Category Archives: I Need Feminism Because

What We Can Learn from the Manic Pixie Dream Girl

By: Avery Serven

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The Manic Pixie Dream Girl, a film trope that most of us are familiar with. If not, here’s a quick definition coined by Nathan Rabin: “The Manic Pixie Dream Girl exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures. The Manic Pixie Dream Girl is an all-or-nothing-proposition.” Some of the best examples are seen in the lead female characters from films like Elizabethtown, Garden State, Paper Towns, Almost Famous, and (500) Days of Summer.

The Manic Pixie Dream Girl continues to be a character created by white, heterosexual male writers to satisfy a trope that they deemed absent from film. A character trope that, I might add, was designed to satisfy these writers’ own pipe dreams of a girl who could fill their emotional voids. The Manic Pixie Dream Girl exists for the purpose of bringing the brooding cynical “sad boy” male character out of his sheltered world so he can embrace all that life has to offer. She is often white, slim, beautiful, and, of course, quirky; the kind of girl that these heterosexual male characters might call a “cool girl.” She probably has dyed hair, crazy piercings, or listens to The Smiths (see Zooey Deschanel in (500) Days of Summer).

I’ll admit, I’m not a big fan of the Manic Pixie Dream Girl. For women, even a mention of the word “Manic Pixie Dream Girl” will probably elicit some eye rolling. Although she is “not like other girls,” she still only serves one purpose–to change the male lead’s cynical way of living. This ideology is dangerous, because even though the Manic Pixie Dream Girl is just a character on a screen, she represents the larger societal notion that women must complete men. The Manic Pixie Dream Girl does not seem to have any real goals of her own. Instead, her only goal throughout the film is to completely alter the male character by the time the credits role.

I will give the Manic Pixie Dream Girl some credit, though. Many of the female characters that have been placed into this category by film scholars have interesting personalities. They might like unconventional music, wear eccentric clothing, or think about life through a different lens. While these traits often serve as the only basis for the male character to fall in love with the Manic Pixie Dream Girl, I believe that these girls break the mold by creating three-dimensional female characters, who do not fit the standard “Sexpot” or “Brainless Beauty” tropes that most female characters fall under. Unfortunately, while the Manic Pixie Dream Girl definitely doesn’t fit the stereotypes that other female characters often adhere to, her unique outlook on life is usually exploited by the male character for his own needs.

 Additionally, although many Manic Pixie Dream Girls only seem to care about their boyfriend’s dreams, many of the girls initially have dreams of their own. While these dreams are rarely fulfilled, the fact that they exist in the first place signifies hope for a change in the future of female film characters.

I believe we can learn a lot from Manic Pixie Dream Girls. Yes, these characters often perpetuate the notion that women, with their spunky attitudes and quirky demeanors, are supposed to help men achieve their goals. And yes, even though they have complex personalities and dreams, they often channel all of their energy into helping the men in their life. However, if in Hollywood writers continue to create three-dimensional female characters and allow them to be passionate about achieving their own dreams, the romance genre could be completely transformed. 

Sources

https://film.avclub.com/the-bataan-death-march-of-whimsy-case-file-1-elizabet-1798210595

Congrats, It’s a… Human! The Problem with Gender Reveal Parties

Maria Ordoñez

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Like a scene from a Pinterest board, the expectant mother takes one last swing at the stork-shaped pinata hanging above her. Confetti bursts through the air, raining down on the smiling mother as she removes her blindfold.

It’s... yellow?

Her friends and family stare in confusion, trying to decipher whether yellow means boy or girl. With tears in her eyes, the mother runs into the arms of her partner, both delighted by the reveal.

“It’s a human!” they exclaim.


Parties like these are part of the latest trend taking over social media: gender reveal parties. You’ve seen them everywhere from Instagram to YouTube, elaborate tactics employing pinatas, paint guns, and even smoke bombs to reveal one of two colors – pink or blue. Boy or girl. 

With the increased accuracy of pre-natal DNA testing, gender reveal parties have started to replace the traditional baby showers we know and tolerate. In some cases, they can be organized as one and the same, but there aresome fundamental differences between the two. See, the gender reveal party, held much earlier in the pregnancy, is a co-ed event that is generally restricted to close friends and family. No more of those female-only showers where you have to invite all your coworkers and that one cousin you’ve never even met!

