Ani Gjika on Louise Gluck as teacher

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Ani Gjika (Poetry ’11) has written a gorgeous essay on Nobel-Prize-winning poet Louise Glück for World Literature Today, and we’re delighted to share it here.

From the essay:
…in poems, and at work as a teacher, [Louise] was a master at swerving, surprising you with the unexpected way she looked at things. But it was not the kind of surprise that comes from acrobatic, linguistic tricks. She’s a master at swerving because arriving at truth is never linear.

Thank you, Ani, and congrats!

Ani Gjika (@Ani_Gjika) is an Albanian-born writer, author, and translator of eight books and chapbooks of poetry. Her translation of Luljeta Lleshanaku’s Negative Space (New Directions / Bloodaxe Books, 2018) was a PEN Award finalist and shortlisted for the International Griffin Poetry Prize. The recipient of an NEA grant, English PEN, the Robert Pinsky Global Fellowship, and Pauline Scheer Fellowship from GrubStreet’s Memoir Incubator Program, Gjika teaches writing at Framingham State University. Her translation of the eponymous poem of Negative Space appeared in the digital edition of the November 2014 issue of WLT, along with the poems “History Class” and “According to Index.”

Omer Friedlander signs two-book deal with Random House

PMDealReport_301521We’re so thrilled for recent alum Omer Friedlander (Fiction ’19), who recently sold his book of short stories and novel to Random House!  It’s been so exciting to read Omer’s work in literary journals over the past couple years, and now we can’t wait to find it on shelves.  His story collection is called The Man Who Sold Air in the Holy Land and his novel is The Glass Golem.

Below, Omer shares with us the story of talking with editors while on a trip with his family:

The book-deal talks with editors coincided with a weekend trip I took to a small village in the Galilee. My twin brother and I celebrated our twenty-sixth birthday there – a small, very remote village with no phone signal, internet or electricity. It was very beautiful – plenty of limestone and groves of olive trees – but probably the worst place to go to on this weekend when I had to talk on the phone to several editors.

My father and I drove around to look for a place with reception and finally we found a hookah bar by a gas station off the highway, overlooking a barn. I ended up making all my calls to editors from the parking lot of the hookah bar, with teenagers revving their motorcycle engines in the background. Despite the stress of the hookah bar scenario, it was a great experience and I’m absolutely thrilled to be a part of Random House and to be working with the wonderful Robin Desser.

Hearty congratulations, Omer!  We are so inspired by your hard work, and glad you found that hookah bar parking lot to talk with editors!

Read more about Omer Friedlander here.

Omer Friedlander wins Sonora Review Contest, judged by Rebecca Makkai

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Even more good news from Omer Friedlander (Fiction ’19), who recently won the Sonora Review fiction contest for his story “Scheherazade and Radio Station 97.2 FM”!  

Rebecca Makkai, author of The Great Believers and finalist for the Pulitzer Prize and National Book Award, had this to say about Omer’s writing:

“Scheherezade and Radio Station 97.2 FM has magic and chance and surprise at every corner — but most importantly, it has corners. This is a story where things change, and then change again, and then change again, and not in ways anyone could see coming. I found it captivating and different, and I’d follow this writer anywhere.”

Hearty congratulations, Omer!  We’re excited for you.

Omer Friedlander grew up in Tel-Aviv. He has a BA in English Literature from the University of Cambridge and an MFA from Boston University where he was the Saul Bellow Fellow in Fiction. His work has appeared or is forthcoming in literary magazines in the US, UK, Canada, France, Israel and Singapore, including The Common, The Ilanot Review, The Mays Anthology, Paris Lit Up, and others. His writing has been supported by the Bread Loaf Work-Study Scholarship, Vermont Studio Center Fellowship, Tin House Summer and Winter Workshops, and Wellspring House Residency. He was awarded first place in the Shmuel Traum Literary Translation Prize and the Baltimore Review winter contest, and was recently a finalist for the Chicago Tribune’s Nelson Algren Award.

