Samurai!

The MFA will soon present the fascinating exhibition “Samurai! Armor from the Ann and Gabriel Barbier-Mueller Collection”.

It will feature the extraordinary artistry of the armor used by samurai—the military elite led by the shoguns, or warlords, of Japan from the 12th through 19th centuries. The exhibition illustrates the evolution of the distinctive appearance and equipment of the samurai warrior through the centuries and examines their history.

The exhibition will span from April 14, 2013 – August 4, 2013, located in the Ann and Graham Gund Gallery. For the official page on the MFA site, visit http://bit.ly/YdVwDa

Core students are encouraged to use this opportunity to experience this aspect of Japanese culture!

Adam and Dog

The Core is delighted to share with students this Oscar-nominated short animated film by Minkyu Lee, named Adam and Dog. It is a compelling take on the creation story of The Book of Genesis (studied in CC101) from the point of view of a playful dog, which comes into contact with the first man in a newly created world.

Core Professor Kyna Hamill commented:

It is sweet, sad, and profound.

Petrarch’s unkindness toward teachers

As spotted at Futility Closet, a letter from Petrarch to Zanobi da Strada, April 1, 1352:

Let them teach who can do nothing better, whose qualities are laborious application, sluggishness of mind, muddiness of intellect, prosiness of imagination, chill of the blood, patience to bear the body’s labors, contempt of glory, avidity for petty gains, indifference to boredom. You see how far these qualities are from your character. Let them watch boys’ fidgety hands, their wandering eyes, their sotto voce whisperings who delight in that task, who enjoy dust and noise and the clamor of mingled prayers and tears and whimperings under the rod’s correction. Let them teach who love to return to boyhood, who are shy of dealing with men and shamed by living with equals, who are happy to be set over their inferiors, who always want to have someone to terrify, to afflict, to torture, to rule, someone who will hate and fear them. That is a tyrannical pleasure, such as, according to the story, pervaded the fierce spirit of that old man of Syracuse, to be the evil solace of his deserved exile. But you, a man of parts, merit a better occupation. Those who instruct our youth should be like those ancient authors who informed us in our own early age; as those who first aroused our young minds with noble examples, so should we be to our successors. Since you can follow the Roman masters, Cicero and Virgil, would you choose Orbillius, Horace’s ‘flogging-master’? What is more, neither grammar nor any of the seven liberal arts is worth a noble spirit’s attention throughout life. They are means, not ends …

Zanobi, a poor Florentine schoolmaster, was so affected by his friend’s words that he gave up teaching and became a government official. Three years later he was crowned poet laureate of Pisa, annoying Petrarch, who in 1341 had been crowned the first laureate since antiquity in Rome.

Margaret Atwood’s “The Penelopiad” at BU

The Core would like to bring to students' attention an excellent performance which they can attend- on Sunday February 24, the CFA Department of Theatre will present Margaret Atwood's "The Penelopiad," a play about the women in Homer’s Odyssey.

The performance will take place at 2 PM, at the Boston Center for the Arts. It will be followed by a talk back with Core faculty. Sign up is in CAS 119, and is free with BU ID!

MassMoca Trip in March

The Core encourages students to join the BU Art History Association on a trip to MassMoca on Saturday March 2nd. MassMoca is one of the largest centers for contemporary visual and performing arts in the country (for their official site, visit http://bit.ly/XwXaBv).

The cost of the trip is $10 and includes transportation, guided tour, and box lunch. The event is open to all students, but spots must be reserved in advance at http://bit.ly/12u32uS. Buses will leave from the GSU at 9 AM sharp and will return to BU around 7 PM.

This promises to be a fantastic experience!

Analects of the Core: Ferry on storms

In view of the coming storm tomorrow, the Core would like to remind everyone to remain calm and intellectual. To aid this process, here is a sample from David Ferry's Epic of Gilgamesh (studied in CC101), on the relevant topic of storms:

"In the early hours of the next morning dawning
there was the noise of Adad in the clouds

that rose and filled the morning sky with blackness.
Shullat the herald of the dread Adad

moved out over the mountains and over the valleys,
bellowing; Hanish the herald of the dread

Adad moved over the plains and over the cities;
everything turned to darkness as to night.

From time to time the Annunaki blazed
terrible light. Then rain came down in floods."

The Core encourages students not to worry and to stay safe!

Twists on John Keats

The Core presents a poem by Dan Beachy-Quick titled The Cricket and The Grasshopper, named after the poem by Romantic poet John Keats, whose work is studied in the CC202 Core class. Here is the Dan B-Q poem:

The senseless leaf   in the fevered hand
Grows hot, near blood-heat, but never grows
Green. Weeks ago the dove’s last cooing strain
Settled silent in the nest to brood slow
Absence from song. The dropped leaf cools
On the uncut grass, supple still, still green,
Twining still these fingers as they listless pull
The tangle straight until the tangle tightens
And the hand is caught, another fallen leaf.
The poetry of the earth never ceases
Ceasing — one blade of grass denies belief
Until its mere thread bears the grasshopper’s
Whole weight, and the black cricket sings unseen,
Desire living in a hole beneath the tangle’s green.