While this all seemslike a perfectly sweet excuse for a party, and an improvement from the classic baby shower, gender reveal parties have proven to be quite problematic. Let me tell you why:

  1. Did you mean “Genitalia Reveal Party?”

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As it turns out, the supposed “gender” revealed at these parties is actually the chromosomal sexof the fetus determined at the time of fertilization. In other words, XX or XY chromosomes, testes or ovaries, penis or vagina. It’s all strictly anatomical and has nothing to do with the baby’s gender. In fact, the baby doesn’t even have a gender yet!

Although often confused with sex, gender is actually a social identity shaped by a person’s own life history and cultural context. For some people it can take years to define their gender identity or come to terms with it, which is why everyone should throw their own gender reveal party when they’re good and ready.

I happen to be ready for mine... I am 20-years-old and I identify as a cisgender female. WOO HOO, SOMEBODY GET THE CONFETTI!

2. Male, Female, and nothing in between.

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Gender reveal parties are binary af.

For those not familiar with the term, binary means relating to two things. In terms of gender, binary refers to the assertion that there are only two genders, male and female. That’s why you’re only allowed to use two colors for decoration (you know which ones).

The thing is that, even anatomically speaking, nothing is binary. According to an article by The Guardian, 1.7% of people are intersex, meaning that they’re born with a combination of male and female biological traits. What color smoke bomb would you use for that? Purple? Yellow? No-colors-at-all-because-it’s-a-problematic-concept? I don’t know...

Gender identity exists on an even more varied spectrum, ranging from transgender to gender queer to gender fluid. But, the truth of the matter is that the fundamental structure of these parties is not set up to consider all the possible variations of gender, so why even have them in the first place?  

3.  You get a gender role, you get a gender role, everybody gets a gender role!

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A list of popular party themes: Rifles or ruffles, ties or tutus, boots or ballet, and so on and so on.

From before these babies are born, their parents have decided what they can and cannot do based on their biological sex. Babies with penises will grow up to wear ties, not tutus, and babies born with vaginas will grow up to wear ruffles, not play with rifles.

This is not only potentially damaging to these babies as they grow up, but it also perpetuates a culture of female domesticity and toxic masculinity. Not to exaggerate or anything, but gender reveal parties are single-handedly reinforcing the patriarchy. Just saying...

As surprising as it is, as much as cultural norms surrounding gender have evolved, problematic traditions like gender reveal parties still exist. It seems like with every increase in awareness and acceptance of identities outside of the binary, the patriarchy finds a way to reinforce what it defines as the norm. The worst part is that it does this by hiding behind hashtags and confetti and a lot of cake.

But I see you, Patriarchy.

You can’t fool me.

The Missing Ballot – Why Asian American Women Don’t Vote

By: Hanna Xue

Image Description: Clara Chan Lee and Emma Tom Leung become 1st Asian American women to register to vote in 1911. Image via Smithsonian APA
Image Description: Clara Chan Lee and Emma Tom Leung become 1st Asian American women to register to vote in 1911. Image via Smithsonian APA

Since gaining the right to vote 100 years ago, American women have become as politically active as, if not more than, their male counterparts. In the last few decades, women’s voter turnout has slowly but surely matched and then exceed the turnout rate for men - women have comprised a majority of the electorate since 1964[1]. This pattern is reflected in the voting habits of all racial groups - Black, White, and Latina women consistently outvote men in their respective groups - except for one - Asian Americans. Asian American women and men have voted at similar rates for the last two decades[2]. At a first glance, this may indicate parity in the political behavior of Asian men and women. One might assume that if they show up to the polls at roughly the same rate, then they likely possess the same resources and attitudes towards political activity. However, a more comprehensive analysis of factors related to voting reveals that this is hardly the case. So why do Asian American women, who comprise half of the fastest growing minority population in the United States, show up to the polls so slowly? Well, the answer may have something to do with a phenomenon called immigrant socialization.