Aaron Caycedo-Kimura wins Slapering Hol Chapbook Prize

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We’re so excited to announce that Aaron Caycedo-Kimura (Poetry ’20) has won the Slapering Hol Press Chapbook Competition! His chapbook Ubasute will be published in March 2021.

Aaron says, My chapbook collection Ubasute is about my parents who have both passed away, my father in 2011 and my mother in 2015. These poems keep them alive in my life and give me a way to continue honoring them. I’m fortunate and grateful to have had the parents I did.

Congratulations, Aaron!  We can’t wait to read your work.

Aaron Caycedo-Kimura is a poet and visual artist. His poetry appears or is forthcoming in Beloit Poetry Journal, Poet Lore, DMQ Review, Tule Review, THINK Journal, Louisiana Literature, Naugatuck River Review, and elsewhere. Aaron is also the author and illustrator of Text, Don’t Call: An Illustrated Guide to the Introverted Life (TarcherPerigee).

Stacy Mattingly publishes essay in Lit Hub

StacyMattingly--photo to LitHub sent 072420Stacy Mattingly (Fiction ’11) has published an essay in Literary Hub about Bosnia and Herzegovina, friendship, and literary collaboration, among other things. Stacy first visited the Balkans as a Global Fellow and later founded a writers’ collective there, for poets and prose writers working in Bosnian/Croatian/ Serbian and English. She continues to work with writers in the region.

Read Stacy’s essay, “A New Generation of Writers in Bosnia and Herzegovina Narrates Life beyond War,” here.

Congratulations, Stacy!

Stacy Mattingly is a writer living in Boston. She launched the Sarajevo Writers’ Workshop in Bosnia and Herzegovina in 2012 and later helped lead the first Narrative Witness exchange (Caracas-Sarajevo) for the International Writing Program. She has recently completed a novel manuscript set in the present-day Balkans.

Ben Jackson wins second place in American Short(er) Fiction contest

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Ben Jackson (Fiction 2018)  published a story in American Short Fiction!  “Karst” won second place in ASF’s American Short(er) Fiction contest.  Ben says that the story emerged from his relationship with his grandmother.  Read “Karst” (or hear Ben read it) here.

Congratulations, Ben!

Ben Jackson’s writing has appeared in the London Review of Books, American Short Fiction online, the Los Angeles Review of Books, West Branch, the Awl and the Guardian, among others. He received an MFA in fiction from Boston University, and he’s working on a novel set in California and in Ireland, where he grew up.

Rahad Abir published in Los Angeles Review

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Rahad Abir (Fiction ’20) has published a story in The Los Angeles Review!  You can read the story, entitled “Do Not Look at Girls,” here.

Congratulations, Rahad!

Rahad Abir is a writer from Bangladesh. His work has appeared or is forthcoming in The Los Angeles Review, The Bombay Literary Magazine, The Wire, Himal Southasian, BRICK LANE TALES anthology, and elsewhere. He is an MFA candidate in fiction at Boston University. He received the 2017-18 Charles Pick Fellowship at the University of East Anglia. Currently he is working on his first novel.

Val Otarod receives St. Botolph grant

IMG-3366We’re happy to announce that Val Otarod (Fiction ’20)  received an Emerging Artists Award this spring!  Given by the St. Botolph Club in Boston, this grant is one of New England’s most prestigious, and supports musicians and visual artists as well as writers.  We’re very proud to have had several St. Botolph award recipients from our program over the years, including Duy Doan (Poetry ’10), Kimberly Elkins (Fiction ’09), Neshat Khan (Fiction ’18), Jillian Jackson (Fiction ’15), and Grace Yun (Fiction ’18)!

Congratulations, Val!  We’re proud of you.

Val Otarod is a writer and editor from Scranton, Pennsylvania. She is currently completing her MFA at Boston University, where she is the 2019-2020 Leslie Epstein Fellow and an intern at AGNI magazine. Previously, she worked in the children’s publishing group at Macmillan.