For the source of poem, Poetry Foundation, visit http://bit.ly/VKdAsi

To bring to attention the references that Dan B-Q makes, here is John Keat's poem of the same name:

The poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead:
That is the grasshopper's -- he takes the lead
In summer luxury, -- he has never done
With his delights, for when tired out with fun,
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket's song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper's among some grassy hills.

Summer Program in Greece 2013!

There will be a special meeting TONIGHT, Thursday February 7th, for students interested in the Summer 2013 program in Greece, about which details appear below. The information session with the "BU Philhellenes" will take place at 6 PM in CAS Room 214.

Next Wednesday, February 13th, an info sessions specifically for Core students will be held next at 3 PM in CAS room 119.

* * * *

BU/American College of Greece Summer Program 2013

  • Cost:  Estimated at ca. $5,500 for the whole program (including travel and accommodations but not food).  Scholarships to reduce the cost by at least $2000 will be available to many students.
  • Credit:  The courses will carry approved transfer credit (from ACG to BU) for two courses.  Courses: 1) Intro Modern Greek, 2) Greek Art in Athens
  • Faculty:  BU's Kelly Polychroniou will teach Modern Greek. ACG has a distinguished senior faculty member who will teach the art history course.
  • Living Situation:  Students will live in the apartment-style residences at ACG.  They are new and excellent.
  • Application Process:  Unofficial transcript, brief statement of why student wants to study in Greece (one page), copy of a paper submitted for a class.
  • Deadline: Due March 1 to the Classics department or to Core. Application for the program is considered application for a scholarship.
  • Eligibility:  Any BU student is eligible.
  • Dates: June 23-July 26, 2013
  • Future:  We plan to run the program yearly, alternating modern and ancient Greek. Steve Esposito will lead the program next year and teach ancient Greek.
  • Websites: http://www.bu.edu/classics/undergraduate/study-abroad-in-greece/; http://www.acg.edu/
  • Contact:  Any student with questions can contact ljs@bu.edu

Click here to download the info sheet / application in PDF format.

Mozart Portrait Research & Controversy

The Core presents an article by Daniel J. Wakin on the debated topic of Mozart portrait authenticity. The International Mozarteum Foundation in Salzburg, Mozart’s birthplace, have announced their intriguing findings. A sample of the article:

“It’s an emotional question,” Ms. Ramsauer said. “Mozart is such a universal genius. Everybody knows him. Everybody takes part of his life.”... One portrait long thought to be of Mozart turned out to be someone else. A suspect image was confirmed to be of him. And a third portrait, deemed incomplete, was actually found to consist of a finished piece grafted onto a larger canvas.

For the full article, visit http://nyti.ms/YTXTj8

The Beat Generation, Allen Ginsberg & ‘Howl’

James Franco portraying Allen Ginsberg in the 2010 film rendition of 'Howl'.

The Core encourages students to explore the arts and dip their intellectual toes in diverse fields - one such extraordinary field is that of Beat writing. A quick look into Wikipedia gives an equally quick description of this movement:

The Beat Generation was a group of American post-World War II writers who came to prominence in the 1950s, as well as the cultural phenomena that they both documented and inspired.

Allen Ginsberg was a leading figure in this movement. While he wrote many works - all controversial - Howl seems to be the most popular. Here is a sample:

To recreate the syntax and measure of poor human prose and stand before you speechless and intelligent and shaking ith shame, rejected yet confessing out the soul to conform to the rhythm of thought in his naked and endless head,

the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say in time come after death,

and rose incarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the suffering of America's naked mind for love into an eli eli lamma lamma sabacthani saxophone cry that shivered the cities down to the last radio

with the absolute heart of the poem butchered out of their own bodies good to eat a thousand years.

James Franco portrayed Allen Ginsberg in a film rendition of Howl in 2010. A link to the trailer: http://bit.ly/YDQ7pO

In an interesting article about Allen Ginsberg's photography, Roslyn Bernstein writes:

Ginsberg wrote that “the poignancy of a photograph comes from looking back to a fleeting moment in a floating world.” These words are especially true of the snapshots and drugstore prints in the exhibit: small images, many three by four inches, most without captions. These photos are not carefully composed, and they are definitely not in sharp focus. They do not illuminate historic moments in Beat history. Rather, they are more like the intimate snapshots in a family album, warm, fuzzy, funny, sad, and sometimes puzzling.

For the full article, visit http://bit.ly/XOE1cu