Immigrant socialization refers to the process by which immigrants learn to reconcile their original cultural identity with the host culture in which they find themselves[3]. Adaptation can be facilitated with increased length of residence and can result in a higher sense of social belonging, which is critical to political participation. A 2018 study by the Journal on Race, Ethnicity, and Politics reports that social belonging precedes political engagement in the sense that an individual must feel integrated into a country before becoming involved in the political system[4]. It should be noted that nearly three quarters of the Asian American population is comprised of immigrants, and Asian Americans are poised to become the largest immigrant community in America by 2055[5]. Thus, immigrant socialization factors affect a majority of the Asian population, and therefore a majority of current or future voters. Moreover, a survey on the identity choices of Asian Americans shows that female Asian Americans are significantly less likely to form a U.S. based identity in comparison to their male counterparts[6]. In other words, Asian American women are more likely than men to self-identify as “Asian” or as part of their specific ethnic group (e.g. Chinese, Indian) than as “Asian American” or “ethnic American” (e.g. Chinese American, Indian American). This subtle preference in word choice could indicate a less salient sense of American identity among Asian American women which, as stated previously, could hamper involvement in the political process. Asian immigrant women may have more trouble forging an American identity than men because, in addition to all of the usual obstacles immigrants face when moving to a new country, women have the additional trouble of confronting sexism. Upon arriving in the United States, many Asian immigrants, regardless of gender, have to adapt to a new linguistic, cultural, and geographic environment to develop that sense of belonging, but unlike Asian immigrant men, women must also navigate a completely new set of sexist and patriarchal oppressions. This unique experience of adaptation means that immigrant Asian women may participate in politics at a completely different rate and with different means than their male counterparts[7]. Even if Asian American women possess the same resources and skills as men, this added layer of gender oppression may make it more difficult for them to adapt an American cultural identity, and therefore participate in politics. This observation holds when ethnicity and education level are accounted for; foreign born Asian women are still less likely to vote than foreign born Asian men that possess an equal level of education[8]. Immigrant socialization is a process that most Asian Americans must go through, but existing systems of oppression create more obstacles for Asian American women to overcome. As a result, their rate of political participation is compromised.

There are a host of other factors that might contribute to the generally low voter turnout rates among Asian American women, however, one cannot deny the impact that poor levels of immigrant socialization have on the group’s voting habits. Existing social, economic, and cultural factors intersect in unique ways to make the process of immigrant socialization, and therefore political participation, even more difficult for Asian women than men. Low voter turnout for Asian American women is not necessarily a result of personal apathy towards politics. Rather, they are the result of systematic barriers to their participation.

[1]“Gender Differences in Voter Turnout,” Center for American Women in Politics, accessed January 9, 2019, http://www.cawp.rutgers.edu/sites/default/files/resources/genderdiff.pdf.

[2]“Gender Differences,” Center for American Women in Politics, January 9, 2019.

[3]Qingwen Dong, Dean Phillip Gundlach, and John C. Phillips. “The Impact of Bicultural Identity on Immigrant Socialization through Television Viewing in the United States,” Intercultural Communication Studies, 15, no. 2 (2006): 63, https://web.uri.edu/iaics/files/06-Qingwen-Dong-Dean-Phillip-Gundlach-John-C.-Phillips.pdf.

[4]Natalie Masuoka, Hahrie Han, Vivien Leung, and Bang Quan Zheng. “Understanding the Asian American Vote in the 2016 Election,” Journal of Race, Ethnicity and Politics, 3, no. 1 (2018): 190, doi: 10.1017/rep.2017.34.

[5]Gustavo Lopez, Neil G. Ruiz, and Eileen Patten, “Key facts about Asian Americans,” September 8, 2017.

[6]Pei‐te Lien, M. Margaret Conway, and Janelle Wong. “The Contours and Sources of Ethnic Identity Choices Among Asian Americans,” Social Science Quarterly, 84, no. 2 (2003): 471, doi: 10.1111/1540-6237.8402015.

[7]Nadia E. Brown. “Political Participation of Women of Color: An Intersectional Analysis,” Journal of Women, Politics & Policy, 35, no. 4 (2014): 317, doi: 10.1080/1554477X.2014.955406.

[8]Christian Dyogi Phillips and Taeku Lee, “Superficial Equality,” 381.

Ruth Bader Ginsburg: A Force to be Reckoned With

Amid all the horrible things currently tearing apart our nation, we sometimes forget to appreciate everything beautiful in our lives. Let’s take a minute to bask in the glory of Ruth Bader Ginsburg, shall we?

Ms. Bader Ginsburg’s parents worked as a furrier and as a garment factory employee in the height of the Great Depression. Her parents emphasized the significance of education, although they themselves have not received university degrees. Unfortunately, Ruth Bader Ginsburg’s mother died from cancer the day before Ruth’s high school graduation. Despite this drawback, Bader Ginsburg completed her undergraduate degree at Cornell University. She met her husband, who was a Cornell Law School student, and started a family with him after she completed her undergraduate degree. Soon afterwards, Ruth Bader Ginsburg received her law degree from Harvard Law School. Upon graduating, despite her high qualifications, Bader Ginsburg was constantly faced with inequalities; she would always receive a much lower salary than her male counterparts and felt pressured to hide her pregnancy in fear that she would be fired.

