation of virtues, are the state and the family or household, the most crucial social entities, with the individual, oneself, as the root of good order at every level.

These general principles formed during the time of the ancient Chinese multistate system reveal an anticipation of a universal order to arrive at some later time. The unification of China by the end of the Warring States period indeed fulfilled the expectation of the emergence of such a universal order.

From then on, the Chinese often believed that the tien-hsia, with China as its center, was universal and that only state boundaries within China would appear meaningless but there would also be no clear-cut boundaries throughout the entire tien-hsia. Instead, there would be only a gradually fading relationship between the center and the peripheries as distances from the center increased – again, a spatially and culturally arranged continuity. A hierarchy of differentiated relationships was thus the trademark of this sinocentric interstate order.

For the full text, visit http://bit.ly/11WmBBq