Omer Friedlander and Victor Yang Finalists for Nelson Algren, with Weike Wang as Judge

We’re so proud of Omer Friedlander (Fiction ’19) and Victor Yang (Fiction ’20), who were recently named finalists for the nationally-renowned Nelson Algren short story award! This prestigious contest, named in honor of Chicago writer Nelson Algren, honors five finalists and one winner out of several hundreds of entries from around the country. We’re so pleased that two of them are BU MFA alumni, and our very own Weike Wang (Fiction ’15) judged the competition.

Read on to learn more about each writer’s process and their thoughts on reading and writing during the pandemic.

Screen Shot 2020-07-08 at 17.45.48 (1)Omer Friedlander:

When I was writing “Alte Sachen,” I was experimenting with my prose. I gave myself more freedom to incorporate different rhythms, which normally I might not use in a story, such as long and detailed lists. The burden of a list of items (the weight of the prose) went well with the subject of the story – two brothers who are junk collectors, whose lives are filled with objects and clutter everyone else thinks is worthless, dealing with the emotional weight of a dead father. I tried to balance some of the heaviness of the lists with shorter, more abrupt and airy sentences, with lightness and humor.

Italo Calvino’s concept of lightness and heaviness is a good way of thinking about this balance. Calvino uses an example from Greek mythology. To cut off the Medusa’s head without being turned to stone, Perseus must be indirect in his gaze. He can only look at the reflection of the Medusa in his shield. Perseus is the hero of reflection, of wind and clouds, while Medusa petrifies, turns everything to stone with her gaze. Anyway, with my writing, I tried to have a bit of Medusa and a bit of Perseus, both clouds and stone.

VictorVictor Yang:

I started and edited “My Son” during Sigrid’s revision workshop last fall. I am so grateful to her and my cohort mates for believing in this story. Also, A Feather on the Breath of God! I remember finishing the book in Xuefei’s migrant lit class, and thinking, wow, a novel can be like this. It inspired in me new possibilities for writing about family, diaspora, and love.

During pandemic times, I have felt so lucky to have the MFA workshop as a constant over the past few months. In many ways, workshop remained the same, even over Zoom: cheering each other on, pointing to pretty sentences, and giggling about inane things. As one of my classmates mentioned, it is such a gift and privilege to be able to continue reading and writing during this time.

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Weike Wang:

It was an honor to be a judge.  Judging was blind but I admit there must have been some subconscious connection between me and the writers. I read these pieces during the month of May, which was a dreary month to say the least. But the stories buoyed me and I can still distinctly remember Omer’s and Victor’s prose. I hope they both continue to write, especially now, when fiction can function as both escape and hope.

 

Head over to The Chicago Tribune to read more about our two finalists.  Thank you so much, Omer, Victor, and Weike!  Congratulations, all!

International Poetry Circle launched by Tara Skurtu

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On March 15, Tara Skurtu (Poetry ’13) started an initiative called International Poetry Circle, and she says she “had no idea how much it’d grow.”  Today, IPC has over 2,000 videos, across all social media platforms, in more than fifteen languages!  During this isolating season, IPC has been helping people around the world connect through poetry.

“At International Poetry Circle,” Tara explains, “poets and poetry lovers record themselves reading a poem of their own or a favorite poem to help us all feel more connected and hopeful.”

IPC was recently featured in the Boston Globe, and the Emily Dickinson Museum made an official video for IPC in Dickinson’s bedroom and other Dickinson spots.  The hashtag #InternationalPoetryCircle is how the videos are being spread on all social media platforms.  (The Twitter account @intpoetrycircle, which exists to RT all the videos, is temporarily down, but it should be up and running again soon!).

Here’s how to contribute to International Poetry Circle:

1. Record a video of yourself reading a poem.

2. Post it on social media with the hashtag #InternationalPoetryCircle.

3. For increased accessibility: Add captions or a photo/link to the poem for people to read.

Thank you so much, Tara!