Despite the countless sexist hurdles Ruth Bader Ginsburg faced, she still persisted. Ruth pursued civil procedure and then became a law professor at Rutgers University until she was hired by Columbia University, where she was the first woman to receive tenure. Former President Bill Clinton then appointed Ruth Bader Ginsburg as a Supreme Court Justice, where she continued her passion for advocating. She fiercely fights for women’s rights, and even wrote the majority opinion in United States v. Virginia, which argued that women should not be prohibited from joining the Virginia Military Institute.

The moral of the story is, know your female role models. Know what you want in life, and persistently fight for it. Understand female role models’ history, the struggles that they lived through, and appreciate their accomplishments. Internalize their strategies that allowed them to climb to success. After all, Ruth Bader Ginsburg did not grow up in a wealthy household, but she is now a Supreme Court Justice. Despite the immense amount of personal hurdles and academic hurdles that Bader Ginsburg faced—including when she battled both pancreatic and colon cancer—she never faltered. Ruth Bader Ginsburg has never missed a day of oral arguments, and proudly represents the feminist movement. Ruth Bader Ginsburg is my female role model, and I hope she is yours too.

 

Source: https://www.oyez.org/justices/ruth_bader_ginsburg

 

By: Eleni Constantinou

 

Hidden Noodles

by Thuy Anh Tran from Lehigh University

  Hidden Café, which was located on the lower level of building B in my high school, was an ideal place for anyone who needed an escape. This café was not recognized by my high school as an official dining hall, but it secretly opened to serve the growing demand for a small get-away. For straight A students, they came here with the hope of escaping from the cacophony in the hallway to figure out how to calculate the atomic mass of an element. For teachers, they desperately wanted to get away from all the troubles that students created. For rebels, this place was perfect for skipping classes.
  The owner of Hidden Café was Bac Huong, a middle-aged woman who was a high school teacher but then discovered that cooking was her passion. She had a small and slim figure; her short curly salt and pepper hair was meticulously hidden behind a ridiculously giant chef’s hat, and she possessed one of the most high-pitched voice you would ever hear, probably because she used to teach in many classes with sixty students. I called her “Bac,” which means aunt in Vietnamese, as my way to show my respect as well as my endearment to her. “If I had not been a teacher, I would have become a Michelin-star chef!” – Bac Huong confidently claimed. This café was opened as a result of many spontaneous moments.
  “What do you want today? Mian tiao?”
  “Yes, but it is miàn tiáo.”
  “I’m no Chinese. Wait five minutes.”
  Bac Huong enjoyed using some Chinese words that she picked up to tease me as I was a student in Chinese-English class. “Miàn tiáo” means noodles in Chinese, but it was not just any kind of noodles. It was noodles with beef jerky, sausage, mayo and ketchup. Weird. The combination of diverse ingredients could magically blend together, and it turned out to be one of the best dishes that I had ever tasted.
  I loved watching Bac Huong making noodles. The main ingredient for this dish was obviously noodles, or Hao Hao noodles, which was only ten cents. The fastest way to cook was to pour hot water into a bowl of raw noodles. Bac Huong never forgot to add some spices, some onions and especially her special sauce (soy sauce). She put a plate on top of the noodles’ bowl so that it would keep the heat inside to cook the noodles. After five minutes, she went to check on the noodles. Then, she cut some boiled sausages that she woke up at 5 a.m. every day to prepare, and added some beef jerky. On top of the noodles, she put some mayo or some ketchup, depending on her mood. This dish had such a special smell that I could immediately recognize before I even arrived at Hidden Café. Within ten minutes, Bac Huong made noodles and eagerly interrogated me about my school life.
  “How’s school?”
  “Do you get a 10 out of 10 on your Chinese quiz?”
  “How did you do on your Math test?”
  The most dreadful question was yet to come.
  “Where are your friends? Call them here.”
  I stayed silent.
  You would not think that such a simple question could hurt you internally. Little did Bac Huong know that she played many roles in my high school life: my “Bac,” my emotional counselor, my teacher and my only friend.
  Who was I in high school? I was a fat kid (yes, I use the F word). I was bullied because my body figure did not comply with the standard measurements for a normal high school girl. Who came up with that anyway?
  That day, a girl in my class who was a close friend of mine suddenly asked me to tell her my body measurements for her “research purpose," and I was gullible enough to tell her. Classic Mean Girl’s prank.
  The next day I went to class, she greeted me with a special nickname that I would try to forget every now and then: “square” (because my height and my weight looked quite the same). Then, there were “fatty”, “pig”, “rectangle”, “girl without curves”, “fat ugly girl”,… At that moment, my body was heated up with embarrassment. I kept looking down to the floor and closed my eyes so that I could keep my tears and my anger inside.
  I was not ready to face with such a challenge as I never knew there was something called confidence. The feeling that I was missing something inside my soul which needed to be fulfilled haunted me. Later, I discovered that it was validation. There was no class that taught me how to stand up against bullies in high school, which I think it should have had. Therefore, I kept myself safe by creating my own bubble, and never dared to step outside. What choices did I have? Many, but the easiest choice was to hide myself in this little corner of the Hidden.
  How wrong I was.
  The advantage of living in a bubble was that it created a strong shield to protect me from getting hurt, but bubbles could pop at any time.
  When I left for college, I chose not to say good-bye to Bac Huong and the Hidden because I did not want that chapter of my life to end. I would never imagine how difficult it could be to give up eating those delicious noodles.
  Six o’clock. Lower Court. Located in the lower level of the University Center, which reminds me of the Hidden. Lower Court is much more crowded than the Hidden, and students come with the purpose of seeking companions, not hiding. I choose a seat at the corner of the room. I tell myself not to think about Bac Huong’s noodles but it is impossible for me to do so as in college, spaghetti with beef sauce is the closest to what I used to have in the Hidden. Right now, the cooks are busy making spaghetti, but the way they make it is far different from what Bac Huong did. Spaghetti is already cooked from the kitchen before being placed in a large tray. The sauce is separated from the spaghetti, and each person will serve themselves with the amount of sauce that they want. I am struggling to calculate how much sauce I need for one dish of spaghetti, while Bac Huong always knew exactly how much soy sauce I needed for a bowl of noodles. All the cooks are friendly, but no one can speak Chinese to tease me.
  I learned the hard way that leaving was an essential part of growing up. As I grew up from a teenager, I left my favorite teddy bear in the basement. As I grew to become an adult, I left the Hidden and my favorite noodles in Vietnam. Growing up means that we have to leave things behind so that every time we look back, we will say to ourselves: “Oh, how I miss those good old days!”
  I guess I have to grow up now. I have to grow up from Bac Huong’s noodles and start to live my life here at college.
  I realize that I am still in the process of stepping outside my bubble.

This is a repost of a story we received in December.

In search for the undivided whole.

by Inès Ouedraogo

For my first blog post I wanted to discuss a topic that is taboo in the US culture and even more so in an academic context: pornography. As a PhD student focusing on porn studies I wanted this post to be read as an invitation for a dialogue on the way porn, especially online porn, affects, moves, inspires or confuses people. I will save here the polemical and never-ending debate on pro and anti-porn feminists. My stance is to discuss topics that are taboo specifically because of that, challenge myself and not approach them with a bias.
For today’s entry I thought of combining porn and relationships and how the former affects the latter and vice-versa. Thinking of current day relationships and porn consumption, there are many ways these two interact. Two possibilities are as follows: for some, porn is an opportunity to let go of frustrations and stress and focus on one’s bodily pleasure without being judged. For others, porn can be a way of coping with loneliness and self-experiment.
What follows is a short story that a very close friend of mine shared with me and that raises a number of questions about the dissatisfaction of relationships with men and pornography.

My Relationship with Porn

At least once a month my mother asks me when I am going to give her grandchildren, but she doesn’t understand modern relationships. I go on dates, but half of the time the men are on their phones. I can bring them home and do what people do when they go home together, we can maybe even call that a relationship, but that’s not what my mother wants from me. I am just as close to porn as I am to those men. Porn doesn’t ask me how my day was, and neither do those men. Porn doesn’t call me before they go to sleep— the last man I saw didn’t call me at any time of the day. My mother has this idea of a relationship that I’m not sure exists anymore. Maybe it does. Maybe if I couldn’t satisfy myself through porn I’d be able to “make it work” with men that I’m seeing. What I’m cheating on these men with pornography before I even meet them— hedging my bets. I’m unwilling or unable to stake my satisfaction on one person, so I get a little satisfaction here and a little there. But it doesn’t add up. Maybe four quarters don’t make a whole. Maybe I need one, undivided whole.

Sexual Assault: A Global Issue Part 2

By Kelsie Merrick

In this election, sexual assault has grown to become a controversial topic with allegations coming from all sides. Whether it's women saying Donald Trump has sexually assaulted them or Hillary Clinton has covered up rape cases. We’ve heard them all, and people and parties from both sides agree with these women or disagree with these women. However, it does not matter if you agree or disagree with any of these allegations because what we should all agree on is that this is an issue that needs to be fixed, not just in the United States but worldwide. The United Nations has been an avid supporter of reducing the violence against women for years. In 1993, the UN General Assembly created the "Declaration for the Elimination of Violence against Women" to provide a framework on how to act against this crisis. However, it's been over 20 years since that declaration and "1 in 3 women still experience physical or sexual violence." If that statistic doesn't sicken you, just know "around 120 million girls worldwide, that's 1 in 10, have experienced forced intercourse or other forced sexual acts" during their lives. The most common perpetrators of these sexual assaults are former husbands, partners or boyfriends.

We can talk about sexual assault all we want, but that won’t change anything. We need action.

 

What Can We Do To End This Violence?

Stand together in protest against our government until they implement better laws like in Argentina. Ni Una Menos (Not One Less) is a movement of women’s rights advocates that began in June of last year. They are fighting against femicide, a crime involving the violent and deliberate killing of a woman, because, in Argentina, a woman is killed every 30 hours. On Wednesday, October 19th there was a mass demonstration held for every woman that has been killed in the past five years, but mainly for a 16-year-old girl by the name of Lucia Perez who was abducted then drugged, raped repeatedly, and sodomized with an 'unspecified object' so violently that she eventually bled out from her internal injuries. The United States needs to join the Ni Una Menos movement, and hopefully, together change will occur. In the US, every 109 seconds an American becomes a victim of sexual assault. Every 8 minutes, a child becomes a victim of sexual assault. Think about those numbers for a second. Think about your mother, sister, brother, father, niece, or nephew. In 109 seconds, they could be a victim. Sexual assault happens too frequently for us to not do anything about it.

We need to encourage victims to speak out against the violence done to them and with this, we need to encourage society to not shame them. According to a study by RAINN, the nation's largest anti-sexual violence organization, 20% of victims do not report sexual assault out of fear of retaliation and 13% don’t report because they believe the police wouldn’t do anything to help. Often when a victim speaks out about assault we hear the excuses of “you were drinking too much” or “you shouldn’t have worn such revealing clothing.” What we should be hearing is “we are here to help you” or “they will not get away with this.”

On top of that, we need to start holding offenders accountable. Out of every 1,000 rapists, only 344 are reported to police. However, from that 344 only six rapists will be incarcerated. Six. Imagine being a victim and knowing these statistics. It’s understandable for them to think nothing will happen. Combine the lack of punishment and victims not reporting, 994 perpetrators walk free. 944 people have gotten away with a disgusting crime. 994 people are able to assault another innocent person.

I was raised learning that we should respect each other and to live by the "golden rule" that you should do unto others as you would have them do unto you. Especially being taught from an older generation that believed men were supposed to treat women respectfully and protect them. Many women from the Feminist Movement will take offense to that statement now because we as women can take care of ourselves and protect ourselves, but honestly, only to a certain extent. When you’re a young girl or are intoxicated, willingly or unwillingly, you are not able to protect yourself against a man that is two or three times your size. Together, every country, every nation, every man and women and innocent child needs to come together so that people don't get away with these vile and torturous crimes and that they serve the correct sentences.

La Vie en Rose

By Eleni Constantinou

Growing up, I never liked the color pink. I always associated myself as a tomboy, particularly because my three brothers, male cousins, and my male friends influenced me. I wanted to seem like someone who was tough, and who knew what they were doing. I never wanted to be “that girl:” the girl with the frilly clothes and the obsession with princesses and Barbie’s. Girls like that cried a lot. They needed help with everything. And they depended on boys. Pink was a color of weakness, and I wanted to be like my aunt: a strong, independent, and single , successful businesswoman. I know that I was not the only girl who thought this way. I remember seeing my classmates wrinkling their noses and exclaiming “ew pink!” because pink w as reserved for the “annoying popular girls,” therefore marking pink as a forbidden color to be ashamed of.

I remember the exact moment when my opinion on the color pink completely changed. I was in my sophomore year of high school. I was reading Malala Yousafzai’s book I am Malala. When asked her favorite color, Malala declared something along the lines of “pink is my favorite color because it is feminine.” I wish I could find and present the exact quote. The point is, when Malala an inspiration to me fo r her humanitarian work posed pink as a feminine color, I stopped viewing something feminine as something I should be ashamed of. Yes, pink can be a feminine color, but that’s the best part about it. If Malala can be feminine and dedicate her life towards promoting education for other girls, of course I want to be feminine.

Feminine, associated with the color pink, is now associated with fighting tirelessly for humanity. Pink can be hardcore and competitive, but it can also be frilly and dainty. Pink is no t weak. Pink is strong. Pink is not something to be ashamed of, and neither is women or girls’ femininity.

I recently discovered that everyone is gravitating towards the color pink, or otherwise labeled as “millennial pink.” According to the blog Britton, “pink speaks so much to consumers that Digiday reported it has been mentioned more than 32,000 times online in 2017 alone.” The bottom line is, our generation’s mindset has already shifted from viewing femininity as frail and repelling to something truly beautiful and powerful. It is simply incredible that so many millenials choose to unite through the color pink.

Louie​ ​C.K’s​ ​“Feminism” and why it always sucked

By Anna Bottrell

Every Hollywood abuser outed has their own special punch in the gut sensation, but Louie C.K. is one that pained me with a little extra oomph. As a supposed feminist, how could I have been watching everything he’s been putting out for years while somehow missing that he’s a complete scumbag? Can hypocritical assholes imitate good feminists that convincingly? I’ve used this as an opportunity to think about what warning signs slipped on by.

Louie’s feminism takes a familial note. I can recall Louie winning celebrity jeopardy in the name of a charity for women injured in childbirth, and the time that Louie endorsed Hillary Clinton because she is a mother. His daughters are his stated motivation behind almost every positive thing he does. “Women” in the more general, he sees in a semi-angelic light. In a well known bit, he compares the leap of faith a woman has in going on a date with a man as insanity . Men are lower creatures. They are closer to the animal kingdom. Louie isolates intrusive sexual urges as male.

I am not going to attempt to connect Louie’s picture of the world to reality, or assess its accuracy or inaccuracy. I’m merely going to trust that his signature “raw” style of standup does actually reflect the tone of his inner attitudes on gender. There have been comedy bits done by every genius and every hack on “the difference between men and women” for years, but Louie’s specific tone of moral dichotomy is unique and permeating throughout his career.

The plot of his movie that barely escaped release, "I Love You, Daddy", centers around a man (played by C.K.) who admires a Woody Allen-esque filmmaker and subsequently dismisses his reputation as an abuser and manipulator of young girls. That is, until his own daughter is the girl involved. Fathers having some sort of moral compulsion to guard a young woman’s sexual behavior is a recurrent trope that goes back to images of self righteous dads intimidating potential boyfriends with shotguns. I Love You, Daddy is different from these typical cases of fatherly overreach, where the dad believing that he has a say is a much more simple case of patriarchal control of households and a moral view of looking at women’s sexuality. The filmmaker is an abuser of minors, but then again, Louie’s character is dismissive of abusers, and also reportedly shown miming masturbation in front of a room of people (eerily similar to CK’s actual behavior with women).

The idea that women can be tugged around by protectors and violators like little rag-dolls is fairly typical Louie C.K. material, perpetuating the image he builds where women are defined by familial connections and by a lack of the chaotic urges that lead men astray. Men’s feelings and actions are the ones focused on, even if women are pivotal to the story. This treatment may make men the bad guys and show women in a positive light, sure. But, it’s dehumanizing, and it’s dismissive of predatory behavior in men, by including it in a universalized picture, and therefore implying that at least the motivations behind it are unavoidable.

An illustration of this concept sticks out in my memory, from the TV show Louie. It is a scene in which Louie is rejected by his romantic interest and proceeds by attempting to rape her. She wrestles him off of her, and chides that he can’t even rape correctly. The scene isn’t strictly comedic, and instead veers into the drama that mixes with the humor of the show. It also wasn’t very realistic, though I have no idea if it was supposed to feel real in any way. The scene very clearly came from a male perspective, where the viewer was intended to feel the swell of Louie’s emotions, and the woman’s lack of a reaction was secondary.

In Louie’s world, him being an abuser doesn’t really make him a particularly bad guy, even though he’s harmful. In his world, all men are driven by similar urges. He is one of a scummy pack, and all he can do is try to devote himself to a fatherly role, trying to save the ones he has an emotional obligation to save, from this lopsided world.

Women who aren’t his daughters aren’t really rewarded the same courtesy. It may be that in order to feel an incentive towards respecting women, he feels the need to see them as more little girls under his wing. This would explain the highly criticized part of his shoddy apology, where he overemphasizes how much 5 the women he abused had “admired” him.

Additionally, though Louie claims to care about “women” in terms of this wide group of inherently superior individuals, he still thinks of his needs and feelings and urges first in all exchanges with them, and assumes them to be a form of “other” while the flawed male is the default. One can observe this while listening to his comedy, that the male perspective is the one that we are invited to occupy as the audience. Louie is a man, so some might think it is a given. However, I think that’s a bit of a lazy way out when it comes to art. And, make no mistake, Louie C.K. believes himself to be an artist. Consider the rape scene on Louie. The woman was a developed character, but when a man near her was having intense emotions, his were the ones that superseded hers. If in other cases she was granted the opportunity to be fleshed out, then this sudden laziness without a joke to balance it doesn’t really seem artistically defensible.

In the future, I hope feminism is held to a higher standard. Even if he had never shown anybody his penis, the picture he creates of a world where the current patriarchal system of oppression is a byproduct of inherent psychological urges isn’t compatible with an agenda of social change, which is what any form of pragmatic feminism should include.

I’m concerned by the fact that I never unpacked these objections until it was too late. Maybe I was distracted by the positivity, the flattery of his portrait of women. Maybe I excused it as a joke, not seeing the underlying attitudes that Louie was espousing, and that his hordes of male fans relate to. I don’t know how many of them use the same excuses to themselves that Louie did, considering their morality to be biologically handicapped, but it’s about time that we stop spouting gender pseudoscience to each other veiled and packaged in the form of jokes, or “art”.

Some men say that feminists are overly sensitive, and can’t take a joke. I don’t know what kind of laugh they expect from me half the time, maybe some sort of existentialist reaction where I laugh at the mundanity of hearing the same jokes over and over again, accompanied by the claim that men are better at thinking of jokes than women. Have I heard a man think up an original sexist joke? Maybe Louie C.K. did, and it slipped past me, and I think I laughed. Personally, I thought Louie C.K. was funny, at least most of the time, but this is a prime example of a joke not being funny anymore. When I was a little kid, I thought Bill Cosby was funny. When I was a teenager, I used to laugh along to Joss Whedon’s dialogue in Buffy the Vampire Slayer. I laughed at Dustin Hoffman in Tootsie, and Wag the Dog. I don’t think I’m going to be laughing anymore, and if you’re a man reading this article who wants to tell me that I have no sense of humor, then nobody’s stopping you.

The Ultimate Move of BU’s Lady Pilots

By Priest Gooding

It is often with reproach that Feminism is received in contemporary conversation—c, a rebuke is made against the (usually false) idea that feminism is an Unterdrücker of men. There are various self-described “meninists” and intellectuals alike who reject the idea of feminism and the pursuits of feminists, often under the aforementioned pretense; even classical feminists (those of the second-wave cloth) often meet contemporary (so-called third-wave) feminism with contention. Certainly there exist those extremes of feminism which do fall under the pretense of Unterdrücker; however, these are, as stated, extremes. Nonetheless, the very volatile environment in which feminism exists today demonstrates the need for critical and dialectical conversation. Especially if feminism wishes to achieve its ends, there must be a social discussion (indeed, such is required to define the exact ends themselves of the movement!) of feminism. Lo! This is the exact stance (or purpose) of Boston University’s “Women’s Ultimate (Lady Pilots)”and their dialectical series of “Why I Need Feminism”, which includes women and men.

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In the vein of those so-called “meninists” and anti-feminists who seem to have popularized the posting of photos on the internet which display them holding signs which state why they do not need feminism, Boston University’s “Women’s Ultimate” have begun this series by having females and males post photos in which the individual presents a sign explaining why they do need feminism. The ultimate (pardon the pun) goal of this project is, according to the group, to help “people understand the definition of the word and movement of feminism, [which] is: the doctrine advocating social, political, and all other rights of women EQUAL to those of men.” It is, thus, a project dedicated to dispelling the myths of feminist oppression, as well as those extremes of feminism, the Hasserinnen, which often become the embodiment of feminism for those against the movement.

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This organization, then, represents the necessary feminist dialogue in the pursuit of defending feminism from its often misguided detractors and misguided proponents. But what are the merits of such dialogue? Not only does such a project provide a counter to the “Why I do not need feminism” proclamations, it also demonstrates an intersectionality which is often absent from the extremes of feminism—that is, it presents the ultimate goal of feminism qua itself: the equality of man and of woman. This is a meta-project, then, which demonstrates feminism qua feminism, and feminism in terms of its merits and ideals—a sure way to initiate the very necessary discussion of feminism as a movement.

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This project is a rather stunning achievement, both of feminism and of college-age feminists alike. We look to the Boston University “Women’s Ultimate” with hope that they may ignite the passion of others, and that we may begin a serious and critical discussion on feminism and all that it represents. Let us be reminded of those great words of encouragement: “To the daring belongs the future.”[1]

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[1] Attributed to Emma Goldman

Source of pictures: https://www.facebook.com/buladypilots/?fref=ts